Tag: classic movies

Spring of Bette Davis: Now, Voyager

On By Lisa R. HowelerIn classic movie impressions, Spring of Bette5 Comments

I have been watching Bette Davis movies for spring and clearly, it is stretching a bit into summer.

This week I am writing about Now, Voyager — a movie that chronicles the life of a mentally abused woman whose narcissistic mother held her back and down for years.

It was released in 1942, which was in an era where movies were being geared toward women, left home during World War II. It was a feminist-yet-not-feminist movie that was ahead of its time in some ways and right in line with the times in others.

Bette portrays Charlotte Val, an abused woman who only escapes the horror of her mother (Gladys Cooper) when a psychiatrist named Dr. Jaquith (portrayed by Claude Rains) sees what is happening and suggests Charlotte come to a sanatorium. His hope is to unravel the neurotic mess caused by her domineering mother.

This movie starts with Bette looking very dowdy and old, with a unibrow. Online, it also says she was overweight but…well, that wasn’t what I think of as overweight. Different standards back then, of course.

 We learn right off the bat that Charlotte’s mother is a domineering, crazy lady. Charlotte has three older brothers and was the “unwanted child” that her mother felt was a burden.

Charlotte’s sister-in-law, Lisa, (Ilka Chase) brings Dr. Jaquith to meet Charlotte, and I can’t help feeling she did this to try to help Charlotte escape her mother.

Ilka also has a teenage daughter (Bonita Granville, who was also in the old Nancy Drew movies) who laughs at her spinster aunt. She is not a lovely girl, but she does improve somewhat later on.

When Charlotte leaves the sanitorium — thinner, more beautiful, and full of more confidence than when she went in — Dr. Jaquith and Lisa suggest she delay her return to her mother and instead go on a cruise, which she does. There she meets Jerry (Paul Henreid), who is on a business trip, and who she falls in love with but soon learns is married, though unhappily. They end up pushed together a lot on this trip, and when they are involved in a car crash while going to see the sights on a stop in Rio de Janeiro, they spend the night together, cuddling (maybe more? Hmmm…), and then spend five days together after missing the ship.

Charlotte eventually catches up with the ship to return home after she and Jerry admit they can’t be together because of his marriage.

This movie was very good, suspenseful and fascinating, but I am going to share one annoyance for me —  and please keep in mind that this was most likely a me issue and is probably due to some sensory overload issues I’ve been having as I get older — the music that constantly plays in the background of every single scene and never lets up was very distracting for me. I hesitate to even share this lest one of the enthusiastic Bette fans who have found my movie clips on social media come here and berate me, but the music, while very good, was very distracting for me. Maybe it was the sound on my TV? I have no idea.

I searched online to see if this bothered anyone else and it did (thank you Reddit and other forums), but I also read that this was to set the mood of the movie and to show how intense things kept getting for Charlotte throughout various stages of her breaking away from her mother.

That makes sense, but it was no less annoying for me. At times, I had trouble concentrating on the dialogue because of how prevalent the music was. It was a 2-hour movie and the music never, or at least rarely, stopped. The score, composed by Max Steiner, won an Oscar, though, so this is apparently just a “me” issue.

Like many of Bette’s movies, Now, Voyager is a melodrama, and melodramatic music is to be expected.  

The blog The Hollywood Garden shared that Steiner scored 21 of Bette’s movies; she was a huge fan of his. Rightly so. The music is great — just a bit too great in some scenes where it was more prominent than the voices to me.

“In 1939, during the making of Dark Victory (dir. Edmund Goulding), Bette stopped the climactic scene and asked Goulding if Steiner was going to score the picture,” The Hollywood Garden wrote. “He said he didn’t know and asked what the big deal was. She famously said, ‘Either I’m going to climb those stairs or Max Steiner is going to climb those stairs. But I’ll be g******** if Max Steiner and I are going to climb those stairs together!’”

But, as usual, I have digressed a bit. Let’s get back to the rest of the movie.

From the first moment that Dr. Jaquith takes Charlotte from her mother’s home, I was rooting for her.

I was hoping she would break away, tell that old bitty to jump off a bridge, and start her own life. Some of this did happen, but then Charlotte was in a new cage — one of a mistress who can’t really have the man she wants because he’s already married with children. Ironically, one of his children, a daughter, is very similar to Charlotte and is treated as poorly by her mother as Charlotte was by hers.

That will come into play in the movie, of course.

Bette showed her true range in this film. I almost forgot she was Bette. Instead of being brash and bold and yelling, like she was in many of her other films, she was withdrawn, subdued, quiet, and confused during the beginning of Now, Voyager, with a later transformation into a bold and determined woman.

It was fascinating to watch the process of where Charlotte started and where she eventually ended up.

I’ve almost forgotten to mention that this movie is based on the book by Olive Higgins Prouty. It was the third novel in a series about the wealthy Vale family of Boston and was released in 1941.

Bette was not the first choice for this film, which was directed by Michael Curtiz after the first director, Edmund Goulding, became ill.

Warner Bros. Production Head Hal Wallis first looked to Irene Dunne, who had starred in another melodramatic film, Love Affair, with Charles Boyer, a couple of years before. Also considered were Norma Shearer and Ginger Rogers.

None of those women were available in the end, and Bette was in the middle of yet another blow-up and battle with Jack Warner, head of Warner Bros.

When a friend at the studio told Bette that the rights had been obtained to Prouty’s novel, though, she began to lobby for the role. She was a native Bostonian and would understand the role more than other actresses, she said.

Warner said Bette wasn’t attractive enough to go from an ugly duckling to a glamorous woman.

Bette countered that her modest appearance would appeal to all women around the nation instead of a Hollywood beauty, and Wallis agreed, thus convincing Warner to cave and give her the role.

One famous scene or recurring action that came in this film was when Paul Henreid lit two cigarettes in his mouth and handed one to Bette’s character. It was a move that followed Paul around for years afterwards, with fans offering to light his cigarettes that way.

I rented this one, but I believe it is streaming on various sites.

After I finish one more Bette Davis movie, The Petrified Forrest, I’ll be taking a break from a set movie/actor theme until Autumn, when I will be watching Jimmy Stewart movies.

The movies I’ve watched for this feature include:

It’s Love I’m After 

The  Working Man 

Another Man’s Poison 

Dark Victory

Jezebel 

Dangerous

The Letter

Of Human Bondage

Now, Voyager

The Petrified Forrest

You can find a suggestion of Bette Davis movies to watch here.

_____

Sources or further reading:

https://www.criterion.com/current/posts/6703-now-voyager-we-have-the-stars

https://theoldhollywoodgarden.wordpress.com/2021/08/14/max-steiner-and-now-voyager-1942/

https://www.tcm.com/articles/1074847/now-voyager

https://www.theguardian.com/film/2021/aug/04/now-voyager-review-bette-daviss-sublime-sex-free-act-of-sublimation

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

You can also find me on Instagram and YouTube and Facebook.

Notice: This post may contain affiiate links. If you purchase the product from these links I will receive a small compensation at no extra charge to you.

Spring of Bette: The Letter (1940)

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, Spring of Bette6 Comments

I’ve been watching Bette Davis movies for spring and I’m stretching a bit into summer because of some delays but … no one really cares because I think two people (including me) read these posts. Ha! But it’s still fun for me so I keep writing them.

This week I am writing about The Letter.

This one was very suspenseful and fascinating.

I wondered what the truth was and when I did know it, I wondered how everyone in the movie would figure it out.

And the ending…oof. I sort of knew it was coming and am not sure what I think about it, but I am going to not talk about it here. I’ll let some of you watch it and then you can come back and tell me what you thought.

Here is a brief description of the movie from TCM.com:

Based on a short story and play by British author W. Somerset Maugham, The Letter is the story of Leslie Crosbie, who has killed her lover and claims self-defense. But an incriminating letter exists…

I couldn’t write any better what Margarita Landazuri wrote on TCM.com about the opening sequence of this movie:


“It is a sultry, sweltering, moonlit night on a Malayan rubber plantation. The camera pans across the native workers sleeping fitfully in their hammocks, through the silent, menacing darkness. Suddenly, a shot rings out. A ghostly tropical bird, startled, flies off its perch. A man stumbles down the steps of the veranda, followed by a woman who pumps several more shots into him and drops the gun. In two wordless minutes, director William Wyler grabs the audience and sets the mood of The Letter (1940), with one of the most stunning opening sequences ever.”

This movie, released in 1940 is a remake of a 1929 movie starring Jeanne Eagels shortly before her death. It is one of the only, if not the only, surviving film she was ever in. There was a silent and a talking version with her in it released that year and it caused quite a stir with some towns in the U.S. banning it and calling it “too adult” for most audiences.

But we are talking about the 1940 version today.

This version was directed by William Wyler who Bette Davis had worked with in Jezebel and had a brief affair with (like who didn’t she have an affair with at this point?!). Davis said there was no other director who she would trust and listen to as much as Wyler.

There were a couple of major challenges to this insistence by Davis, but, overall, their close friendship did prove to be a plus for the movie.

In addition to Davis, the movie also stars:

James Stephenson (an unknown British actor at the time who was nominated for an Oscar for his performance but sadly died a year later from a heart attack), Herbert Marshall, and Victor Sen Yung as Ong Chi Seng.

Sen Yung, Bette, and Stephenson

Sen Yung was amazing and a pivotal part of the movie all the way through. His subtle expressions and slight raise of his voice just when needed as absolutely perfect. I’d like to find out more about him and the roles he was able to, and not to, play in Hollywood back then.

I did read that he played Hop Sing on Bonanza and I’ve never seen Bonanza but I’m guessing it was pretty stereotypical. Not sure though.

Gale Sondergaard plays an Asian woman, which was very odd, but also worked somehow. She was very intimidating and creepy but that was also enhanced with Wyler’s decision to cut the soundtrack in scenes with her, leaving only the sounds of wind or windchimes during her appearances.  

Davis was extremely intense during much of the  movie and her unflinching telling of the true story was chilling and unnerving. It had me gasping a couple of times but I gasped even more at her audacity at the end of the movie.

After watching all these movies with Bette, I don’t know that she is my favorite actress and sometimes I feel like she is the same person in a lot of movies, without much variety in her acting style (please, Bette fans, don’t throw things at me .. I wrote sometimes !) but she certainly commanded the screen with her presence. More so than what Bette says is how she looks in a scene. She has this subtle, and sometimes not subtle, way of cocking one eyebrow and lowering her eyelids at the same time that alerts you to an impending fit, temper tantrum, or epic take down.

This movie, much like Jezebel, showcases Bette’s ability to convey so much through just a few looks. I couldn’t take my eyes off of her and found myself saying, “Oh no you didn’t…” a lot to the screen when she was on.

This one is definitely on of hers I would recommend if you have never seen a Bette Davis movie, or one that was good at least.

Here is the opening sequence I was talking about above:

Here is an explanation on why this movie is considered noir by many film buffs

Up next I am watching Of Human Bondage, one of Bette’s most acclaimed early films.

My watch list for this feature:

It’s Love I’m After 

The  Working Man 

Another Man’s Poison 

Dark Victory

Jezebel 

Dangerous

The Letter

Of Human Bondage (June 2)

Now, Voyager (June 5)              

The Petrified Forrest (June 11)

Sources:

https://www.tcm.com/articles/18603/the-letter

https://classicforareason.com/2017/07/04/the-letter-1940/

https://classiq.me/breaking-the-rules-of-a-leading-lady-bette-davis-in-the-letter

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

You can also find me on Instagram and YouTube and Facebook.

Spring of Bette (Davis): Another Man’s Poison

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions12 Comments

Another Man’s Poison was my second Bette Davis movie, and I watched it on a whim sometime back in January. All About Eve was my first Bette Davis movie, in case you are curious.

This movie is dark from the start. We have Bette Davis as Janet Frobisher, and she’s already committed a crime that she would like to keep quiet.

A celebrated mystery writer, Janet married a criminal who was also abusive. We never get to see her husband because at the start of the movie, he’s already dead and she’s killed him. Not a spoiler. It’s the movie set up and will set up the direction of the rest of the movie.

She’s already called Larry, the fiancé of her secretary, who she, incidentally, is having an affair with, and asked him to come to her house that weekend. She’s walked to a phone box very far from her house to make the call and her nose neighbor, Dr. Henderson, the local vet, comments to her about how odd it is she is in town when she owns a mansion with phones in every room.

Janet essentially tells him to get lost and goes back home.

She has plans to dump her husband’s body in the pond on their property, but a man, George Bates (played by her real-life husband Gary Merrill), breaks into her house looking for her husband, saying he’s a robber and a murderer he and her husband were supposed to meet there after the robbery to escape together.

After a bunch of back and forth, Janet confesses she killed her husband but before she can kick Bates out the door, Dr. Henderson (Emlyn Williams) shows up and not wanting him to know she killed her husband, who Henderson has never met, she agrees to let Bates pretend he is her husband.

What results is another hour or so of panic, blackmail, and manipulation that will make your head spin. And then ending…well I can’t talk about it but oof! All I’ll say is karma is a word I do not write out or usually use so I’ll just say — a jerk!

While researching this film I was surprised to find out that it was co-produced by one of my favorite actors — Douglas Fairbanks Jr. I watched a ton of his movies last winter, which you can find here (scroll down the page).

Bette jumped at the opportunity to film this British thriller in the UK because there was a part for her new husband, free passage on the Queen Elizabeth cruise liner, and she could bring her children. It was essentially a free honeymoon.

There was a problem with the script but, according to TCM, Bette ignored this because she could choose her director (American Irving Rapper who directed one of her biggest hits, Now, Voyager in 1942). She liked him because “she could dominate him” the TCM article says.

“I’ve always wanted to play in a suspense picture as they’re made in England, with that quiet effectiveness which the British singularly seem to possess,” Bette told the British reporter.

Trouble always seemed to follow Bette and this time was no different. As soon as she arrived in England she threw a lavish party for the British press who rewarded her with tabloid articles about her mink coats, her excess and her husband, “Mr. Davis.”

This movie was not really well-received, with critics rolling their eyes at what they called “the absurdities of the script.”

They were impressed with how Bette pulled off the role even with the issues, though.

“No one has ever accused Bette Davis of failing to rise to a good script; what this film shows is how far she can go to meet a bad one,” critic Frank Hauser wrote in New Statesman and Nation.



The movie wasn’t a success at the time for the couple but visiting England was.

Actor Emlyn Williams bringing the schoolteacher who had been the inspiration for Miss Moffat in The Corn Is Green onto the set of Another Man’s Poison, and introducing her to Davis was an absolute thrill for Davis who  starred in The Corn is Green in 1945.

The marriage went the way of the movie, I should add, ending only a year later, which was probably good because it was said to be a rocky and abusive one.

Have you seen this one?

Up next for my Spring of Bette feature is: Dark Victory.

My watch list for this feature:

It’s Love I’m After (April 15)

The  Working Man (April 21)

Another Man’s Poison (April 27)

Dark Victory (April 30)

Jezebel (May 1)

Dangerous (May 7)

The Letter (May 12)

Of Human Bondage (May 21)

Now, Voyager (May 28)

Additional sources/resources:

https://www.tcm.com/articles/27959/another-mans-poison

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

Classic Movie Impressions: Another Thin Man (1939)

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, The Thin Man Movies, The Thin Man Movies9 Comments

I’ve been watching and writing about what are known as The Thin Man movies with William Powell and Myrna Loy.

I’ve already written about the first two movies, and you can find those recaps/reviews/thoughts here and here.

Today I am writing about the third movie in the series, Another Thin Man.

If you have not seen the first two movies, there is a spoiler in this one, just to warn you.

You’ve been warned. Are you ready?

You sure? Time to look away if you don’t want to know….

….

….

…..

Okay. You’ll have to know now if you haven’t already left.

In this movie, we have an addition to our mystery-solving team —  Nick Jr.

That’s right. Nick and Nora Charles have had a baby since the last movie and what a cute baby he is.

He isn’t a central part of the somewhat confusing plot of this movie, but he is an adorable addition. You would actually suspect there would be a baby in this one if you saw the end of the last movie when Nora was knitting baby booties.

Somewhat convoluted plots seem to be the norm for The Thin Man movies, but let’s be honest, we aren’t just here for the mystery — we are here for the Nick and Nora banter and one-liners.

We are here for scenes like one where Nick finds Nora at a night club with men all around her, gently makes his way to her, and says, “Now, Mommy, you know you can’t be out until the doctor says it’s okay for you to leave quarantine.”

That clears the room fast, and the couple is left to compare notes with each other on their investigation.

Let’s go back a bit and give an overview of the movie.

Nick (William Powell) and Nora (Myrna Loy) accept an invitation to visit a family friend who also helps with Nora’s money (she’s an heiress if you remember from the previous movies), Col. Burr MacFay (C. Aubrey Smith – who I have been seeing in a lot of old movies I’ve been watching lately). MacFay is convinced his neighbor, Phil Church, who he worked with before, and is a known criminal, is trying to kill him.

No one else in the family is sure about this but MacFay calls Nick and Nora in the middle of the night practically begging them to help him find out.

While they are there, the dog of MacFay’s daughter is murdered brutally (that was dark) and a knife is thrown at Nick when he tries to talk to Phil Church (Sheldon Leonard).

It was also quite odd that when they were driving in to the estate, Nick saw a stabbed, “dead” body along the road, but when he stopped to investigate the body was gone and the chauffer ran off into the woods.

Skipping ahead, without spoiling too much, I can tell you that MacFay is murdered and right afterward Church disappears.

This leaves Nick and Nora to help the police investigate if Church actually murdered him or if someone else did.

Everyone else involved with the first two movies returned for this one, even the creator of Nick and Nora, noir crime writer Dashiell Hammet, who helped with the screenplay again this time, but was kicked off the last movie for drinking too much.

The two married, Oscar-winning writers who tried to kill the series by writing a baby in —  Albert Hackett and Frances Goodrich —  even came back, but this was their last movie in the series, which Myrna Loy said negatively affected the last three movies.

“Do you know I never saw them at Metro?” she wrote in her autobiography. “It’s terrible, really, but unless they sent for the writers to get us out of a hole, we seldom saw them on the set….I didn’t meet the Hacketts until I moved to New York in the fifties. We became friends, I’m happy to say, and Albert facetiously explained one day why they didn’t write the last three Thin Man pictures: ‘Finally I just threw up on my typewriter. I couldn’t do it again; I couldn’t write another one.’ Perhaps we all should have concurred; those last three never really touched the previous ones.”

Director Woody VanDyke returned as well.

The movie almost wasn’t made, however, due to a health scare with its leading man, William Powell, as well as the sudden, unexpected death of his fiancé, Jean Harlow, right before filming.

William Powell and Jean Harlow

Powell was treated for cancer in 1938. Jean passed away in 1937. It was a more tired and depressed Powell who returned for the movie, even though his cancer treatments were successful. According to TCM.com, the cast and crew did their best to lift his spirits.

“Powell was given a standing ovation by the cast and crew on his first day on the set of Another Thin Man,” an article by Lang Thompson shares. “According to author Charles Francisco in the biography, Gentleman: The William Powell Story, “Powell, looking remarkably fit and tanned, seemed embarrassed by the attention. He held up his hands and the familiar grin began to play at the corners of his mouth as he tried to think of something funny to say. The applause stopped, and Bill found that he couldn’t speak. Myrna Loy rushed over to him and gave him a kiss and a big hug.”

To help with Powell’s recovery, VanDyke, usually known as a no-nonsense guy, cut shooting hours down to six hours a day and let Powell rest whenever he needed.

Powell’s illness kept him from being able to take the role of Maxim de Winter in Hitchock’s Rebecca. The role went to Laurence Olivier instead. Personally, I believe Olivier was a better fit.

Another Thin Man ended up being one of the highest-grossing films of 1939.

Up next in our series will be Shadow of the Thin Man from 1941. We will see if Myrna was right about the last three not being as good as the first three, with Hackett and Goodrich not on board.

You can read my impressions of the other movies I have watched here.

Sources:

https://theblondeatthefilm.com/2017/08/09/another-thin-man/

https://www.tcm.com/articles/27611/another-thin-man

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

If you enjoy the kind of content on my blog and all that goes into it, you can support my writing for $2.99 a month or a single donation. Learn more here: https://lisahoweler.com/support-my-writing/

Winter of Cagney: The Bride Came C.O.D.

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, Winter of Cagney5 Comments

This Winter I’ve been watching James Cagney movies.

I’ve switched the movie I was going to write about last week with the one I was going to write this week because I was going to watch the DVD of Angels With Dirty Faces I picked up, but I’ve been waiting for a night to watch it with The Husband, and that hasn’t come.

In the end, I decided to wait to watch that movie with him because he would like to see it as well, and it will be fun to watch together.

Angels with Dirty Faces stars Cagney with Humphrey Bogart, and Bogie is one of my husband’s favorite actors.

The Bride Came C.O.D. with Cagney and Bette Davis was a perfect substitute for this week, though.

It was a delightfully fun movie, and I needed it this week, so I’m glad I made the trade.

I will be watching this movie again with him soon, though, because it was just too much fun and should be watched with others.

This is a slapstick comedy where Cagney and Davis were both trying their acting talents at something a little different.

First, the premise: Davis is playing Joan Winfield, an heiress who makes impulsive decisions, and her latest impulsive decision is marrying Alan Brice (Jack Carson), a famous singer and band leader. The marriage announcement comes at just the right time for gossip and entertainment broadcaster named Hinkle who needs a big story.

He talks Brice into marrying Joan right away because it will make a great story for his broadcast.

The only issue is that Joan is on the phone with her father when Alan announces his engagement to Joan to the audience at the club and she is trying to work up the courage to tell her father she’s engaged.

Their call is cut short and she never tells him, but Hinkle arranges for her and Alan to go to a small airport to be flown by a private plane to Las Vegas where they can be married.

Steve Collins, a notorious womanizer who pretends  he is married with children so he doesn’t get roped into marriage by women who like to date married men,  owns the airport and the main plane. He’s never paid for the plane though and the finance company now wants it back.  Steve’s handy man, Pee Wee (George Tobias) tells him that Hinkle has arranged for their plane to take a famous couple to Las Vegas and Steve wonders if they will even have a plane to take them in.

Collins tries to think of a way to get the money and has no ideas until Joan’s father, oil tycoon Lucius K. Winfield (Eugene Pallette) calls the airport to try to reach his daughter and Collins strikes up a plan with Winfield to make sure his daughter doesn’t make it to Las Vegas to marry Alan Brice.

If Collins pulls off the delay, meeting Winfield with his daughter in tow in Texas instead, Winfield will pay Collins the money he needs to pay off the plane and keep the airport in business.

The first task at hand is to get rid of Hinkle and Alan which PeeWee helps Collins with. With them out of the way, Collins jumps in the plane and takes off with Joan, his plan to fly her to Texas. Unfortunately, Joan isn’t too happy with this arrangement and tries to escape, causing the plane to crash in the desert.

Here we will be introduced to Pop Tolliver (Harry Davenport), who I just loved.

I loved a lot about this movie.

It was very witty and fun, with some great lines.

Bette Davis was supposed to be 23 in the film which I found a little unbelievable but then again, Bette always looked older to me than she was.

She was actually 33 when this movie was made.

According to Frank Miller from TCM (yes, my go-to-source), Cagney made the movie on the heels of Strawberry Blonde because he wanted to break out of gangster roles.

Ann Sheridan, Ginger Rogers, and Rosalind Russell were considered for Davis’s role but when she expressed interest in trying out, Hal Willis, the producer of the movie, went to bat for her.

“In addition, she was eager to re-team with Cagney, who like her had a history of battles with the Warner Bros. management,” Miller wrote. “They had not worked together since 1934, when they teamed for the minor comedy Jimmy the Gent. Some biographers have suggested that the studio was punishing her with the film because of her notorious temperament, while others have suggested she may have wanted to emulate Katharine Hepburn, who had been equally successful in serious and comic roles. Also possible is that she was drawn to the film’s obvious similarities to It Happened One Night (1934), another tale of a runaway heiress saved from a bad marriage by the love of a simple working guy.”

There was a lot of trouble with the movie, including the writing and the fact Cagney wasn’t a fan of the sweltering heat at the shooting location of Death Valley.

Davis also wasn’t happy because while a stunt double was supposed to take the fall into a cactus for her, she had a fall of her own and ended up with 45 cactus quills having to be removed from her behind.

Neither actor was very fond of the movie years down the road and even critics bashed it with one saying, “Okay, Jimmie and Bette. You’ve had your fling. Now go back to work.” 

As for me, I found the film a lot of fun and ended up snickering at the silliness and the exchanges between our main characters.

And as I said above, Harry Davenport really added some charm to the film for me.

Have you ever seen this one?

I found it for rent on Amazon Prime but it is also available on HBO Max, Hulu, YouTube, and AppleTV.

Next week I’ll wrap up my Winter of Cagney with Angels With Dirty Faces and two weeks after that I’ll start a bi-weekly movie watch of Bette Davis films.

If you want to catch up on the other Cagney films I’ve watched this winter you can do so here:

Yankee Doodle Dandy

Taxi

The Strawberry Blonde

Mister Roberts

The Public Enemy

Love Me or Leave Me

White Heat

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

If you enjoy the kind of content on my blog and all that goes into it, you can support my writing for $2.99 a month or a single donation. Learn more here: https://lisahoweler.com/support-my-writing/

Favorite movies I watched in 2025

On By Lisa R. HowelerIn everyday musings8 Comments

This past year I watched 84 movies, some long and some short, the majority of them made before 1960.

At the end of this post, I’ll list them all, but for now, here are my favorites from the bunch. I did not include any movies that were rewatches for me in my favorites list, but I did include rewatches in the overall list.

  • Without Reservations
  • KPop Demon Hunters

  • It Happened One Night
  • Superman (2025 version)
  •  Take Me Out to the Ballgame
  •  They Got Me Covered
  • The Strawberry Blonde
  • Another Man’s Poison

The movies I watched in 2025:

  • Morning Glory
  • The Stranger
  • Gunga Din
  • The Power of the Press
  • The Prisoner of Zenda
  • The Young in Heart
  • The Exile
  • Angles Over Broadway
  • Sinbad The Sailor
  • The Rise of Catherine The Great
  • The Sun Never Sets
  • Almost Heroes
  • The Quiet Man
  • The Barkleys of Broadway
  • Mrs. Harris Goes to Paris
  • How to Steal A Million
  • The Intouchables
  • Paris Blues
  • Hugo
  • Charade
  • Paddington in Peru
  • The Assassination Bureau
  • The Honey Pot
  • The Manchurian Candidate (original)
  • Herbie Goes to Morocco
  • National Velvet
  • The Rains Came
  • Gaslight
  • Bedknobs and Broomsticks
  • Abbott and Costello: Jack and The Beanstalk
  • The Scarlet Pimpernel
  • The Pirates of Penzance
  • Take Me Out to the Ballgame
  • A Hole in the Head
  • The Canary Murder
  • Please Murder Me
  • Without Reservations
  • Death on the Nile
  • The Court Jester
  • They Got Me Covered
  • Raffles
  • The Picture of Dorian Gray
  • A Life At Stake
  • The Long, Hot Summer
  • Find Me Falling
  • KPop Demon Hunters
  • The Celtic Riddle
  • Nonnas
  • Benny and Joon
  • The Talk of the Town
  • The Bishop Murder Case
  • Autumn Harvest
  • It Happened One Night
  • What’s One More?
  • Pennie’s From Heaven
  • A Green Journey
  • Superman (2025)
  • Topper
  • Pfffft!
  • The Mummy
  • Iron Man
  • Iron Man 2
  • Thor
  • Storm in A Teacup
  • The Englishman Who Went Up A Hill and Came Down A Mountain
  • The Storied Life of AJ Fickery
  • Iron Man 3
  • The Avengers
  • I’ll Take Sweden
  • Another Man’s Poison
  • The Strawberry Blonde
  • Meet Me In St. Louis
  • Condemned to Devil’s Island
  • Guardians of the Galaxy
  • Winter Soldier
  • Ball of Fire
  • It Happened on Fifth Avenue
  • A Christmas Story
  • The Falcon Takes Over
  • Tenth Avenue Angel
  • The Grinch Who Stole Christmas
  • The Thin Man
  • The Bishop’s Wife
  • The Benson Murder Case
  • Yankee Doodle Dandy

Have you seen any of these movies? Which ones did you enjoy?

Comfy, Cozy Cinema: The Young In Heart

On By Lisa R. HowelerIn classic movie impressions, Comfy, Cozy Cinema 2025, Movie Impresssions7 Comments

Erin from Still Life, With Cracker Crumbs and I are hosting Comfy, Cozy Cinema again this year and up this week was The Young In Heart.

And, yes, that title is the actual title: The Young IN Heart.

I feel like I cheated a little bit this week because not only have I watched this movie, but I also wrote about it when I watched it for the Winter of Douglas Fairbanks Jr. That means   I had an advantage to Erin when it came to writing this week’s post because I am going to quote a lot of my original post.

 This is part of what I wrote in that post: “I absolutely loved Douglas in this one. He played a more prominent role than in Gunga Din and was simply … shall I sound completely cheesy? Yes, I shall. He was completely delightful.

At one point, I texted my friend Erin that a drunk Douglas is adorable.”

Yes, I did text Erin this past January to tell her he was adorable. Yes, I am weird.

Before I forget, I found this one for free on YouTube.

So, let’s get to the movie.

The Carlton family, of which Douglas is a part of in this movie, are not a family you would want to know in real life. They are swindlers and grifters. They mooch off and manipulate people to scrape by in life.

We open the movie in the French Riviera with Douglas’s character (Rick) ready to marry a young woman whose father is rich.

Everything falls apart, though, when the police find out about the family and reveal their conniving ways to the family of Rick’s future wife. The family is told to get out of France and end up on a train where they meet a ridiculously sweet woman (Minnie Dupree) who has only recently come into a great sum of money.

Ironically, her last name is Fortune. George-Anne sets out to swindle the woman out of paying for their lunch, but the plan expands as the woman explains she lives alone in a big mansion left to her by a former suitor. She is saying how lovely it would be if all of them came to stay with her when there is a train derailment. Their car tips and at first Rick and George-Anne believe the old woman has died. She’s still breathing so the siblings carry her from the car and George-Anne covers her with her own coat.

We begin to wonder if the family is rotten through and through and are still playing things up as the woman later recovers and invites the family to come live with her.

George-Anne suggests to the family that if Miss Fortune believes they are a respectable family she will be more willing to let them live there and maybe even leave them money when she leaves. To play up this ruse she suggests the men get actual jobs and she and her mother act like caretakers and women who don’t swindle people out of money.

This is all very baffling to the family who has always cheated and stole for a living. When the men decide George-Anne’s plan might work and go to look for jobs, the scenes that follow are some of the most hilarious tongue-in-cheek moments I’ve seen in a movie.

Spinning around in the background of the family’s drama is the romance between George-Anne and Duncan Macrae (Richard Carlson), who she originally considered marrying when she thought he was rich. Duncan learned she was a con-artist along with everyone else and was shattered but still ends up chasing her down on the train back to London to tell her he still loves her.

The rest of Rick’s family — father, Col. Anthony “Sahib” Carleton (Roland Young), mother Marmey Carlton (Billie Burke), and daughter George-Anne (Janet Gaynor) — are thrilled with this plan because they know it will also set them all up for a rich life. George Anne might be even more thrilled because then she can marry a poor Scottish man who she’s fallen in love with, and the rest of her family will support her financially.

She tells him to get lost, believing he’s much too good for her and . . . well, you’ll have to see where all that ends up.

Rick is also having his own romance with Leslie Saunders (Paulette Goddard), a secretary and the engineering business he applies at for a job.

This is the second – or shall I say third – movie I’ve watched in recent months with Billie Burke and there is no mistaking that voice if you have seen The Wizard of Oz.

Yes, she is Glenda the Good Witch.

The screenplay for this movie was written by Paul Osborn and adapted by Charles Bennett from the serialized novel, The Gay Banditti by I. A. R. Wylie. That title certainly would have had a different connotation in the modern day, eh?

Anyhow, the novel appeared in parts in The Saturday Evening Post from February 26 to March 26, 1938.

The movie was released in November of the same year. They certainly worked fast back then.

I found it interesting when I read that Broadway actresses Maude Adams and Laurette Taylor screen-tested for the role of Miss Fortune and that the footage is the only audio-visual samples that existed of both of them.

The movie was produced by – can you guess? Because it feels like every movie I write about lately is produced by him.

Yes. David Selznick. The man who produced what is considered one of the biggest movie triumphs in the world — Gone with the Wind.

This movie was one of many he produced leading up to Gone With The Wind. The Prisoner of Zenda, which I wrote about a couple of weeks ago, was another. Goddard was actually rumored to be being considered to play Scarlet O’Hara in Gone With The Wind, which later, of course, went to Vivien Leigh.

While I was watching the part of the movie where Mr. Carleton goes to apply for a job, I was fascinated by the fancy car they showed. It was spinning like a pig on a spit at the front of the building and it was a very modern looking car and a very modern looking set up altogether.

According to Ultimate Car Page and Wikipedia,  https://www.ultimatecarpage.com/car/1905/Phantom-Corsair.html

The six-passenger 2-door sedan Flying Wombat featured in that scene was actually the one-of-a-kind prototype Phantom Corsair. The Phantom Corsair concept car was built in 1938 and designed by Rust Heinz of the H. J. Heinz family and Maurice Schwartz of the Bohman & Schwartz coachbuilding company in Pasadena, California.”

I also found it interesting that this was Gaynor’s last movie before retiring while she was at the top of her career. She made one last movie in 1957 called Bernardine.

Like I said above, I loved this movie. It was just what I needed to watch this week with so much sadness going on in the world. There was a lot of humor from all the cast, but Douglas really had me smiling throughout. Not only because he is my latest old Hollywood star crush (watch out Paul Newman!).

Have you seen this one? What did you think of it?

You can read Erin’s impression of the movie on her blog.

Next week we will move into a bit of spooky with Coraline.

The rest of our movie list can be found on this graphic:

10 Classic Movies You Can Watch for Free on Tubi

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions14 Comments

I was surprised this past weekend to find a ton of classic movies for free on Tubi so I thought I’d share some of the better classic (before 1970) movies with my blog readers today. I have watched these and really enjoyed them! I’ll have a part two for this one down the road sometime.

Talk of the Town

Leopold Dilg (Cary Grant), who was wrongfully convicted of arson, manages to escape from prison. While on the lam, he finds the home of Nora Shelley (Jean Arthur), an old friend from school for whom he harbors a secret affection. Nora believes in Dilg’s innocence and lets him pose as her landscaper; meanwhile, Professor Lightcap (Ronald Colman), a legal expert, has just begun renting a room in Nora’s home. Lightcap, like Dilg, also has eyes for Nora, leading to a series of comic misadventures.

My Man Godfrey

Fifth Avenue socialite Irene Bullock needs a forgotten man to win a scavenger hunt, and no one fits that description more than Godfrey Park, who resides in a dump by the East River. Irene hires Godfrey as a servant for her riotously unhinged family, to the chagrin of her spoiled sister, Cornelia, who tries her best to get Godfrey fired. As Irene falls for her new butler, Godfrey turns the tables and teaches the frivolous Bullocks a lesson or two.

The Philadelphia Story

This classic romantic comedy focuses on Tracy Lord (Katharine Hepburn), a Philadelphia socialite who has split from her husband, C.K. Dexter Haven (Cary Grant), due both to his drinking and to her overly demanding nature. As Tracy prepares to wed the wealthy George Kittredge (John Howard), she crosses paths with both Dexter and prying reporter Macaulay Connor (James Stewart). Unclear about her feelings for all three men, Tracy must decide whom she truly loves.

The Third Man

Set in postwar Vienna, Austria, “The Third Man” stars Joseph Cotten as Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime (Orson Welles), only to find him dead. Martins develops a conspiracy theory after learning of a “third man” present at the time of Harry’s death, running into interference from British officer Maj. Calloway (Trevor Howard) and falling head-over-heels for Harry’s grief-stricken lover, Anna (Alida Valli).



The Manchurian Candidate

 Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw (Laurence Harvey) is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco (Frank Sinatra), finds himself plagued by strange nightmares and, together with fellow soldier Allen Melvin (James Edwards), races to uncover a terrible plot.

Merrily We Live

The wealthy Kilbourne family is tired of Mrs. Kilbourne (Billie Burke) hiring ex-convicts as servants. After a servant steals the family’s silver, Mrs. Kilbourne agrees to never hire another drifter for help. But when a rough-looking man named Rawlins (Brian Aherne) arrives at her doorstep, she cannot help but hire him as the new chauffeur. As Rawlins catches the eye of their oldest daughter, Jerry (Constance Bennett), the Kilbournes realize that he may not be the vagrant he claims to be.

Bringing Up Baby

Harried paleontologist David Huxley (Cary Grant) has to make a good impression on society matron Mrs. Random (May Robson), who is considering donating one million dollars to his museum. On the day before his wedding, Huxley meets Mrs. Random’s high-spirited young niece, Susan Vance (Katharine Hepburn), a madcap adventuress who immediately falls for the straitlaced scientist. The ever-growing chaos — including a missing dinosaur bone and a pet leopard — threatens to swallow him whole.

Without Reservations

Famous author “Kit” Masterson (Claudette Colbert) needs an actor to portray the lead character, a soldier, in the upcoming movie version of her book. While on a train to California, she meets Marine Rusty Thomas (John Wayne) and his friend, Dink (Don DeFore). She begins to imagine the macho Rusty as the lead, and attempts to stay in his company. However, since Rusty did not like her book, Kit must conceal her identity, all the while growing more attracted to her potential actor.

It Happened One Night

In Frank Capra’s acclaimed romantic comedy, spoiled heiress Ellie Andrews (Claudette Colbert) impetuously marries the scheming King Westley, leading her tycoon father (Walter Connolly) to spirit her away on his yacht. After jumping ship, Ellie falls in with cynical newspaper reporter Peter Warne (Clark Gable), who offers to help her reunite with her new husband in exchange for an exclusive story. But during their travels, the reporter finds himself falling for the feisty young heiress.

A Woman of Distinction

Reserved college dean Susan Middlecott (Rosalind Russell) is all business and can’t be bothered with love. However, when Susan meets charming British astronomy professor Alec Stevenson (Ray Milland), it seems that romance could be in the air. Though she resists being paired with Alec, things don’t go as planned — particularly when a publicity agent and even Susan’s amiable father (Edmund Gwenn) get involved. Soon, Susan may just be in love, whether she likes it or not.

Let me know if you check any of these out!

Classic Movie Impressions: The Talk of the Town (1942)

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions7 Comments

This past weekend I watched the movie The Talk of the Town with Cary Grant, Jean Arthur, and Ronald Colman. I found this movie, among many other good ones, free on Tubi. It is also currently free on YouTube.

I had seen it before as a suggested move but ignored it, thinking it was a drama. After watching it, I asked myself, “What took me so long to watch this one?!”

I loved this movie and while I always love Cary Grant, I once again loved Ronald Colman who I first saw in The Prisoner of Zenda earlier this year.

This movie starts with a fire at a factory where a man dies. Cary, portraying Leopold Dilg, is arrested for arson and murder.

Soon he’s breaking out of jail and escaping through the woods on a rainy night. He makes his way in the dark toward a small house while dogs hunt him down. The name of the house is Sweetbrook and there is a woman inside getting it ready — maybe for a guest.

Leopold breaks in the door, startling the woman.

“Miss Shelley,” he says. “Please…let me…” And then he faints and falls down the stairs.

Miss Shelley wakes him up with a bucket full of water and he asks if she can stay at the house, which he knows is a rental. She tells him he can’t stay because she knows he has escaped jail. There is a knock on the door before she can finish explaining and she tells him to run upstairs and hide.

There is a Professor Michael Lightcap at the door and he’s standing in the rain. He reminds her that he’s rented the house out and he’s here to stay. Miss Shelley, whose first name is Nora, panics because Leopold is hiding upstairs and she doesn’t want the professor to find him.

Things will get more complicated as she makes up an excuse to stay in the house overnight to make sure the professor doesn’t find Leopold.

Complications just keep arising as Nora offers to become the professor’s secretary and housekeeper during his stay, a senator arrives to tell Professor Lightcap he’s up for nomination to the United States Supreme Court, and Leopold walks down one morning to argue about the role of the law in society and Nora has to introduce him as the gardener.

This is a non-stop movie full of hilarious mix-ups, near misses, and a love-triangle that won’t be resolved until the very last minute, literally, of the movie.

As I said above, I loved this movie.

It was engaging, funny, witty, and captivating. Mixed in all the lighthearted moments were a few philosophical moments about law and justice.

Jean Arthur was delightful as Nora Shelley, always quickly rescuing the day just at the last moment, taking care of both Leopold and the professor.

Ronald Colman pulled off the staunch, uptight professor well and it was fun to see him “let down  his hair” a bit later in the film. He didn’t let down his hair. It’s just a saying, of course.

Cary walked the line between an aggressive rebel and a falsely accused victim, putting his usual romantic charm on the backburner for most of the film and bringing it out in more subtle moments. This was a movie where he wasn’t a pursuing a woman as much as he was his own freedom and justice.

I spent much of the last half of the movie wondering which one of the men Nora was actually falling for and I think she was doing the same thing. She’d gathered affection for both of them but wasn’t sure if either of them had for her.

This movie was nominated for seven Oscars but it was about the same time that America started the war so more “patriotic” movies got the nod that year. Ironically the best picture went to Mrs. Minier, which was set in England, however.

According to TCM, even without the wins, The Talk of the Town “still marked an important moment in the careers of its stars Cary Grant and Ronald Colman.”

For Cary, it was a new movie after not working for a year and he was nominated for an Oscar as well. He didn’t win the Oscar but he did have his name legally changed  his name from Archibald Alexander Leach, became an American citizen and married heiress Barbara Hutton.

Colman was 51 at the time and needed a spark to reinvent his career. The Talk of the Town worked and he went on to star in Random Harvest, which earned him another Oscar nomination. He lost that to James Cagney in Yankee Doodle Dandy, but still kept him at a high point in his career. Films such as Kismet (1944) and Champagne for Caesar (1950).  He also finally earned his Oscar for portraying the delusional Shakespearean actor in A Double Life (1947).

I found it interesting to read that there was tension between Grant and Colman since both were used to being the lead actor and that tension was written into the script as they aggressively bantered back and forth with each other.

I also was fascinated to learn that two endings were filmed — one with Jean Arthur choosing Cary and the other with Colman. The director allowed the preview audiences to choose who she ended up with.

Trivia:

  • filming was to begin on January 17, 1942, the day Hollywood learned the sad news of Carole Lombard’s death in a plane crash. Stevens halted work on the set and sent both cast and crew home.
  •  
  • Screenwriter Sidney Buchman (who co-wrote the script with Irwin Shaw) was blacklisted in the 1950s. Consequently, Buchman, one of the men who penned Mr. Smith Goes to Washington (1939), left the U.S. and began working in Fox’s European division. Buchman would remain in France until his death in 1975.

When the professor is unconscious on the floor, Tilney (Rex Ingram) asks Sam if he is a doctor. Ironically, Rex Ingram was himself a trained physician in real life.

Cary Grant and Ronald Colman were both paid at least $100,000 for their work in the film. Jean Arthur, who was in Harry Cohn’s doghouse and just coming off suspension, was only paid $50,000.


Whilst many characters find Leopold Dilg’s penchant for adding an egg to his borscht unique (so much so that it becomes a means of determining his whereabouts), it was not an uncommon practice to add an egg to borscht in Poland and in Mennonite communities in Eastern Europe.

A radio theatre presentation of The Talk of the Town (1942) was broadcast on CBS radio on the Lux Radio Theatre on 5/17/1943 with Cary Grant, Ronald Colman, and Jean Arthur recreating their roles from the movie. It’s a 60-minute adaptation of the movie.

Nora tells the professor that he is, “as whiskered as the Smith Brothers.” This refers to a brand of cough drops with an illustration of the Smith Brothers on the front, both of whom have a beard. First introduced in 1852, they remained the most popular brand for a century.


Memorable quotes:

Well, it’s a form of self-expression. Some people write books. Some people write music. I make speeches on street corners.

– Leopold Dilg

What is the law? It’s a gun pointed at somebody’s head. All depends upon which end of the gun you stand, whether the law is just or not.

– Leopold Dilg

Stop saying “Leopold” like that, tenderly. It sounds funny. You can’t do it with a name like Leopold.

– Leopold Dilg

This is your law and your finest possession – it makes you free men in a free country. Why have you come here to destroy it? If you know what’s good for you, take those weapons home and burn them! And then think… think of this country and of the law that makes it what it is. Think of a world crying for this very law! And maybe you’ll understand why you ought to guard it.  – Michael Lightcap

He’s the only honest man I’ve come across in this town in 20 years. Naturally, they want to hang him. – Sam Yates

Sources:

TCM.com https://www.tcm.com/tcmdb/title/92288/the-talk-of-the-town#articles-reviews?articleId=187407