For the rest of October and all of November, Erin from Still Life, With Cracker Crumbs and I will be watching cozy or comfy movies and some of them will have a little mystery or adventure added in.
This week we watched the 1938 Alfred Hitchcock Film The Lady Vanishes. This was my second time watching it but I honestly had forgotten half of it so I was glad Erin suggested it.
I needed the distraction watching it provided this week. I know. I say this every time I write about the movie we are watching, but I need a lot of distractions these days and this week especially.
The movie begins in the fictional country of Bandrika where Iris Henderson (Margaret Lockwood) is vacationing with friends before she goes home to the United States to get married.
She is staying at a hotel with her friends and others, most of whom got stranded when an avalanche wiped out the train tracks. She interacts with the musician — Gilbert Redman (Michael Redgrave) — after he wakes her up with his loud music when she’s trying to get enough sleep for her trip the next day. Because she complains, the manager of the hotel kicks Gilbert out of his room. He makes a very nervy move and walks into her room uninvited and tells her he is going to stay and tell everyone she invited him in unless she calls the manager and tells him to put him back in his room.
There are so very funny quips in this movie and one of them is after Iris calls the manager back to get Gilbert out of her room.
“For the record, I think you are the most contemptible man I have ever met!” she yells at the door as he leaves.
He looks around the door and says in a soft voice. “Confidentially, I think you’re a bit of a stinker too.”
Earlier in the movie the manager tells two British men who are trying to return to Britain for a test match of Cricket in Manchester that he doesn’t have a room for them but they can stay in the maid’s room. There are a couple of funny scenes with the maid trying to change in front of them and them trying to tell her she can’t but her not understanding because her English isn’t very good.
There is actually a lot of humor in this movie, which isn’t always the case in an Alfred Hitchcock movie.
The two British men need some food so they head to the dining room, but are told by the waiter that there is no more food because there have been so many unexpected people staying there due to the avalanche. They can’t understand him because he doesn’t speak English so a woman named Miss Froy translates for them.
They chat with her for a while and she tells them how much she loves looking at the mountains in this country and how she’s been a nanny there for six years and is going home to England the next day.
Miss Froy also speaks to Iris when they both try to figure out where the music is coming from. That’s right before Iris has Gilbert removed from his room.
The movie seems to be all fun and games until someone strangles the musician Miss Froy enjoys listening to. She doesn’t know the man has been murdered, of course. She just thinks the music has stopped.
She also seems clueless the next day at the train station when someone tries to kill her by pushing a large concrete flower box out of the window. Instead of hitting her, though, it hits Iris in the head, which leaves Iris dazed – a perfect setup for a train ride that gets really weird when Miss Froy eventually disappears.
Iris clearly has a concussion but Miss Froy seems to think putting perfume on a hankie and handing it to Iris to put on her head will help. Was that ever a thing for head injuries? I have no idea but it seemed weird. Anyhow, Iris falls asleep and when she wakes up Miss Froy is there and they walk to the dining car and have tea.
After they have tea, Miss Froy tells Iris to rest again. She does and when she wakes up Miss Froy is gone and when she asks the other couple in the car where she went, they tell her they never saw an older British woman and imply Iris is insane.
Implying Iris is insane is the plot for the next 20 minutes of the movie as everyone begins to say they never saw Miss Froy. We learn everyone has a various reason for saying they never saw the woman.
The British Cricket enthusiasts don’t want to be delayed any longer. They have a cricket match to get to. Another couple doesn’t want any attention brought to them because they are cheating on their spouses.
This movie is a master class in gaslighting.
If you don’t know what gaslighting is, it is saying something that happened isn’t what really happened or that the reason you think it happened isn’t the reason it happened. It’s also when a person tries to distract them from what they are concerned about by saying there is another issue altogether. Like if a woman catches her husband cheating and she confronts him, he might say, “You’re so bitter and mean all of the time. I don’t even know what is wrong with you,” to try to convince the woman she imagined it all and the real issue is that she’s mean and bitter. The goal is to make the person feel like they are crazy for being concerned or accusing someone of something.
When everyone starts lying, Iris is about to lose her mind and the only one who will listen to her is Gilbert – the musician she clashed with at the hotel.
Eventually, after seeing a wrapper for a certain tea (you’ll have to watch the movie to see what this means), Gilbert starts to believe Iris that the woman really was there and they begin to look for her together. They both feel something criminal is going on and eventually, it is implied that this crime is related to spying on another country.
Though the plot and issue is a serious one, there is humor involved. For example, humor is employed often in a fight scene between Gilbert and a man who is determined to take evidence of Miss Froy’s existence away from Gilbert and Iris. Not only do animals in the freight car of the train watch the fight going on, but the fight also continues into a magic box placed there by the cheating man, who they learn is a musician.
There seemed to be quite a few subtle slams in this movie against the British who just can’t imagine anything bad is happening on the train and gets upset when anything interrupts their tea time, but I think Hitchcock did that a lot.
The movie is based on a book called The Wheel Spins by Ethel Lina White, but apparently deviated heavily from the plot of the novel. Actually, after reading the plot of the novel, I really want to read it because it sounds very good.
The British cricket enthusiasts were not in the book at all and were added to the movie.
The book was written in 1936 and the movie was released in 1938. The novel and movie’s plot clearly references the events leading up to the start of World War II.
Michael Redgrave was known for his work on the stage and almost didn’t agree to take part in the movie but in the end, his decision to take the park when Hitchcock offered it paid off for him because it made him an international star.
He and Hitchcock never worked together again, however, because Redgrave wanted more rehearsals and Hitchcock wanted more spontaneity.
The movie was a hit in the UK and the U.S. when it was released according to information online.
Geoffrey O’Brien from The Criterion (a movie review site) states: The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for once abandoned the search for hidden meanings and—though rating it “an excellent English film, an excellent Hitchcock film”—decided it was one that “requires little commentary,” while François Truffaut declared that every time he tried to study the film’s trick shots and camera movements, he became too absorbed in the plot to notice them. Perhaps they were disarmed by pleasure . .”
O’Brien points out that the screenwriters of the film, Sidney Gilliat and Frank Launder, were the ones who really added the rich wit that made the film a joy rather than an ominous mystery.
This film was filmed in England and at that time they didn’t have a large budget, which is why much of the movie was filmed in only two places – the hotel and a 90-foot-long train car or two. This constraint would have limited most movie makers, but not Hitchcock, who was still able to line up amazing, eye-catching shots, including one that I noticed with the camera focused squarely on two glasses where a drug has been placed all while a tense conversation is going on in the background.
The whole time there is this tension for the viewer, who knows that those glasses have a drug in them and leaves the viewer with a desperate desire to cry out for the characters not to drink the tainted wine.
I really liked what O’Brien said about the performance of Dame May Whitty and agreed: Since in a moment she is going to vanish, Miss Froy must for a moment dominate everything, and Whitty achieves just that, and even more: she makes us feel an affection for Miss Froy deep enough that her disappearance will seem an unspeakable affront, an assault on Englishness itself in its least threatening form.
If you want to read more of O’Brien’s view of the film you can find it HERE.
If you want to catch up with Erin’s thoughts on the movie, click here: https://crackercrumblife.com/2023/10/12/comfy-cozy-cinema-the-lady-vanishes/
If you want to join in on the review yourself feel free to add your link below.
Next week we are watching Strangers on a Train and will write about it on October 19.
After that we are watching:
Rebecca (Oct. 26)
Little Women (November 2)
Tea with The Dames (November 9)
A break for Thanksgiving
And
Sense and Sensibility (November 30th)
