Classic movie impression: Witness to Murder (1954)

Witness to Murder (1954) wasn’t the best thriller I have ever seen, but it did have its nail-biting moments. I was on the edge of my seat (quite literally) for most of the movie as Barbara Stanwyck did her best to get away from George Sanders.

We knew from the beginning of this one who the murderer was, so all we had to do was hold on for the ride and see if he found a way to shut down his accuser.

Description from TCM:

“In the 1954 Witness to Murder, Barbara Stanwyck plays a woman who, unable to sleep one night, looks across the courtyard from her apartment and sees a man choking a woman to death. The man is a pompous though obscure writer – he’s played by George Sanders – and there’s no doubt about what Stanwyck has witnessed.”

I’ve become a huge Sanders fan over the years. You might remember him in Hitchcock’s Rebecca. He was deliciously evil in that one. I also watched him in Lured with Lucille Ball.

Witness to Murders plot is similar to Hitchcock’s Rear Window and that’s because was aimed at competing with Hitchcock’s movie. I’m not sure what they were thinking by trying that because the film was okay but it was no Rear Window.

The film was directed by Roy Rowland and, no, the plot wasn’t as tight as Rear Window (plus Rear Window was in color and this was in black and white) but Barbara and George’s performances make this one worth watching. I shouldn’t forget George Merrill, who was also very good.

“Sanders appears to be having a great deal of fun with this character, rolling his r’s with mischievous glee, making sure everyone knows how secure his place in the Universe is,” writes Stephanie Zacharek for TCM.com.

At one point he even rants in fluent German, which makes the scene even more spine-chilling and was probably even more chilling since it was only 10 years after the war and Nazis still lingered in everyone’s nightmares.

Zacharek calls the performance “slightly cartoony” and maybe it is, but I still liked it – well, as much as you can like watching a man mental torture a woman.

Barbara plays a strong, independent woman which makes her hysterical breakdowns a little odd at times – but then a lot of men are telling her she’s totally crazy.

What’s annoying about this part of the story is that their insistence that she’s crazy is absurd because they clearly know something bad has actually happened. Then again, men and women alike have been telling me for years that my various illnesses are in my head so I guess that part of the story isn’t too far fetched.

If you’re looking for a movie with an flawless story, maybe this isn’t for you, but if you like films with great performances that have you biting your nails and sliding to the edge of hour seat, then this is one for you. You can find it for free right now on YouTube.

It is also streaming on Netflix.  

If you are interested in more reviews or blog posts about old movies, you can find a link to my past reviews at the top of the page and you can also visit The Classic Movie Blog Association.


Additional information:

https://www.tcm.com/articles/202748/witness-to-murder

Spring of Bette (Davis): Another Man’s Poison

Another Man’s Poison was my second Bette Davis movie, and I watched it on a whim sometime back in January. All About Eve was my first Bette Davis movie, in case you are curious.

This movie is dark from the start. We have Bette Davis as Janet Frobisher, and she’s already committed a crime that she would like to keep quiet.

A celebrated mystery writer, Janet married a criminal who was also abusive. We never get to see her husband because at the start of the movie, he’s already dead and she’s killed him. Not a spoiler. It’s the movie set up and will set up the direction of the rest of the movie.

She’s already called Larry, the fiancé of her secretary, who she, incidentally, is having an affair with, and asked him to come to her house that weekend. She’s walked to a phone box very far from her house to make the call and her nose neighbor, Dr. Henderson, the local vet, comments to her about how odd it is she is in town when she owns a mansion with phones in every room.

Janet essentially tells him to get lost and goes back home.

She has plans to dump her husband’s body in the pond on their property, but a man, George Bates (played by her real-life husband Gary Merrill), breaks into her house looking for her husband, saying he’s a robber and a murderer he and her husband were supposed to meet there after the robbery to escape together.

After a bunch of back and forth, Janet confesses she killed her husband but before she can kick Bates out the door, Dr. Henderson (Emlyn Williams) shows up and not wanting him to know she killed her husband, who Henderson has never met, she agrees to let Bates pretend he is her husband.

What results is another hour or so of panic, blackmail, and manipulation that will make your head spin. And then ending…well I can’t talk about it but oof! All I’ll say is karma is a word I do not write out or usually use so I’ll just say — a jerk!

While researching this film I was surprised to find out that it was co-produced by one of my favorite actors — Douglas Fairbanks Jr. I watched a ton of his movies last winter, which you can find here (scroll down the page).

Bette jumped at the opportunity to film this British thriller in the UK because there was a part for her new husband, free passage on the Queen Elizabeth cruise liner, and she could bring her children. It was essentially a free honeymoon.

There was a problem with the script but, according to TCM, Bette ignored this because she could choose her director (American Irving Rapper who directed one of her biggest hits, Now, Voyager in 1942). She liked him because “she could dominate him” the TCM article says.

“I’ve always wanted to play in a suspense picture as they’re made in England, with that quiet effectiveness which the British singularly seem to possess,” Bette told the British reporter.

Trouble always seemed to follow Bette and this time was no different. As soon as she arrived in England she threw a lavish party for the British press who rewarded her with tabloid articles about her mink coats, her excess and her husband, “Mr. Davis.”

This movie was not really well-received, with critics rolling their eyes at what they called “the absurdities of the script.”

They were impressed with how Bette pulled off the role even with the issues, though.

“No one has ever accused Bette Davis of failing to rise to a good script; what this film shows is how far she can go to meet a bad one,” critic Frank Hauser wrote in New Statesman and Nation.



The movie wasn’t a success at the time for the couple but visiting England was.

Actor Emlyn Williams bringing the schoolteacher who had been the inspiration for Miss Moffat in The Corn Is Green onto the set of Another Man’s Poison, and introducing her to Davis was an absolute thrill for Davis who  starred in The Corn is Green in 1945.

The marriage went the way of the movie, I should add, ending only a year later, which was probably good because it was said to be a rocky and abusive one.

Have you seen this one?

Up next for my Spring of Bette feature is: Dark Victory.

My watch list for this feature:

It’s Love I’m After (April 15)

The  Working Man (April 21)

Another Man’s Poison (April 27)

Dark Victory (April 30)

Jezebel (May 1)

Dangerous (May 7)

The Letter (May 12)

Of Human Bondage (May 21)

Now, Voyager (May 28)


Additional sources/resources:

https://www.tcm.com/articles/27959/another-mans-poison

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish