Summer of Marilyn: Monkey Business and All About Eve

A sinus thing that wasn’t exactly an illness but a weather change thing hit me last week so I ended up forgetting to finish watching my one Marilyn movie and watching the other one. In other words, I have a good excuse for being late on my Marilyn movie impressions.

I’m going to be sharing about two Marilyn Monroe movies this week since I have been so behind on watching and writing about them. They are two very, very different movies on different ends of the spectrum – Monkey Business and All About Eve.

First up: Monkey Business.

Cary Grant is an absent minded professor in this screwball comedy that he stars in with Marilyn and Ginger Rogers.

Ginger is the straight man (woman) in this one with Cary being more of the goofball with the biggest bottle cap glasses I have ever seen him in. They looked more like something Jerry Lewis would wear.

This is very early Marilyn, so she almost likes like Norma Jean probably looked before she became Marilyn, but not quite. She still has the pouty lips and short hair, but the hair looks darker to me in th is film.

Marilyn plays the secretary of Cary’s boss and in their first scene together she shows Cary the stockings he invented and how they look on her legs. Cary’s character, showing his true nerdy self, is more interested in the stocking than the legs they are covering, of course.

The premise of the movie is rather silly but silly is a wonderful escape from life so I liked that it was silly.

Cary is working on a formula that could help people look and feel younger. It also, apparently, makes them more virile – ahem. The monkey they test it on is very interested in the female monkey, despite being 84 in monkey years. The monkey Is also able to move around like a young monkey after taking the formula.

This is after many of the tests did not yield any results.

 
(As I side note here, I must say that I don’t know many other actresses who have a hip sway like Marilyn. I am completely jealous of it and the shape of her. Sigh.)

It’s the monkey that finally mixes the winning concoction for a type of youth formula and then proceeds to pour it in the water cooler. Cary and his fellow professors don’t know this, of course, so when Cary decides he’s going to be the guinea  pig and take his own formula and then wash it down with the water from the cooler. So Cary believes that his formula is what helps him when he suddenly can see without his glasses and then becomes like a teenager and runs off with Marilyn’s character to buy a new car.

After Ginger learns that Cary tested the formula on himself, she decides she should be the test subject and she takes the formula, which we know doesn’t work, but it tastes so awful she washes it down with the cooler water.

Now she becomes the young and crazy 20 something year old.

She ends up with teenage angst complete with crying and breaking down at Cary. It’s a hilarious but ridiculous scene. I have a feeling Ginger had a blast filming it.

Ginger even gets a chance to dance a bit in the film, even though that isn’t the main focus, when she’s feeling a lot younger.

The film is a low-key romance with the two of them realizing even under the influence of the formula how much they love each other.

Luckily the formula does wear off and when both have had it wear off, they decide the formula could cause more harm than good. Cary is going to destroy the formula and that’s when they decide to make a pot of coffee with the water from the cooler. Ah, yes, I’m sure you know where this is going. Craziness is about to ensue so hold on to your seats.

You’ll have to watch it to see what happens, which reminds me, you can watch it for free on YouTube here:

I pulled a bit of trivia off of IMbd about the movie and some of it was very interesting. Here are a few tidbits:

  • The exterior shots of the Oxly Chemical Co. office building where Barnaby works were actually shots of the Executive Building on the 20th Century Fox studio lot. The building is now known as the Old Executive Building.
  • The sports car used in the film was a red 1952 MG TD Roadster, which was put into storage by 20th Century-Fox after filming wrapped. It was purchased by Debbie Reynolds in a 1971 sale of Marilyn Monroe memorabilia (despite the fact Monroe herself never owned the car). It sustained a dent in the front bumper when Cary Grant hit a fence while driving it. Reynolds had the transmission rebuilt, then put it up for auction in 2011. It sold for $210,000.
  • Among the movie star photos Marilyn Monroe taped to her bedroom wall when she was a foster child were several of Cary Grant. She was thrilled to be co-starring with him in this film, a break-through role in her then fast-rising movie career.
  • Forty year old (forty-one at the time of release) Ginger Rogers was the oldest leading lady to ever star in a Howard Hawks picture.
  • Marilyn Monroe plays the character Lois Laurel. The real Lois Laurel is the only daughter of comedian Stan Laurel of the comedy team Laurel & Hardy.
  • Shares a title with the otherwise unrelated 1931 Marx Brothers comedy “Monkey Business,” though the films have some vague connections: Early in his career, Cary Grant was partly inspired by Zeppo Marx, the team’s parodic juvenile straight man. In addition, the 1931 film co-starred Thelma Todd, whose life, career, and mysterious death parallel Grant’s co-star here, Marilyn Monroe.

This movie was so much fun and I really did enjoy it. I mentioned above that Ginger must have had so much fun filming that one scene but I have a feeling they all had a ton of fun. It was absolute ridiculous and hilarious fun.

All About Eve

Now, Marilyn is not a main actress in this film, but it was one of her first movies and she was considered a standout in it, and my husband suggested it, so I included it in my list to watch this summer. Marilyn was 23 when the movie was made and just about to break her career wide open.

This movie was nominated for 14 Oscars and won six, including best picture. It is the only film in Oscar history to have four women nominated, including Bette Davis, Anne Baxter for actress and Celeste Holm and Thelma Ritter for supporting actress. Released in 1950, it made $3.1 million, more than half of it’s $1.4 million production costs.

Bette Davis is a famous stage actress named Margo who Eve Harrington, played by Anne Baxter, goes to meet one night after watching her show every single night during its run.

This is my first movie with Bette, by the way, and it did not disappoint.

Eve is very peculiar to say the least as this movie starts. She tells the actress and the producer and writers about her sad life of losing her husband early in their marriage and staying in San Francisco to make a new life for herself and her love of acting and the theater.

You know right away that something just feels off about her, even though the movie starts with her being honored as a well-known actress. She really inserts herself into the lives of these people and weasels her way into the acting jobs she wants, pushing others out of the way for it.

With her sob story, Margo welcomes her into her home and she becomes her confidant, her assistant, and everything you can think of that requires Eve to wait on Margo. It’s clear that Eve wants Margo’s job and as time goes on it is clear she’ll find a way to get it, mainly by being Margo’s everything. Actually, she’s a little too everything. She starts doing things that Margo doesn’t ask her to do and making herself look better than Margo. It’s a very strange obsession.

Margo begins to notice how attentive Eve is to her boyfriend and everything else. She also begins to compare herself to Eve and feel old around her. To her it’s time for Eve to move on because she has a feeling Eve is much more interested in taking her place, not just waiting on her. |

Marilyn doesn’t come in until more than 40 minutes into the movie and I didn’t even recognize her. She was beautiful, sure, but her hair was styled differently and she was a minor character. It was clear she was ready for stardom though and George Sanders uttered a premonition of sorts when he said, “Well done. I can see your career rising in the east like the sun.”

And soon after this movie, it did just that.

Her character Miss Casswell has the middle name of the author of the short story that was never credited for her part in the movie – Mary Orr.

She’s so young looking in the movie – it’s crazy. And, of course, she’s sort of passed off as someone sent in to make producers and directors happy because she’s sexy and flirtatious.

I searched online to see what critics said of Marilyn’s performance and found a few opinions. Here s one:

Lyvie Scott on Slashfilms.com said Marilyn stole the scenes she was in in All About Eve and I’d have to agree. She had some of the best lines, such as where Eve says she doesn’t know what she’d talk about with Dr. Dewitt (George Sanders) and Marilyn says, “Don’t worry about it. You won’t even get a word in the whole time.” Or something along those lines.

A bit off topic here, but George Sanders always reminds me of John De Lancie who played Q on Star Trek.

Scott wrote of Marilyn, “Monroe’s role in “All About Eve,” though small, is one of the most memorable of the film. It’s difficult to focus on anyone but Monroe when she’s in the room. Knowing just how famous she would become, it all feels like a testament to her inescapable star power.”

Scott, of course, details what others detail about Marilyn on film sets throughout the years. She was often late and had a hard time nailing her lines and was a bit difficult to work with overall. Marilyn tried to blame her inability to remember her lines on nerves and that very well may have been the case since she was acting next to Bette Davis and the fact that she’d only come off the success of one other film, “The Asphalt Jungle” before this.

Davis wasn’t really buying her excuses. According to Scott’s article: “Unfortunately, Davis was less than impressed with Monroe. Famously temperamental on set, she was already put off by the younger actress’s tardiness. And after so many retakes for a scene which, to her, must have been a breeze, Davis apparently snapped — and Monroe had to excuse herself to vomit offstage.”

Read More: https://www.slashfilm.com/806889/filming-all-about-eve-was-more-than-marilyn-monroe-could-handle/

It’s just so humorous to me that in this movie they pan Marilyn’s audition to be the understudy of Bette’s character when she would rise to stardom faster than almost all of them, except Bette. She might not have been as good of an actress, especially when compared to Bette, but she still seemed to shoot up even faster – probably because of her looks (aka breasts and hips).

I’m talking more about Marilyn in this post because my feature is called Summer of Marilyn, but I should be talking about Anne Baxter and Bette Davis more, especially considering Marilyn was only in this movie about ten minutes, if that. Both of the other actresses were very good in this, even though I could not stand the way Anne Baxter talked and how overly dramatic and maudlin she was. That was, however, her character so, in other words, she was brilliant in making me hate her.

As for Bette – wow. She knocked it out of the park. Here is what Roger Ebert said about her performance on his site:

Growing older was a smart career move for Bette Davis, whose personality was adult, hard-edged and knowing. Never entirely comfortable as an ingenue, she was glorious as a professional woman, a survivor, or a b***** predator. Her veteran actress Margo Channing in “All About Eve” (1950) was her greatest role; it seems to show her defeated by the wiles of a younger actress, but in fact marks a victory: the triumph of personality and will over the superficial power of beauty. She never played a more autobiographical role.”

Besides Bette and Anne Baxter, George Sanders was absolute perfection at being a dirty, crooked journalist. His speech toward the end of the movie was just absolutely outstanding and  

She seems so innocent and idealistic but deep down she’s just pretty selfish to me. She wants a career and she doesn’t care whose coat tails she rides, or whose head she steps on, to get there. She’ll do it with big, watery eyes and a tipped head, of course.

The film is mainly about jealousy and ambition and the tangled web that both can weave, but it is also very much about the dread of getting older, especially for women. Margo feels that Eve is stealing everything from her because she is young. Off screen, Bette Davis was terrified of growing old and this part fit her well, as Ebert said. When she was talking about the dread of growing old in the movie, she was speaking from personal experience, not just from the experience of the character.

At one point she says, “Funny business, a woman’s career — the things you drop on your way up the ladder so you can move faster. You forget you’ll need them again when you get back to being a woman. That’s one career we gals have in common is being a woman.”

So far All About Eve has been one of the best films I’ve watched but not because of Marilyn, even though she was great in it. The best film I watched with her in it was a tie between Niagra and Some Like it Hot. We will see if The Misfits knocks one of those movies off the list when I watch it later this week.

Have you seen either of these movies? What did you think?

Summer of Marilyn: The Seven Year Itch

So here I am, behind yet again on my Marilyn movie-watching.

That’s okay, though. Summer is meant to be easy going and relaxed so I will take my time on these and if summer busyness gets in the way, I’ll just have to push my posts off.

If you are new here, I am watching Marilyn Monroe movies this summer and I have called the The Summer of Marilyn.

This week I watched The Seven Year Itch, which was nothing like I expected it to be.

I thought this movie was a drama until I started it and realized it was definitely not a movie to be taken seriously. This is the movie with the famous scene of Marilyn’s dress being blown upward by her standing over the subway grate.

This is a movie made in 1955 that jokingly explores the idea that middle-aged men who have been married seven years feel like they need to break out of the mundane and sow some more wild oats. I, personally, did not find it that funny that the movie makers thought it was funny to make fun of men in New York City sending their wives and children to the country for the summer so they can go meet other women and have parties, therefore feeling free and easy again.

We start the movie with Richard Sherman, a man working in book design, who sends his wife and son off to the country for the summer. Richard is determined he won’t be like other men who drink, smoke, and chase after women while their wives are gone.

Not long after he decides this, though, he heads home to a house that’s been made into apartments and starts complaining as he unlocks the door about how his wife wants to live in a house and not an apartment. Their apartment is nice, he decides, especially with nice neighbors upstairs and – he turns around and someone needs help being buzzed in through the main door.

That someone is Marilyn Monroe who is looking, of course, drop-dead gorgeous.

Richard has to renew his resolve not to forget himself and go crazy while his wife and son are gone with Marilyn acting all clueless and walking around upstairs either naked or half naked. When she almost drops a tomato pot on his head his resolve cracks and he invites her down for a drink.

It’s then he realizes she’s gorgeous but not too bright and that is totally fine with him.

He’s already been daydreaming a lot and Marilyn kicks his daydreams into high gear.

He enjoys daydreaming about how Marilyn will fall for him but, truly, Marilyn is just absolutely clueless to his advances and his more interested in getting into his apartment to take advantage of his air conditioning, which she does not have in her apartment.

Marilyn, incidentally, does not have a name in this movie. Her name is just The Girl.

This is another Billy Wilder film with Marilyn – like Some Like It Hot.

The movie is based on a play written by George Axelrod.

In addition to Marilyn it stars Tom Ewell who played Richard Sherman in the play as well.

Many lines from the play had to be cut because they were deemed indecent by the Hayes office, which determined what was and wasn’t allowed in movies at that time.

There has long been rumors that during the filming of the famous scene with Marilyn, there was too much noise to use the final footage and it had to be shot again on a sound stage. While it is true that the scene was shot twice, footage was used from both shoots, according to an article on Wikipedia. Marilyn really did stand over a grate outside the Trans-Lux 52nd Street Theater, then located at 586 Lexington Avenue in Manhattan. She also did get a lot of attention from the press and onlookers when this happened because Wilder invited them to drum up attention for the film.

This left Marilyn’s then-husband Joe DiMaggio pretty ticked off, but, alas, the scene became one of the most iconic ever in a movie.

Overall I enjoyed this movie, even if I didn’t like some of the messages underlying the plot. In the end, the craziness was drawn to a close before it got too crazy but the in-between stuff that seemed to suggest that men running around on their wives was okay wasn’t a great message for me. I do know that most of it was being said as a joke and that part of the message really was that it wasn’t actually okay to be done.
And, yes, I really liked Marilyn in this movie. She was so free and joyful. Yes, she was sexualized, just like in her other movies, but she also held her own as an actress, playing the comedic parts with ease and pure entertainment.

Next up for me for Marilyn Movies is Monkey Business.

After that, I only have two more movies:

All About Eve and The Misfits.

Both are dramas.

If all goes to plan, I’ll be writing about Monkey Business next week, on August 3, All About Eve on August 10 and The Misfits on August 17th.

(Monkey Business is available for free on YouTube, for those who might like to watch along.)

Summer of Marilyn: Some Like it Hot

Last week the days got away from me and I completely forgot to watch my Marilyn movie, let alone write about it.

I’m back this week, though, talking about Some Like It Hot with Marilyn, Jack Lemmon, and Tony Curtis.

This was a crazy, hilarious, insane film that had me gasping and laughing through the entire thing. It was released in 1959 and directed by Billy Wilder.

It was something I needed as I’ve felt like my brain has been racing lately with worry and a rushed feeling.

The movie takes place in 1929 with booze being smuggled into a funeral home that is actually a speakeasy.

They are musicians – Jerry and Joe.

The speakeasy gets raided and they don’t get paid

They need money so when they hear that a band needs a couple of replacement girls they decide they need to become women – or well, sort of anyhow. Tony nixes that idea though and says they need to take another job instead but when they go to pick up the car, they witness a mob murder. Now they are forced to dress as women and get as far away from Chicago as they can, which in their case is Florida with the female band.

They buy the clothes and the wig and the makeup and board the train.

That’s when they meet Marilyn, a.k.a. Sugar.

Sugar is a bit of a drinker and they can’t help checking her out, but trying to pretend they aren’t checking her out.

Marilyn sings and dances in this one and shakes a lot which Jack and Tony very much enjoy. Jack, in fact, says he would like to have a cup of that sugar. This is the movie where Marilyn sings, “I Want to be Loved By You” with THAT dress. The one that had to be filmed partially in the dark because it sort of looks like she’s half naked, even though there is fabric there.

It is clear early on that Sugar is an alcoholic who needs her booze. At one point, she sneaks into Jack’s bed looking for booze, which, of course gets him hot under the collar. While it’s Tony that keeps reminding Jack that he is supposed to be a girl, Tony himself gets a bit attached to Sugar himself. When he learns that Sugar dreams of meeting and marrying a millionaire, he decides he’s going to find a way to be that millionaire for her.

While pretending to be a millionaire he does a hilarious impression of Cary Grant, which just cracked me up, especially when he said to Jack later something like, “Of course I’m faking it. No one really talks like that.”

On and on the craziness went on in this movie until my head was spinning with it all and with laughter.

There are a lot of sexual innuendos in the movie, including one where the band leader says,  “A reminder to all you boys out there, all my girls are virtuosos and I intend to keep it that way.”

When Tony reminds Jack that he’s a guy and not a girl, he tells him, “Jerry, there is another problem. Like what are you going to do on your honeymoon?”

That questions ends up being a bit rhetorical as Jack’s character says they haven’t decided where they will go on their honeymoon yet.

According to information online, the movie was made for $2.9 million and made $49 million. Overall since the time it was released, it has made $83 million internationally.

My husband said he read that Marilyn could not stand Jack Lemmon so I Googled to see if this was true. According to the site Slashfilm.com, it wasn’t really that she didn’t like Jack, she just didn’t like anyone at that time. She was lashing out at a lot of people and they got caught in the crosshairs. She was abusing medication at the time and dealing with depression. I guess it is fitting that her character was an alcoholic since she was one in real life at times too.

She was also pregnant during the making of the movie and later went on to have a miscarriage after filming ended. I believe she had a few during her career and I’m sure this was part of her issues during the filming.

She and Tony Curtis actually dated in 1949, which I found interesting. It was only for a couple of months, according to Curtis.

Jack said he liked Marilyn, but felt sorry for her because he could tell she was troubled. He had less scenes with her than Curtis and didn’t have to deal with her habitual lateness as much.

Wilder was completely frustrated with Marilyn through most of the filming because she often could only get through a small amount of dialogue part of the time, after showing up late, according to a couple of articles. She cost the production half a million dollars with all her delays and he made it clear to her he was not happy with her when he held a cast party when the filming was done and did not invite her. She decided she didn’t like him either and told his wife to tell him to do something very anatomically impossible for a person to do with himself.

Years later he said that he didn’t have issues with Marilyn as much as she had issues with herself. He also said that her discombobulated and erratic behavior actually led to some adlibbed moments that made the movie a classic. Still, I think he would have preferred they didn’t have to write her lines on the inside of drawers because her brain was so addled from drinking too much and taking pills.

Wilder and Marilyn did make up before she passed away, especially because he still considered her a brilliant actress despite the issues she had during filming.

A bit of trivia from IMBd:

  • Some people asked why Curtis was so much better at walking like a woman or having female mannerisms than Lemmon and he told an interviewer it was because he tried so hard to be a female he was very tightly wound and overthinking it. Lemmon, on the other hand, “ran out of his dressing room screaming like the Queen of the May,” kept much more of his masculine body language.”
  • Tony later said that he asked Wilder if he could imitate Cary for his stint as the millionaire in the movie. Wilder liked it and they shot it that way. Apparently, Grant saw the parody of himself and stated, jokingly, “I don’t talk like that.”
  • Marilyn wanted the movie to be shot in color (her contract stipulated that all her films were to be in color),but Wilder convinced her to let it be shot in black and white when costume tests revealed that the makeup that Tony and Jack wore gave their faces a green tinge.
  • Marilyn didn’t originally didn’t want to play Sugar. She said, “I don’t want to play someone who can’t tell Daphne and Josephine are really men dressed in drag.”

Another tidbit that I pulled off Wikipedia was that this movie was made without the approval of the Hayes Code, which was a code in the “old days” that determined what could and could not be in movies. It wasn’t long after this movie was released and became a huge success that the Hayes Code was discontinued.

Oh, and I did figure out that the name for the movie comes from the music when Tony asks if Marilyn plays her music hot and she says she does and he says he likes his music slower but “Some Like It Hot.”

Have you seen Some Like It Hot? What did you think of it if you have? Let me know in the comments.

Up next I’ll be watching The Seven Year Itch.

After that I will be watching:

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits

Summer of Marilyn: Niagra

This summer I am watching Marilyn Monroe movies for fun. I was supposed to watch Some Like It Hot this week but The Husband (this is a silly nickname I give my husband for the blog) wanted to watch Niagara so I said we should go for it since I’d never heard much about it.’

It was not the romantic or screwball comedies I’ve watched so far from her so I wasn’t sure what to expect. I was a little nervous it was going to be super dark but it was more intrigue than darkness.

The Husband calls the movie light noir. He also pointed out that she was only in about 35 minutes of the movie but believed she completely stole the show, which I agree with now that I’ve seen it.

This movie is one of the first major acting roles Marilyn had, and she doesn’t use her signature breathy voice which answers the question I had before – that breathless speech wasn’t her normal speech. It was simply her signature voice. I liked hearing her normal voice because the other way she speaks is so fake to me and grates on my nerves. That could be because I have seen so many parodies of her over the years.

This movie came out in 1953 and from what I can see, quite a bit of it was actually filmed at Niagra Falls. It was directed by Henry Hathaway.

The other stars of the movie, who were in it even more than Marilyn, were Joseph Cotton, Jean Peters, and Max Showalter.

The movie starts with Marilyn’s husband at the falls in a place I’m pretty sure you can’t stand at anymore if you were ever allowed to in the first place. The man travels back to a cabin right next to the falls and I really wanted to know if that is a real place because the idea of a room overlooking the falls seems awesome to me. I can imagine it might also be loud, though.

I looked it up and it turns out the cabins are not real.

According to IMbd, “The Rainbow Cabins were not real cabins, they were movie sets built exclusively for the film at a cost of over $25,000. They were built in Queen Victoria Park directly across from the American Falls. The stone structure located by the Rainbow Cabins was torn down, but a similar one can be found in the same park at “Rambler’s Rest.””

The man returns to his room where Marilyn has been smoking a cigarette but then quickly pretends she is asleep which already eludes to the fact that she may not be what she seems.

We move over to a couple who are visiting Niagara Falls both for a delayed honeymoon and to meet up with the owner of the company the man works for after the man won a contest. They reserved a certain cabin but Marilyn and her husband are still in that cabin. Marilyn (Rose) convinces them to let her and her husband (George) keep the cabin because she says her husband is suffering from PTSD from the Korean War and had been in a psychiatric hospital.



The couple reluctantly agrees to move to another cabin, but they will continue to run into Marilyn (Rose in the movie) again and somehow get swept up in the crazy drama that will begin to unfold shortly after they meet her.

While sightseeing at the falls, the wife spots Marilyn making out with a man who is clearly not her husband and realizes there is a lot more to the story of George and Rose.

That becomes even more clear when Rose wanders into a party being held at the cabins, places a record on the player, and George doesn’t like it so he breaks the record.

The wife (Polly) goes to the cabin to help him take care of his hand which he cut on the record and he tells the couple that he met Rose while she was working as a barmaid. She is considerably younger than him, full of life and he thinks she hates him because of all his issues.

Pretty sure the couple (The Cutlers) didn’t want to know all that but, well, there they had it.

Things start to go off the rails pretty quickly for George and Rose and, sadly, for the couple trying to just have a nice holiday. I won’t give away too much but there is a murder plot and mistaken identity and – well, you just have to watch it to believe it. It’s pretty crazy.

I will give away that I really wanted to punch Mr. Cutler about three times in this movie. Maybe five. I, in fact, dislike Mr. Cutler so much with his goofy smile that I didn’t even bother to look up what the first name of his character was while writing this blog post. I don’t even remember the name of it.

The guy was so dismissive of his wife’s concerns the entire time that by the end of the movie I was rooting for a full-fledged divorce. One day I’ll write an alternative ending to the movie where she tells him she’d be better off without him because he acts like she’s a crazy, hormonal woman all the time.



According to Wikipedia, the idea for the film came from Walter Reisch who eventually wrote it with Richard Breen and Charles Brackett. They said most films that take place at the falls are romantic, but Reisch wanted a film with murder in it.

Monroe was suggested to play a main role by the head of Fox Studios, Darryl F. Zanuck. According to Wikipedia, Reisch liked the idea but when Zanuck suggested she play a villain, he wasn’t so sure.

“According to Reisch, “We thought that was a nice idea until there came a second telephone call that he wanted her to be the villainess, not the girl… My God! Here was the prettiest girl in the whole United States of America! But he insisted it was a great idea, so we finally did it. We didn’t know whether she would like it, but she had no objection, whatsoever—on the contrary.”

A bit of trivia:

  • Jean Peters who played Polly Cutler had originally been suggested for Marilyn’s role, but by the time the movie started to get made, Marilyn’s popularity had grown and Peters was switched to play the wife. (No big deal because the wife got more screen time anyhow).
  • According to IMbd, even though she had a starring role, Marilyn Monroe was still under contract to 20th Century-Fox as a stock actor at a fixed salary, so she actually made less money than her make-up man did.”
  • During filming of the shower scene, director Henry Hathaway had to keep yelling at Monroe to keep away from the shower curtain and away from the lights as she insisted on being naked (as she was under the bed sheets at the beginning of the film). To pass the censors of the time, the scene was darkened in post-production.
  • Canadian officials didn’t like the film because they said it gave Niagara Falls a bad name by focusing on a murder taking place at it.
  • The “Letterman Hospital” that Rose mentions at the beginning of the film, saying George was a patient there, was Letterman Army Hospital at The Presidio of San Francisco. Built in 1898, it cared for returning wounded soldiers from every major conflict, especially World War II, Korea, and Vietnam. It was closed in 1994, the Army base at The Presidio was decommissioned in 1995 and the buildings of the hospital were demolished in 2002.  2005 Lucasfilm opened its headquarters on the site and named it the Letterman Digital Arts Center. (source IMbd)

Overall, if you haven’t already guessed, I enjoyed this film. It had me biting my nails and hooked until the end. While it did exploit Marilyn’s beauty and there were those moments of men gawking at her like they’d never seen a woman before like in other movies, it was still a great storyline.

If you want to read another review of the movie (which I didn’t agree with) you can click here.

Another review is here.

If you want to read about Marilyn’s fashion in the movie you can click HERE.

Up next for my Summer of Marilyn will be Some Like it Hot which was the movie I was going to originally watch this week. I was going to watch Niagra next week, though, so I just switched the two around.

After that, I’ll be watching:


July 13: The Seven Year Itch

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits

Summer of Marilyn: Gentlemen Prefer Blondes

I am watching Marilyn Monroe movies for the summer.

I have a confession.

I think she might annoy me a bit.

I know. Isn’t that awful?

It’s just that her breathy voice and the weird things she does with her mouth are so distracting to me. I know. Sacrilege to any hardcore Marilyn fan.

Maybe all her little gestures are annoying to me because I am a heterosexual woman and none of that does a thing for me.

Regardless, I’ve heard so much about her over the years, I figured I should actually watch her movies and see if she was any good or not.

So far, I have watched two of her movies all the way through and have decided that, yes, she was a good actress, but she was also put in a lot of stereotypical roles because of her large chest and pouty lips. I am hoping not all of her movies were like that, but these first two on my list here.

Of course, I have only watched the screwball comedies she was in so they would focus on her beauty as part of the plot points.

This week I watched Gentlemen Prefer Blonds with Marily and Jane Russell.

The movie starts with Marilyn getting proposed to – well, she’s getting a ring at least – by a bit of a nerdy man. That’s a theme in her movies – she’s always attracted to nerdy men with glasses.

As I started to watch the movie, I remembered I have seen it before. It has been years since I have seen it, though, so I totally forgot it was a musical. I should have remembered since it is the movie where Marilyn performed Diamonds Are a Girl’s Best Friend.

Anyhow, the movie continues with Marilyn and Jane, who are showgirls, deciding to go on a cruise to Europe. The women are also best friends even though they are very different. Marilyn (Lorelei in the movie) likes a man to be rich and buy her diamonds while Jane (Dorothy) likes a man to be fit and doesn’t care about wealth.

HyperFocal: 0

They both like to make men watch them, however.

There is a lot of skin shown in this movie, including a scene where Jane dances with members of the Olympic team who are also traveling on the ship to Europe. They are wearing only tiny, skin-colored shorts, the entire time. Little Miss asked, “Why are those men naked?” I realized at that moment that watching the movie with her in the room might have been a bad idea, even though it is way more tame than the movies out today.

There are several ridiculous moments as a private detective follows Lorelei on behalf of the father of her fiancé, who thinks Lorelei is simply a gold digger. The private detective and Jane fall for each other, which, of course, complicates things. There is also this whole thing about Lorelei trying to con an old, rich, married man out of a diamond tiara and later being taken to court to answer for the theft of it. Then there is that sexy dance scene in court by Jane, which was totally bizarre to me, but supposed to be funny. I’m such a prude – I just found it disturbing.

When I watch Marilyn movies and see how absolutely gorgeous she is, I am one, jealous, but two, aware of what it took to get her to that place of beauty because I once read an article about all the plastic surgery, dental implants and other physical changes she had to read that perfection.

As I watched the movie I also wondered if her movie voice was really her voice. Like is that how she talked when she asked for a fresh towel at a hotel or asked her assistant to get her a cup of tea? Or did she yell at people with a thick accent – like a Brooklyn or Boston accent? “hey! I’m walkin’ here! Whatreya’ doin’”

I mean, why did she talk like that? Was it considered sexy back then? I find it a little annoying today but that’s probably because I’ve heard so many parodies of her voice.

After a Google search, I learned from Vogue magazine that the breathy, whisper she spoke in was something she used to overcome a childhood stutter. She kept it for her acting and it became her signature voice. So, yes. It was her real voice and she used it in her everyday life. Not like Michael Jackson who totally faked that high voice, but I digress….

Now, When I saw Marilyn sing that famous song, I wanted to know if it was her voice so I Googled that too. The answer was yes and no. She did most of the singing, but an actress and singer Marni Nixon actually supplied part of the notes – the higher notes – which are the notes I thought weren’t hers.

Jane Russell matched Marilyn in this movie with her talent and humor. I do believe she was the better singer, but she and Marilyn were such a fun pair and worked well together.

The bottom line is that I liked the movie, but, as a self-declared prude, there is a lot I could have done without. For one, I didn’t need to see Marilyn and Jane in such skimpy clothes so much. I definitely didn’t need to see all the cleavage and I found myself rolling my eyes more than once at these women essentially using their bodies and sexuality to get what they wanted. Men were portrayed in this movie as too stupid to think when the women were around because, according to the movie, they were both too hot to handle. Men couldn’t be around them without melting into a sexually aroused mess.

I know that some will say that a movie like this was needed to show that women can be in control too and use their sexual prowess to get what they want – like men have been doing for years – but I don’t like it when either sex does that. That doesn’t mean that I didn’t have some fun watching the movie. It just wasn’t my favorite movie because the whole theme of “Marilyn and Jane are hot so men will fall over them” just was overplayed and overused in my opinion.

If you would like to watch the movie I am sure you can find it streaming, but I also found it on Youtube here:

Next week I will be watching Some Like It Hot, which is another screwball comedy with Marilyn, Jack Lemon, and Tony Curtis.

If you would like to join in watching the movies with me, here is the rest of the schedule for the Summer of Marilyn:

July 6: Niagra

July 13: The Seven Year Itch

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits

Summer of Marilyn: How to Marry A Millionaire

Two weeks ago I watched How to Marry A Millionaire and decided that weekend I would watch Marilyn Monroe movies for the summer, similar to how I watched Paul Newman movies last summer.

How to Marry A Millionaire stars Marilyn, Lauren Bacall, and Betty Grable and was considered a screwball comedy.

It was released in 1953.

It follows the story of Schatze Page (Lauren), Loco Dempsey (Betty), and Pola Debevoise (Marilyn) who are all looking for ways to marry a rich man and live the high life.

Or at least that’s the goal when the movie starts.

As we progress into the movie, we see the goals of the women begin to shift based on the men who they end up meeting along the way.

Each woman works on snagging a rich man and to do that they need a home base, so Schatze finds a home to rent from a man who is out of the country. She’ll need money to pay for the rental, though, so she begins to sell off the fancy furniture in the home, even though it isn’t hers.

Eventually, she and the other women will meet men who they decide they can snag and marry. Schatze meets William Powell, one of my favorite “classic Hollywood” actors. He’s 30 years older than her and a widower. More importantly, he’s rich.

She sets out to make him her own, but there’s a man named Tom who is trying to get her attention. She wants nothing to do with Tom, though, since he’s poor and won’t support her high-end needs.

Marilyn’’s character meets a wealthy businessman who is also a crook and she’s about to run off with him when she gets on the wrong plane and meets the man who owns the apartment on the plane. The apartment owner, it turns out, is trying to escape the IRS.

Betty’s character meets a married man and thinks she’s on her way to a Elk’s Club meeting in Maine, but has actually been invited to his personal lodge. She tries to leave when she realizes what is going on, but comes down with the mumps and is quarantined. While there, and after the man she came with becomes ill himself, she meets a poor but charming forest ranger and has to decide if she wants to pursue love or money.

Betty was supposed to be the star of the film, according to some articles, but, of course, Marilyn ended up with top billing.

According to the blog, Classic Movie Hub, Fox created the movie using anamorphic lenses developed by Henri Chretien in France. These lenses “expanded the audience’s peripheral vision by creating a panoramic, curved screen triple the size of a conventional screen,” according to the blog. This was in an effort to combat the rise of televisions in the American home.

Fox had two things to compete with television with this movie – Marilyn and these new lenses. They made a movie called The Robe first with the technology, however, because they felt that movie would appeal more to a wider audience and was more family-friendly.

The Robe was about a Roman centurion who commanded the unit responsible for the crucifixion of Christ.

(I think it is interesting that the woman in this photo by Lauren’s name looks nothing like her.)

Marilyn originally wanted Betty’s role since that role had more “snappy lines.” Playing Pola would mean playing a nearsighted woman who felt insecure wearing her glasses and often slammed into walls when she took her glasses off. Marilyn wasn’t confident in her comedic skills and wanted to back out, but the director convinced her to continue and she managed to pull it off amazingly well.

Lauren Bacall was already a well-known actress at this point and I felt she really held the group together.

In some ways I felt Marilyn did overshadow the others with her performance and not just because of her beauty. She pulled off the quirky-plus-innocent role well.

I felt like Lauren was out of place in a comedy but that’s probably because I am used to watching her in Noir-type films with Humphrey Bogart (who she later married).

Betty impressed me with her comedic skills and matched Marilyn’s quirkiness. I guess Lauren was more of the “straight-man” in the trio.

I loved William Powell in this. None of the other men really stood out to me, but that may be because William was so sweet and doted on Lauren’s character even though he really should have known she was a gold digger. And because I have a soft spot for him after watching him in the Thin Man movies.

I won’t share the ending of the movie, but I will say that the women redeemed themselves from their selfishness as the movie progressed.

As for stories from the set, the Classic Movie Hub blog relayed that Lauren and Betty were annoyed that Marilyn was late on set a lot and there were other minor snits between the three women.

From the blog: “When the three female stars assembled on the soundstage for the first time, the press awaited a mushroom cloud of conflict and cattiness or, at least, Grable’s bitter resentment of Monroe. However, Grable immediately embraced Monroe and ceremoniously told her, “Honey, I’ve had mine. Go get yours. It’s your turn now.” In response to Bacall grumbling about Monroe’s tardiness, Grable said, “Honey, give it to her. Let’s listen to records until she gets here. It’s her time now. Let her have fun.” Before long, Bacall found herself also feeling protective of Monroe.

I think this is my first time watching a movie with Marilyn all the way through. I enjoyed it and am looking forward the other films, though I know at least a couple of them are much darker than this one.

The next movies I plan to watch and when I plan to write about them are:

June 22: Gentlemen Prefer Blonds

June 29: Some Like It Hot

July 6: Niagra

July 13: The Seven Year Itch

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits

Next Classic Movie Impressions feature: Summer of Marilyn

I am going to be doing another Classic Movie Impressions feature this summer and so far, I am offering it up for whomever might like to jump in during the rest of June and part of July.

Erin from Still Life, with Cracker Crumbs is too busy in June for this feature and I know Katja has been busy as well, but the invitation for her to join in is totally there.

Anyone else who wants to join may do so as well and at any point. You don’t have to watch or write about all of the movies to be a part.

Now, onto who I am featuring this summer.

Marilyn Monroe.

So yes, the feature will be called A Summer of Marilyn.

If you have been following this blog for a while, you know I featured Paul Newman for my summer movie watching last year and Cary Grant for this spring.

I thought I should choose an actress this time around and decided on Marilyn when I discovered how many of her movies we own on blu-ray. I’ve also been a little fascinated with Marilyn because of how Hollywood really abused and used her until there was nothing left of her. It’s a story with a sad ending but I guess I am looking for some happiness she might have experienced in the making of at least a couple of these movies.

I’m going to kick off the feature this Thursday with How To Marry A Millionaire, which I watched on that wonderful Saturday where I had where five hours to myself with no responsibilities and no one else to care for.

If you want to quickly watch it, or have already seen it, and want to jump in, go for it. Or you can share a post later and just link to mine and I’ll let readers know you’ve shared your views too.

Without further ado, here are the movies I plan to watch and the dates I plan to blog about them on:

June 15: How To Marry A Millionaire

June 22: Gentlemen Prefer Blonds

June 29: Some Like It Hot

July 6: Niagra

July 13: The Seven Year Itch

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits