Episode recap: The Hardy Boys The Mystery of the Flying Courier

I have been sharing my takes on the episodes from The Hardy Boys/Nancy Drew Mysteries show from the late 70s off and on for the last few months.

The show was, of course, based on the separate series of books from the 1930s and switched off between featuring The Hardy Boys and Nancy Drew each week for most of the first season. Eventually the “teen” sleuths would combine their efforts in joint episodes.

*Disclaimer: These posts do spoil the entire episode. Also, I do joke around a lot about the cheesiness or plot holes or the “weird” 70s hairstyles, clothes or music, but please know it is all in good fun. I have fun watching these and the mysteries are often very interesting. Please don’t leave me comments enraged that I am making fun of your favorite show. *wink* I make fun of my favorite shows too!

This week’s episode was with The Hardy Boys and was called The Mystery of the Flying Courier.

We start out with Frank (Parker Stevenson) Callie (their dad’s secretary and maybe Frank’s girlfriend), and Chet (the boy’s friend), heading into a bar or restaurant where Joe’s band is playing. Of course Joe (Shaun Cassidy) is singing because that’s what Shaun Cassidy did back then as a teen heartthrob.

And he’s singing “Da Doo Ron Ron,” which is pretty much one of the most annoying songs I have ever heard — apologies to the original performers, The Crystals, who recorded it in 1961.

The song was Cassidy’s biggest hit other than That’s Rock N’ Roll. *spoiler alert* That song is not rock n’ roll.

When it was recorded by The Crystals the person in the song was “Bill” and not “Jill” by the way. I am sure you wanted to know that.

Okay, back to the show. The camera pans away from Frank and the rest walking inside to two official looking men in suites. One says, “She’s in there now,” and the other says, “We’ll wait for her to come out.”

While sitting and listening to Joe “rock out” (eye roll…it was NOT rock, but pop) Frank spots a girl across the bar and says she looks exactly like Susie Wilkins.

Susie dropped out of sight three years ago, he tells Callie. His father was trying to track her down because her parents were worried about her.

All Fenton Hardy’s leads dried out but now she’s sitting in the bar with them. He’s sure of it.

Frank tries his best to focus on his brother’s performance, but he can’t help stealing looks at the girl and at one point when he looks, she’s gone.

She’s followed the DJ back into his office, but Frank doesn’t know this yet. We, the viewers, do.

She’s telling the DJ that she needs the money he promised her and he better get it to her, but the DJ is saying he doesn’t have it. Not only that, he doesn’t even want to do the project with her anymore because two other men were there asking about her.

She tells him to get it done and get her the money or he’s going to “be the one shot down.”

Whatever that means.

When she leaves, Frank confronts her and calls her Susie. She says he’s mistaken and that’s not her name. She rushes out with him and Callie behind her and all three are met in the parking lot by the men in suits.

They tell Frank that her name is Sandy, not Susie, and they are there to arrest her. Frank runs back into the bar and calls Fenton and says he saw Susie. Fenton tells Frank to get to the police station and see if it is her and why she was arrested.

At the police station, the chief tells him they haven’t arrested a woman but asks for the girl’s information.

Frank goes back to retrieve Joe, and they set out to see if they can find Susie and who has taken her.

The next thing we know the kids are at a junkyard where they find Susie’s car, a little red bug, being destroyed while some men look through the car. I am super confused how they found the car or the junkyard, but let’s just go with it.

Frank sneaks off and climbs in the car to find out more infobot while he’s in there a large magnet comes and picks up the car and carries it off to be crushed.

Callie and Joe follow the car and scream for Frank to get out but then watch in horror as the car is crushed under the machine.

Now they are both crushed in a different way, crying in each other’s arms as they think Frank has become a human pancake.

That’s when Frank pops up from behind some cars behind them after he hears Callie comforting Joe.

“Joe?! What about me?” he asks and suddenly he’s been hugged and they’re crying over him, relieved he is still alive.

Fenton is upset that the boys and Callie took the risk, but Frank says he thinks it was worth it because he found a pay stub in Susie Wilkin’s glove compartment that proves she exists and had a job somewhere not long ago.

The next morning, we find Susie looking for her car, but with no explanation on where she’s been. She’s simply wearing the clothes she had on the day before.

A man pulls up and says hello and she asks him if he knows where her car is.

“You’ve brought this on yourself,” he tells her but then invites her to climb in the car.

She totally does. Like a moron.

They drive off and then we are back to Frank and Joe who are going to “go find us a girl.”

In the meantime we are suddenly at a record making factory where the man has brought “Sandy” and is telling her that he’s short on product because she hasn’t delivered the tapes she promised him

“I told you my terms,” she says. “If you don’t like it, you’ll  have to get them yourself.”

What tapes are these? It’s driving me crazy, but not as much as the plot hole where we weren’t told how Frank and Joe knew to go to the junkyard.

So, the man takes Sandy to her crushed car and when she asks why he would do that he says it’s because he gets angry when a friend lies to him.

We find out a few minutes later, these two have been more than friends in the past. Susie, er Sandy, says so.

That’s why she didn’t go to the cops to the tell them about the tapes, she says with a flirtatious smile.

He tells her that she better have the tapes soon because she’ll be in the next car that is crushed. Oooh…

She says she doesn’t have the tapes on her and she just needs a little more time.

Next thing we see is the DJ ripping a house apart, looking for something. He’s interrupted when Frank and Joe pull up. I still don’t know how they’ve gotten here, other than they had her paystub so it must have had her address on it.

They call for her, but she doesn’t answer so they simply walk right in and find the place trashed.

Then they find a 8 track cassette of a song they say would have been pre-released to DJs and they wonder why she had it. A photo of her and the DJ together let the boys know that the two know each other somehow and are pretty cozy. (Just an aside but Susie seems a bit loose to me…if ya’ know what I mean.)

The DJ and the two men posing as cops are meeting in the next scene, and the men tell the DJ that they tried to get Sandy to tell them where the tapes were but she insisted they were in a safe deposit box and she didn’t have the key. They believed her and let her go. They said pretending to be cops to question her was one thing but kidnapping her was a line they wouldn’t cross.

The men suggest that the DJ just give her the money and get the tapes back and it will all be over.

The men leave the DJ at the same time Frank and Joe pull up. They enter the bar and ask the DJ if he knows Sandy.

“Why me?” he asks.

“She said she was a close friend of yours,” Frank answers.

The DJ, at his swarmy best, grins and says, “Well, all the little girls do.”

Ick. Ick. Ick. Shudder. Shudder. Shudder.

The DJ thinks the boys have left, but actually they’re hiding behind the bar when the DJ leaves so they can snoop around.

When Joe accidentally triggers the sound system, which sounds like a bunch of guns going off, Frank dives behind the booth where Sandy had been sitting. Once the sound has been shut off, Frank stands to reveal a small envelope with a key inside it.

Joe scoffs at it. “You mean we found what those guys were looking for?”

Apparently.

Also apparently, Frank has called the cops before they arrived at the bar, hoping they’d have a reason to arrest the DJ. Now the cops are going to find them inside the locked bar. Uh-oh. The boys are in trouble for causing problems…again.

Next scene brings us to the police station where the DJ is being asked if he knows a Sandy Wolford.

He denies it and the chief asks the boys if they were looking for this Sandy in the bar. They admit it and then tell the chief about Sandy’s car being crushed and her house being ransacked.

The DJ is listening in to all of this and when they produce the key, he appears to be very anxious and interested.

We, of course, know why.

The chief recognizes the key from a safe deposit box at a place where he also has a box. He says they have every right to go find that box and open it now that they have the key with a number on it.

But when they open the box, whatever was in there is gone.

The lady at the safe deposit company says the owner came back and removed what was in the box earlier in the day. Hmmm…why didn’t she tell them that when they asked to see the box to open it? I have no idea.

The chief gets a call while he’s there and it’s his office telling him they picked Susie/Sandy up at a movie theater and have brought her into the station.

Susie is all smiles in the station in the next scene, saying she is Susie Wilkins and she’s just fine. She wasn’t arrested by the police but a couple federal “hot dogs” who made a mistake of her identity.

Frank and Joe try to get Susie to tell them what’s really going on but yet again she denies there is anything bad going on.

Frank tells her that they’re just worried about her.

“Yeah, just like your father three years ago,” Susie snaps. “He had me on the run every minute until I established a new identity.”

I still don’t get why, if she established a new identity, she’s still in the same town she grew up in but maybe it’s supposed to be a bigger town than I think it is.

Anyhow, she leaves the station but tells Joe to have his bandmates pick him up there for practice and follows her outside. Wow. Nice brother. Especially since Susie turns him down for a ride and he decides to just start the van and begins to leave without Joe anyhow.

He doesn’t actually leave alone, though, because Susie sees the guy who threatened her in a car and jumps in the van with Frank.

She doesn’t tell him they are being followed right away but Frank figures it out and asks her to be straight with him and tell him what is going on.

So, Susie finally lets some of her guard down and says the man following them deals in records and any other illegal businesses.

A chase ensues.

“I’m the go-between, Frank,” she confesses. “I get the demos for him from the companies.”

She told Miles, the bad guy, that she’s holding back his early copies of the demos unless he gives her more money.

She says something about “splitting for good” after she sells the tapes back to so-and-so (I honestly never caught what she was saying, even with a replay) and makes more money than she did buying them.

She’s selling them back because the tapes were sequenced with different songs and coded in a way that would help the original record company find out which DJ was bootlegging them and releasing them ahead of their release dates.

“Oh, Frank I don’t want to go to jail. I ran away from one at home. Always being told what to do, how to dress, where to be, who to be.”

Frank makes Susie promise she will tell his dad what she told him.

She “agrees,” but when they get stopped in traffic, Susie thanks Frank before telling him, “This isn’t going to work.”

She jumps out of the van and takes off running.

Susie finds a pay phone and calls the DJ and tells him she has the tapes ,and she will sell them back to him that night. He wants the tapes so no one finds out that he was the one releasing them to radio stations ahead of time.

So they are back at the bar where the DJ works but what’s weird is that he knows who the Hardy Boys are and that they are getting to close to finding out who he is, yet still lets Joe and his band play. I guess to keep the cover that he doesn’t know that they are involved in trying to find the tapes before him? I don’t know, but it’s another plot hole for me.

Susie shows up but now the other guy she was going to sell the tapes is there too. How did he find her? I don’t know! How did Frank, Joe and Callie even know to go to that junkyard?! Frank breaks into the DJs office and tells Susie she doesn’t have to do this and that his dad will help her.

“Cops?!” The DJ is freaking out now so Frank grabs Susie’s hand and they start running. That running leads them right to Miles, the other bad guy. How did he find her? Um…I have no idea really. Someone must have tipped him off.

Frank starts grabbing sandbags and throwing them at Miles and before long all craziness breaks loose between the DJ and his men, Miles and his men, and the boys.

Sand is flying everywhere, and Susie is being absolutely useless and just gasping a lot.

Someone in the crowd yells that they are going to call the cops and the cops show up in less than two minutes, which I found to be a very unbelievable response time.

The bad guys are arrested, and Susie is suddenly nice instead of dramatic and rude and thanks Frank for helping her.

So, I thought the DJ owned the bar and that it would be closed after he was arrested, though I’m not sure that he would have spent very much time in jail for bootlegging early copies of songs. During the closing scene, though, everyone, including Fenton, is back at the bar for a wrap up and to see Joe sing yet again. Fenton tells everyone that Susie is going to reunite with her parents, and they are going to improve their relationship.

They all say how wonderful that is and then turn to watch Joe shake it and flip his feathered hair around. Callie invites Fenton to dance and then the dance scene is extended so we can have a mini-Shaun Cassidy concert.

Yay? I guess….

Did you know that Shaun Cassidy is still performing and will start a 50-city tour in the fall?

According to an interview he did with Billboard Magazine in May, he never had time to tour when he was younger because of The Hardy Boys filming schedule and then he went on to have a second career in writing or producing shows such as American Gothic, Cold Case, Cover Me, The Agency, and, most recently, New Amsterdam.

He also hasn’t had a new album since 1980 but says there will be new songs on the tour.

Cassidy, followed in the footsteps of his half-brother David Cassidy, Oscar-winning actress Shirley Jones Tony-winning actor Jack Cassidy. He broke into the pop world in 1976 with the song “That’s Rock ‘n Roll” which you can hear on this episode in all its glory.

He released five studio albums between 1977 and 1980 on Curb/Warner Bros. including the Todd Rundgren-produced Wasp. After Nancy Drew, Cassidy then focused on the stage, appearing in plays on Broadway and London’s West End during the ‘80s and early ’90, before segueing into behind-the-scenes TV work in the mid-‘90s.

“Honestly, the reason I’m really motivated to do this (tour)  is I have such a feeling that if you are in a position in any way to be a catalyst for bringing people together in a room or a concert hall or a church or your kitchen table, in any context, gathering people, getting them to put down their phone for a minute and actually look at each other and connect and have a shared experience is just so important at this at this stage in our world, I think,” he told Billboard.

He isn’t banning cellphones from his concerts, but he is asking audience members to put them down so he can see their faces.

Here is a clip from him singing Da Do Ron Ron from this episode:

I found a clip of him in later years singing with his half-brother, and his voice definitely got better and stronger as he aged. The reproduction is awful, but here it is:

And if you would like to know more about how I feel about the song Da Do Ron Ron, you can read this post about the first episode of the series:

Okay, up next in our episode recap will be an episode featuring Nancy Drew called The Mystery of The Fallen Angels.


Additional resources:

Shaun Cassidy Gets Ready for the Longest Tour of His 45-Year Career: ‘I Felt the Need to Connect with People’

https://www.billboard.com/music/pop/shaun-cassidy-road-to-us-tour-1235982175/


Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.


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2 thoughts on “Episode recap: The Hardy Boys The Mystery of the Flying Courier

  1. As I recall, those shows were full of plot holes! But, they don’t have people like you and me to remind them of this person or that situation. I’m always pointing those things out to Mike! They drive me crazy! So, we still don’t know how they got to the junkyard, but the important question is…do you have your ticket to the Shaun Cassidy concert?

    https://marshainthemiddle.com

    Liked by 1 person

    • I like to joke about those plot holes, but it’s really not that big of a deal. I still like watching the shows – Murder She Wrote does it too and there is also only so much a show can fit in when they only have about 50 minutes to do it! Someone got really mad at me once on Instagram when I was joking about some of the sillier aspects of the show…I tried to explain that I am just joking around but since they can’t hear tone, they don’t really know that. I think they unfollowed me. I really ticked them off so I try to make it clear that I still like the shows – I just like to tease a bit.

      And he is actually coming to Pennsylvania, so maybe I should. I am not really a fan of his but after listening to him when he was older, I have to say he isn’t too bad of a singer!

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