For the next two months, Erin from Still Life, With Cracker Crumbs and I will be watching cozy or comfy movies and some of them will have a little mystery or adventure added in.

This week we watched Arsenic and Old Lace which was based on a 1941 play by Joseph Kesselring. The play, in fact, was still on Broadway when the movie was filmed in 1942. The play’s producers stipulated in the contract for the rights to the play that the movie would not be released until after the play finished its Broadway run. The play was so popular, though, that it ran for three years so the film didn’t hit theaters until 1944.

The movie was directed by Frank Capra.

This movie is completely crazy and off the wall in the start and then gets a bit dark and creepy in the middle and then it goes back to goofy again.

I prefer the goofy and eccentric portions of the movie to the creepy parts because the one actor in the creepy parts – Raymond Massey — well, he’s good at his job, that’s all I’ll say about that.

I am a huge Cary Grant fan, which you might know if you’ve been following this blog for very long. Erin and I even did a Spring of Cary feature this past spring.

My husband commented while we were watching this movie that he thinks he likes Cary in comedies more than his dramas and I have to agree. Cary makes the best faces when he’s acting in a comedy and pulls off the comedic element so flawlessly that I’m often left laughing so hard during his comedies that my sides hurt.

There are several hilarious parts of this movie but one of the most hilarious aspects is how everyone acts like death and murder and attempted murder are everyday things. Everyone except Cary’s character, except when it comes to the attempted murder of his new wife, which he seems to shrug off because he has a one-track mind and wants to get his uncle committed to an insane asylum and protect his murderous aunts from being arrested.

Let me back up a bit here to explain some things.

Cary’s aunts are brutal killers but they are also sweet and wholesome and no one would know they are murderers until Cary (who portrays Mortimer Brewster in this movie) finds a dead man in their window seat.

Cary’s uncle thinks he’s President Theodore Roosevelt, which has worked well for the aunts who are having him pretend he’s digging the Panama Canal in their basement.

While Mortimer is trying to figure out what to do with his murderous aunts and his crazy uncle, his new wife – who he just married at the beginning of the movie — keeps trying to get his attention so they can run off together for their honeymoon to Niagara Falls.

Mortimer is way too distracted with shock and horror over his new discovery about his aunts to pay attention to his wife, who, by the way, is the daughter of the pastor who lives across the street. Then, as if things couldn’t get any crazier, Mortimer’s brother Jonathan returns home from his travels around the world where he’s been killing people. He returns with his partner in crime, a doctor played by Peter Lorre, who has botched Jonathan’s facelift, making him look like Boris Karloff, which is ironic because Karloff played Jonathan Brewster on Broadway. Karloff stayed on as the character in the play to appease the producers because they were concerned that losing all of the main actors for the movie would kill ticket sales.

According to Wikipedia: “Josephine Hull and Jean Adair portray the Brewster sisters, Abby and Martha, respectively. Hull and Adair, as well as John Alexander (who played Teddy Brewster), reprised their roles from the 1941 stage production.[4]Hull and Adair both received an eight-week leave of absence from the stage production, which was still running, but Karloff did not, as he was an investor in the stage production and its main draw. The entire film was shot within those eight weeks. The film cost just over $1.2 million of a $2 million budget to produce.”

The movie is absolutely hilarious and eccentric and I’m glad I stuck it out this time because the first time I watched it, my husband and I bailed in the middle when the creepy brother came back. The entire tone of the film switched from goofy to dark and creepy, but now that I’ve watched it all the way through, I understand the reason for the creepiness. It is to lay the groundwork for the silliness and off the wall behavior to return. At one point the brother is terribly creepy and then a bit later his reactions to discovering secrets about his aunts are so funny because he’s supposed to be the tough, scary guy.

You just have to see the film to understand.

Incidentally, Raymond Massey was nominated for an Oscar in 1940 for playing Abraham Lincoln in Abraham Lincoln in Illinois.

Massey played Lincoln several times in film, television and on stage. Someone, though articles online don’t say who, once said that Massey would keep perfecting his role as Abraham Lincoln until someone assassinated him too.

One thing I want to make sure I mention about this film is the cinematography. There are some really amazingly lit and positioned scenes from the film, including one where Jonathan’s shadow is towering over the doctor who is sitting on the stairs.

As I was preparing this blog post and sharing about the movie on Instagram this week, a very interesting story popped up about how the play was possibly based on a true story about a woman in Connecticut who ran a nursing home and was charged in 1917 with the murder of five people between the years of 1907 to 1917.

Amy Duggan “Sister” Archer-Gilligan poisoned five people, including her second husband Michael Gilligan. The others were residents in the nursing home. Some reports say up to 60 people died in the nursing home that was called The Archer Home for the Elderly and Infirm but Gilligan was only charged in five deaths. She may have killed her first husband, John Archer, in 1910 but the official cause of death was listed as Bright’s disease. Oddly, though, Gilligan had taken an insurance policy out on her husband a few weeks before his death. The payment from it allowed her to keep the home open.

She married Michael Gillian in 1913 and he mysteriously died of “indigestion” three months later. He was a wealthy man and despite the short length of their marriage, Michael had left his estate to her, not his four adult sons. It was later determined that Amy had forged Michael’s signature and that the will was a fake.

To make a long story short, the family member of a deceased resident tried to get the district attorney in the county to investigate Gilligan but he blew her off. Finally, the woman contacted a journalist who ran a story about the home and from there everything unraveled. The bodies of five people were exhumed and all had been poisoned with either arsenic or strychnine.

Kesselring never said if Gilligan’s story inspired the play, but it is interesting to note the similarities.

If you want to read more about her case you can see it here, but remember Wikipedia might not always be totally accurate.

In one article I read that Capra had considered both Jack Benny and Bob Hope for the role of Mortimer. No offense to either of those men (I love listening to old Jack Benny radio shows as I fall asleep at night), but I can’t see the film with anyone other than Cary.

One site – Movies! Reel Variety – said that Cary doubted his performance later. He felt he overplayed the character and that Jimmy Stewart would have played the part better.

This was the only film he made with Capra, whom he called “a dear man.”

Criterion.com (https://www.criterion.com/current/posts/7952-arsenic-and-old-lace-madness-in-the-family) states that while Capra worried that delaying the film would cause it to miss out on the box office war boom or make the subject, or actors stale, but instead Cary was just coming into his own and was one of the hottest actors in Hollywood by 1944.

Cary said he wanted to do the film because he “just wanted to have fun” after being in so many films in the 1930s that were social commentaries.

After playing the part, though, he complained about it, but, according to the Criterion article, he complained about many of his performances and worried over them even when the audience loved them.

Arsenic and Old Lace is one of these films.

I enjoyed this paragraph in the Criterion article: “In his book on Grant, Richard Schickel defends Grant’s and Capra’s bold choices, asking, “What’s a man supposed to do when he finds bodies buried all over his maiden aunts’ house? Arch an ironic eyebrow?” The playing is entirely appropriate to a character in such circumstances in a farce, even if, as Schickel concedes, it is “not Grant’s most urbane performance.”

Shooting of the film was finished five days after Pearl Harbor was bombed. Frank Capra joined the Signal Corps, but luckily was given some time to first finish what proved to be his only black comedy, or the world might have had to wait even longer to see it.

To read Erin’s impressions of the film, you can visit her blog here: https://crackercrumblife.com/2023/09/28/comfy-cozy-cinema-arsenic-and-old-lace/

Next week we are taking a break from watching movies to give time for any of you to catch up on the films yourself and write about them, if you want to.

If you’ve watched any of the movies and would like to take part in our Comfy, Cozy Cinema, you can sign up on the link below.

When we return to the feature on Oct. 13 we will be writing about The Lady Vanishes.

After that, we will be watching the following movies:

Strangers on a Train (Oct. 19)

Rebecca (Oct. 26)

Little Women (November 2)

Tea with The Dames (November 9)

A break for Thanksgiving

And

Sense and Sensibility (November 30^th)

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