Category: Movie Impresssions

A review of the movie and book versions of The Scarlet Pimpernel (yes, there are spoilers)

On By Lisa R. HowelerIn everyday musings, Movie Impresssions11 Comments

They seek him here, They seek him there,

Those Frenchies seek him everywhere,

Is he in Heaven? – Is he in hell?

That demmed, elusive Pimpernel?

Last week I finished the book The Scarlet Pimpernel by Baroness Orczy.

I enjoyed the book so much that I looked forward to a couple chapters each night before bed just like I used to read books before there were all these devices and social media sites and everything else to distract me. Losing myself in the story completely forgetting about everything around me going on was exactly what I needed. Yes, the book could be a bit dramatic at times, but, come on, it was written in 1905!

I loved the hardcover copy I found too. It was printed about 30 years ago by Reader’s Digest but I love how it had a vintage feel to it.

Even though I’ve seen the 1982 TV serial movie with Jane Seymour, Anthony Andrews, and Ian McKellen and therefore knew the story, I still wanted to read the book because I wanted to see if the book was different or the same.

The baroness (yes, she actually was one) wrote the play, The Scarlet Pimpernel, before she wrote the book. There are also several sequels to the book, and some don’t focus on the same characters.

First, a little description of the book and movie for those who might not be familiar with it.

Armed with only his wits and his cunning, one man recklessly defies the French revolutionaries and rescues scores of innocent men, women, and children from the deadly guillotine. His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.

I first watched the movie version of The Scarlet Pimpernel years ago and then watched it again about a month ago. It was a CBS production with all British actors that ran three hours, maybe over a couple of nights, but I’m not sure.

After I watched the movie, I remembered I had found a hardcopy of the book by Baroness Orczy last year at a used book sale.

I couldn’t figure out how to write this without giving spoilers so … there will be spoilers. You have been warned.

First, let’s go to the book which begins with a French family being rescued from the guillotine. They’ve been brought to an inn in England by the band of men who work with The Scarlet Pimpernel. They’re exhausted but grateful. The mother in the family, referred to by the author as The Comtesse is also worried because her husband has remained in France and could be next to have his head cut off. While talking about who is who in England that she will be able to rub elbows with now that she is there, the name Lady Blakeny, formerly known as Marguerite St. Just comes up and the Comtesse balks. She doesn’t want to meet that woman because that woman turned in the Marquis de St. Cyr to the revolutionists and he and his entire family were guillotined.    

The men in the inn are taken aback by this charge but don’t seem surprised the woman says it. What they are nervous about is that Lady Blakeny is currently on her way to the inn with her husband Sir Percy Blakeny, who is known as a lazy “fop”. He’s rich and simply putters his days away by hobnobbing with the Prince of Wales and other elites. He’s also terribly obnoxious. He met his wife in France and brought her back with him to live in England.

Unfortunately, the Comtesse sees Lady Blakeny and lets the woman know she wants nothing to do with her because of how she turned in the de St. Cyr family.

Lady Blakeny is confused by the charge and laughs it off.

It isn’t long before we learn that Marguerite did turn the family in but not on purpose. She dropped a hint that the Marquis was a traitor   after the Marquis beat her brother Armand St. Just because he was in love with the Marquis’s daughter. She told her husband shortly after they were married and had returned to England what happened and it was after that he became very cold toward her and barely spoke to her in private, making their marriage more of a show than anything else.

The main plot of the book is a romantic one involving the misunderstandings between Marguerite and her husband.

Early on, Marguerite is approached by Citizen Chauvelin, an agent of the revolutionists in France, and he requests her to spy on those she associates with in England to see if she can find out who The Scarlet Pimpernel is.

The revolutionists want him stopped so he can no longer smuggle out aristocrats that the revolutionists want to murder.

Marguerite refuses but later in the book Chauvelin and his men find a letter that reveals her brother Armand is involved with The Scarlet Pimpernel and his men. In fact, Armand is on his way to France to set up arrangements to save another aristocrat family.

Chauvelin blackmails her, forcing her to help find out The Scarlet Pimpernel’s identity or he will have Armand killed.

She and Armand are very close because they lost their parents, and he helped to raise her so she reluctantly agrees to this plan.

Secretly Marguerite admires The Scarlet Pimpernel and his daring escapades to rescue aristocrats who are about to be killed. She harbors a ton of guilt for what happened to the Marquis and wants others to be rescued. Despite not wanting to stop The Scarlet Pimpernel, she agrees to spy in her husband’s circle of friends to see if she can learn anything about The Pimpernel’s identity, simply so Armand is not killed.

She does learn something at a future ball that the Prince of Wales is attending when she finds out that The Scarlet Pimpernel will be meeting with his men in the supper room at 1 a.m. that night. She tells Chauvelin this but when Chauvelin goes to wait all he finds is lazy, silly Sir Percy asleep on the couch.

Now in the book, Marguerite goes back to her home with Sir Percy and confronts  him over how he’s been treating her. Sir Percy fights his emotions because he truly loves her despite what she did in France and believes it must have been a misunderstanding.

There is one big reason Sir Percy can’t show his love to her though. He can’t trust her and he needs to trust her because SPOILER ALERT!!!! Do not read further if you don’t want to know the truth ——

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Sir Percy is actually The Scarlet Pimpernel!!! WHAT?! Now, when we watch the movie, we already know this and it makes the sexual tension even more heightened between Marguerite (Seymour) and Sir Percy (Andrews), especially after the scene where Chauvelin (McKellen) thinks he’s going to find The Pimpernel but instead only finds Sir Percy.

In the movie Marguerite runs to the dining room instead of home. The room is dark and she hears someone behind her, but she doesn’t turn around. She assumes it must be The Pimpernel so she tells him that Chauvelin is after him and trying to trap him.

This warning lets Sir Percy know that Marguerite truly supports the mission of The Scarlet Pimpernel and his band and his heart begins to melt. He steps forward, almost puts his hand on her shoulder, clearly wants to kiss her neck, but he steps back again. He doesn’t tell her who he is, preferring to protect her from any interrogation from Chauvelin.

In the book, Marguerite figures out who Sir Percy is after he leaves for France and the daughter of a man who could be killed says she heard that The Scarlet Pimpernel had left that very morning to rescue her father.

I feel like the TV movie actually fleshed some things out a bit better and added another layer which would have made the book even better.

In the movie, we see more of Lady and Sir Percy’s romance and then their marriage about halfway through. The coldness comes when Sir Percy finds out her involvement in the Marquis’s murder from someone else at their wedding reception. The person tells Sir Percy that her name was on the warrant for the Marquis’s arrest, but really we viewers know that it it is the villain Chauvelin who put her name on the arrest warrant.

Another difference between the book and the movie is that in the movie there is an underlying story of the Scarlet Pimpernel and his men trying to rescue Prince Louise XVII before he is killed in the tower, which is what happened in real life. Their goal is to smuggle the prince out of France to England and keep him there until he is older and can come back to France and take over the throne again.

There is no mention of the prince in the book and that would have been a fun layer to add.

In both the book and the movie, Marguerite sets off to rescue Percy when she learns who he is. She learns who he is the same way in the book and the movie — she runs into Percy’s office and notices there are pimpernels along the molding of the room and in other places, which helps her to put the pieces together. In the movie, though, Sir Percy leaves a note for her in his office/study, which indicates he hoped she’d figure it out. I didn’t get that in the book, but maybe I just missed that part.

Marguerite can’t bear the thought of Percy being captured and killed by Chauvelin. I liked that she went off to rescue him, which she sort of did in the movie but not in the same way.

In the book she was sneaking around and risking her life much more than she did in the movie.

I liked the show own in the movie, which didn’t happen in the book. In the book Sir Percy uses the many disguises he used to help smuggle aristocrats out to disguise himself and keep him from being discovered by Chauvelin. He disguises himself as a Jew, which seems to be a popular thing for the English to do back then. Jews were always looked down on as disgusting and dirty at that time so they were easily overlooked.

Disguised as a Jew, Percy tells Chauvelin he saw the man that might be the Scarlet Pimpernel and leads him on a wild goose chase so that his men have enough time to escae to Sir Percy’s ship.

Chauvelin believes The Scarlet Pimpernel is leaving on his ship so he leaves a bruised and beat up Marguerite behind with the bruised and beat up Jew. Of course, Sir Percy reveals himself to Marguerite once Chauvelin and his men are gone and they have a romantic reunion.

In the movie, Sir Percy is captured when Armand goes back to his lover to rescue her. In the book Armand didn’t have a lover to go back to. Chauvelin says he will only release Sir Percy if he gives the prince back, so Sir Percy leads him to a castle near the ocean. By then, though, the prince has been released.

Chauvelin is pissed off and sends Sir Percy out to be shot. Unfortunately for him, Sir Percy has managed to switch Chauvelin’s men for his own and that means Sir Percy returns to the castle unscathed, has a dual  with Chauvelin and wins, and then they leave Chauvelin stranded at the castle before escaping on Sir Percy’s ship to England.

The ending to the movie was a lot more exciting to me with that added dual.  I’m sure it was easier to have a dual than having to explain why the French thought Jews were so gross that they would have ignored Sir Percy who was dressed up as one. Not to mention the stereotypical description of Sir Percy’s makeup, etc. would have been — well…insensitive to say the least.

The bottom line is that while I loved the book, I also loved that the movie flushed the book out even more for me.

I do hope to read the other books in the series, even if I don’t get my satisfaction of the full story of Sir Percy and Lady Blakeny.

A bit of trivia/facts about the movie taken from various sources around the web, including articles, interviews, and IMdB:

  • This movie was produced by London Films and directed by Clive Donner.
  • Filming took place at various eighteenth century sites in England, including Blenheim Palace, Ragley Hall, Broughton Castle, and Milton Manor; also Lindisfarne.
  • The subplot with the Dauphin was taken from another one of Orczy’s novels, Eldorado, which was what the screenplay for the 1982 TV adaptation of The Scarlet Pimpernel was based on.
  • Timothy Carlton, who played the Count De Beaulieu, is the father of actor Benedict Cumberbatch and ironically, McKellen would appear with Benedict in the Hobbit trilogy – or at least was in the same movies that Benedict did the voice of Smaug for. Seems Timothy felt he’d better change that last name while Benedict knew his first and last name would be an attention getter, I guess.
  • Jane Seymour sometimes took her infant daughter with her to the set and had never seen the original movie from 1934 starring Leslie Howard, Merle Oberon, and Raymond Massey. (I hope to watch this in the fall or winter and compare it to the TV movie since many sources online say it is still considered the best adaptation. I saw part of it years ago, but do not remember finishing it.).
  • Julian Fellowes (Prince Regent) also played the Prince Regent (the future George IV) in Sharpe’s Regiment (1996)
  • London Films hoped that Andrews would one day star in a Scarlet Pimpernel series in the US, but this never occurred.
  • In his 2006 work Stage Combat Resource Materials: A Selected And Annotated Bibliography, author J. Michael Kirkland referred to the sword fight between Percy and Chauvelin as “nicely staged, if somewhat repetitious … but still entertaining.” Kirkland also observed that the weapons used were in fact German sabres, which were not used during the Napoleonic era. (source Wikipedia).

A little about the Baroness herself summarized from the back of the book:

She was born…get ready for this one! Baroness Emmuska Magdalena Rosalia Maria Josepha Barbara Orczy on Sept. 23 1865 in Tarna-Ors, Hungary. Her father was a notable composer and a nobleman and in 1868 the family was chased from Hungary during a peasant uprising, eventually settling in London when the Baroness was 15. Before that she attended schools in Paris and Brussels. She was once quoted as saying that London was her “spiritual birthplace.”

Emmuska learned to speak English quickly, fell in love with art and writing and eventually married illustrator Montaque Barstow. They had one son.

She and her husband wrote the play about Sir Percy Blakeny in 1903 based on a short story Emmuska had written. The play ran in London. Emmuska wrote the novelization and released it in 1905. The book was a huge success and she went on to write other stories about Sir Percy Blakeny and his friends, but she also wrote more plays, mystery fiction, and adventure romances.

Have you read the book and/or seen the movie of The Scarlet Pimpernel? If so, what did you think of them?

How about the Baroness’s other books – have you read any of them?

I found this movie for free on YouTube, but it is streaming on various other services, including Amazon, Sling TV, Roku, and Apple.

Summer of Angela: A Life At Stake (1954) with minor spoilers

On By Lisa R. HowelerIn classic movie impressions, everyday musings, Movie Impresssions, Summer Movie Marathon, Summer of Angela10 Comments

This summer I am watching Angela Lansbury movies for the Summer of Angela.

Up this week was A Life At Stake, another crime noir “B-movie” and another chance for Angela to show her evil side. Honestly, she’s been evil in a lot of the movies I watched with her throughout this summer, which cracks me up since a lot of people associate her with being sweet in kind from things like Murder She Wrote and Bedknobs and Broomsticks.

This movie was not the best I’ve ever seen plot-wise but the dialogue was actually very well written and the sexual tension was something I didn’t expect for a 1954 movie.

The movie is essentially about a man who is very paranoid and thinks everyone is out to get him. Or, as Google describes it: “After an out of work architect accepts a business proposition from a married woman, he soon begins to suspect her motives, and fear for his life.”

Edward Shaw, portrayed by Keith Andes had a business failing and now he’s been approached by a lawyer with the prospect of a new business.

Edward tells the lawyer he really doesn’t really want to get involved. He keeps a $1000 bill framed on his wall to remind him of his failures and encourage him to try again. I didn’t know there was such a thing as a $1,000 bill by the way.

Anyhow, I digress, the lawyer puts him in contact with Doris Hillman (Angela), wife of Gus Hillman (Douglass Dumbrille). Edward goes to Doris’s home and the housekeeper says he needs to call out before he goes to the pool because Doris has been known to swim in the nude. Edward quips back, “That’s okay. I’ve been known to swim in the nude too.”

Doris isn’t naked but she does tell Edward he should have called out. From their first meeting the flirting begins in earnest. Doris even covers herself with a towel but removes the top of her swim suit underneath it because she says it’s uncomfortable.

Eventually they get to business talks and Doris says Gus wants Edward to run the company, buying up property with money Gus will give him and for Doris to sell the property using her past real estate experience.

Edward is agreeable but feels suspicious about it all, especially when Doris says they will need to take an insurance policy out on him for half a mil. He doesn’t, however, seem to feel suspicious about Doris and later that night at home when he gets a call, he asks his land lady if it is a woman calling. It is clear he’s hopeful Doris will be calling soon and about a lot more than business.

Doris does call another day and asks him to meet her a hotel room. From there he’s laying it on heavy, flirting all over the place, but she lets him know she’s not interested. She’s only interested in business. Edward (sort of a  horny jerk if you ask me) leaves but later that night Doris pulls up outside his apartment.

She says something flirty and then before we know it, he’s in the car practically shoving his tongue own her throat.

All is going well with their little liaisons and business dealings until Edward meets Doris’s sister, Madge (Claudia Barrett). Madge thinks he’s just lovely and starts hitting on him. She invites him to dinner in front of Doris and Gus and because he doesn’t want Gus to know about his affair with Doris, he agrees.

During dinner Madge drops a bombshell and says that Gus is Doris’s second husband because her first husband died a few years ago in an accident. What’s weird is that Doris and Gus were in a business with him too and when he died Gus and Doris got the insurance money since they’d taken out a policy on each of them for the business.

Edward is incensed. He had a feeling Doris and Gus were up to something and now he knows what it is. They really do want to kill him and get the money for the insurance policy they took out in his name.

He’s still thinking about this when Doris calls and says she wants to show him something.

He reluctantly agrees and she drives him up on a hill. She shows him some property she says will be great for development but when she goes to park, the brake slips and the car keeps rolling. She gets it in park and says she’s going to go get the property owner because he said he would show them around.

After she leaves, though, with Edward sitting in the passenger side, the car starts to roll toward a bank with a long drop and Edward just barely stops it.

That cinches it for him. Doris and Gus are in on this together and they are going to kill him.

I won’t give away the ending but most of the rest of the 70 minute movie (yes, it’s that short) will be Edward waffling back and forth between suspecting the couple and being in love with Doris while Madge is in love with Edward and knows all about the affair. Later she also knows about Edward’s suspicions.

This is a dark movie and it took the path I thought it might but I did think there might be more of a plot twist toward the end. Actually, there did seem to be a bit of a plot twist based on something said by a character right at the end but I wasn’t sure if I was reading too much into it or not.

I will share that I did read Cat’s review (found on her blog Cat’s Wire)   before finishing this post up and I have to agree that I did not really connect with or like the main character.

I don’t think I would have cried much if he had been murdered (okay, so I gave a little away here…..he isn’t murdered). He was very unlikable and rude. He wanted to have his little fling with Doris but also keep her and her husband from killing him. He was sort of ruled by his privates to me and it severely affected his judgment. And though there were some good lines in this one – the writing overall was just not very strong.

I’m sure this is just motion blur in the image, but all I can think of when I see Angela’s hand in this photo is that episode of Seinfeld when Jerry dates a woman with “man hands.”

I liked Angela’s performance and thought she succeeded once again in pulling off playing someone evil and making it hard for the viewer to figure out if she was really in love with Edward or not.

I listened to an interview with Angela last week when writing about The Picture of Dorian Gray, and she said she made a lot of not-so-great movies over the years. This may be one of them she was referring to.

The movie was directed by Paul Guilfoyle, for those who care about such things. The film was restored in 2021 and resulted in a few noir crime movie buffs blogging about it.

One of those, Michael Barrett from the site Pop Matters, wrote: “You’d have to know me to understand how unlikely it is that I’d never heard of this picture, but the commentary by scholar Jason A. Ney points out that this film is so obscure, it’s not listed in most noir references, despite the presence of a major star. So this might count as more of a rediscovery than restoration.”

About the acting and plot he writes, “The film runs only 76 minutes, but a bunch of stuff happens at a nice clip, sometimes too quickly for us to analyze how much adds up, with some elements more obvious than others. In a sense, everyone is clumsy and transparent, and that feels reasonably credible. The story mixes common sense (e.g., going to the cops and the insurance company) with devious cupidity and lust amongst tawdry, small-minded people.”

Glenn Erickson on Trailers from Hell wrote: “Filmed in 1954, producer Hank McCune’s A Life at Stake is notable for its fairly competent production and a decent if somewhat thrill-challenged screenplay — and the fact that it stars an actress one wouldn’t think would be associated with an 11-day cheapie thriller. The great Angela Lansbury is the odd star out on a list of creatives that reads like a call sheet for ambitious Hollywood underachievers, all thirsting for the right show to get their career in motion.”

I have to agree with Erickson when he writes: “The movie generates some tension but can’t quite convince us that Ed Shaw is as helpless as presented.”

I enjoyed Erickson’s entire review and background so if you would like to know even more about the film and Angela’s role in it, please check it out.

Some facts and trivia:

  • “The unusual convertible Doris Hillman (Dame Angela Lansbury) drove was a Kaiser Darrin. Only 435 production Darrins and six prototypes were built. Its entry doors slid on tracks into the front fender wells behind the front wheels, which was patented in 1946, had no side windows and a three-position Landau top. The car’s only criticism by enthusiasts was the front grill, which looked like it “wanted to give you a kiss.” (Source: imdb)
  • This was an independent feature produced by Hank McCune, who briefly starred in his own free-wheeling TV sitcom, The Hank McCune Show.  (source: Pop Matters)
  • McCune created the story and hired people from his television series, including writer Russ Bender and supporting actor Frank Maxwell. (source: Pop Matters)
  • The director’s wife, Kathleen Mulqueen, plays Shaw’s mom-like secretary. (source: Pop Matters)
  • Directly from imbd.com: “In the first scene, Edward Shaw (Keith Andes) roams about his room in the boarding house wearing only form-fitting pajama bottoms and stripped to the waist, giving audiences ample chance to view his impressive musculature from every conceivable angle. In a comic twist, an attorney enters the room, and one of his first lines of dialogue to Edward is “Come now, you’re not the first man to lose his shirt!””
  • In order to please the Italian music unions, an agreed number of American films had to be re-scored by Italian composers for release in Italy. A bit of irony is that Les Baxter had his original music replaced by Costantino Ferri, Baxter himself would later join AIP and re-score over a dozen movies previously done by Italian composers. (Source: imbd)
  • When Edward Shaw (Keith Andes) gets into a taxi after leaving his office, in the background, the old Sunset Theatre is seen, which was located on Western Avenue just north of Sunset Boulevard; the double feature shown on the marquee is Da Vinci also Julius Caesar (with Marlon Brando) , which dates the shot as May 1954. The theatre no longer exists. The intersection has been redeveloped.

Left on my Summer of Angela list for August are:

August 22 – I’ve decided to substitute A Long Hot Summer for All Fall Down for a couple reasons — I’ve watched A Long Hot Summer before and it will allow me to admire Paul (Newman) again and I watched a preview for the film and this annoying kid kept calling the main character Barry-Barry and that just seemed super, super annoying. Plus, I’ve heard it is a dark film. I originally wanted to watch it because I’ve never seen a Warren Beatty film (don’t you dare ever remind me of Dick Tracy! Never! Ever! I would like to burn that memory out of my brain with the end of a cigarette! My brother and I walked out of that film and I have never attempted to watch it again and I still have PTSD!). I can always watch another Warren Beatty film instead.

August 29 – Something for Everyone

If you want to read about some of the other movies I watched, you can find them here:

Bedknobs and Broomsticks

The Manchurian Candidate

National Velvet

The Pirates of Penzance

Gaslight

The Pirates of Penzance

Gaslight

Please Murder Me

Death on The Nile

The Court Jester

The Picture of Dorian Gray

Sources:

https://www.popmatters.com/paul-guilfoyle-life-at-stake

https://www.imdb.com/title/tt0047178/trivia/

https://trailersfromhell.com/a-life-at-stake/

Summer of Angela: The Picture of Dorian Gray

On By Lisa R. HowelerIn everyday musings, Movie Impresssions, Summer of Angela7 Comments

This summer I am watching Angela Lansbury movies for the Summer of Angela.

This week I watched The Picture of Dorian Gray (1945), which I had never seen before. I’ve also never read the book that it is based on.

I had to sit and process this one for a bit and also watch a comedy or two afterward.

Wow, what a creepy, dark, and unsettling film.

Yes, unsettling is the perfect word for this movie and while I am glad to see the second film that Angela received an Oscar nomination for, I don’t plan to watch it again.

I shuddered too many times while watching it.

First, a quick description of the movie for those who are not familiar with it.

From TCM.com, this one-sentence description tells us what we need to know about the movie:

“A man remains young and handsome while his portrait shows the ravages of age and sin.”

The movie is based on the book of the same name by Oscar Wilde, written in 1898. There is even a moment where the main character quotes Wilde.

The movie stars Angela, Hurd Hatfield, George Sanders, Donna Reed, and Peter Lawford.

Dorian Gray is a young man without any family who gets mixed up with a man who is a bit of a chauvinist, cynical jerk. This man, Lord Henry Wotton (George Sanders, who plays villains absolutely perfectly), comments on how awful it is to age when he is looking at a painting of Dorian being made by artist Basil Hallward.

Lord Henry, a man who enjoys manipulating the lives of others and talking down to women and everyone around him, says that youth is fleeting and that the pursuit of desire should be the only real goal in life.  Dorian, who seems super impressionable to me, thinks about what Lord Henry has said and says that he would give his soul if the painting would grow old while he remained forever young.

Lord Henry tells him to be careful about making such a wish in front of his Egyptian statue of a cat.

Dorian decides to explore new places, experience new things, and later he visits a bar where he watches a beautiful young woman names Sibyl Vane (Angela) performing a song called Little Yellow Bird. He is enamored with her and her with him.

Consider yourself warned that the song she sings, Goodbye, Little Yellow Bird, is an earworm. I’ve been humming the thing all week!

He’s in love, but Lord Henry is cynical and mean and tells Dorian to give Sibyl a challenge. Invite her to stay overnight, and depending on what she decides, Dorian will know if she is virtuous or not.

Things will go downhill for Dorian after the outcome of the challenge. Tragedy strikes, causing him to become hardened to the world. He decides that living only for his own pleasure, no matter who it hurts, is the way to go in life.

I won’t spoil the whole movie in case you haven’t watched the movie or read the book, but want to. I will say: be prepared to be fairly depressed by the end.

I will say that two additional characters were added to this movie that were not in the book — a woman named Gladys (Donna Reed) who has loved Dorian since she was a child, and her boyfriend David Stone (Peter Lawford). Gladys was terribly annoying and stupid to me. They should have left her and David out, quite frankly.

The part of Dorian Gray is played by Hurd Hatfield.

His absolutely creepy and dead-behind-the-eyes expression is the central reason I felt unsettled by the movie.

I saw his demeanor as perfect for this part but one critic I read said it resulted in his character feeling too one-dimensional and detached.

“On all accounts, (director Alfred) Lewin micromanaged Hatfield’s every gesture (to the point of not letting the actor perform after four o’clock in the afternoon, for fear fatigue would show), resulting in a central performance that is appropriately strange, but which never engages,” wrote Richard Harlin Smith on TCM.com. “One doesn’t see what others see in this Dorian Gray, who seems as inflexible as a mortician’s wax even in his mysteriously protracted youth.”

I thought not emotionally engaging with anyone is the point of a character who essentially gives up his soul, feelings, and love for anything, to be as nasty as he wants to be (yes, a bit of a spoiler there).

The movie was only Hatfield’s second film (his first being Dragonseed from 1944).

Smith wrote in his review of the film on TCM that, “Hurd Hatfield, in his second screen appearance, was so effectively evil in the title role that it actually handicapped his career with casting directors.”

According to Hurd Hatfield Luv on Tumbler, Angela once said that Lewin would stop rolling the cameras once Hatfield made an obvious expression on his face. This was frustrating to Hurd because his usual acting style was animated and he wanted to perform the character like he was written in the novel.

Lewin’s wishes always overrode the wishes of the actors, though.

“Also to point out, halfway through the film Dorian said he wanted to be in control of his emotions and refrain from yielding to them,” the author of the Tumbler site wrote. They continued: “Here’s another possible reason on why Lewin wanted Hatfield to act with little feeling in this film. Now this is actually my conjecture, but it makes sense with my research.  As many would understand, making strong facial expressions would wrinkle the face.   Smile lines and crows’ feet form when happy.  Forehead creases when worrying.  Eyebrows close in and skin folds in between when angry. Bursting up in tears crying gives out the most unflattering face of all.  To put it short, it’s impossible to look extraordinarily “beautiful” without scrunching the face.”

Ronald Bergen wrote in The Guardian that he interviewed Hatfield on time about his role in the film The Diary of a Chambermaid and the actor said he was glad to speak about something other than Dorian Gray.

Hatfield called the role both a blessing and a curse.

“A blessing in that it gave him a reputation; a curse in that he found it difficult to escape,” Bergen wrote.

After the movie, he was cast mainly as handsome, narcissistic young men.

Hatfield was ambivalent about having played Dorian Gray, according to the magazine Films in Review, feeling that it had typecast him. “You know, I was never a great beauty in Gray…and I never understood why I got the part and have spent my career regretting it.”

The casting director for The Picture of Dorian Gray, Robert Alton, referred Angela to the casting director for Gaslight. He saw her in the role of Sibyl, but also felt she might work for the maid in Gaslight.  That role as the maid led to her first Oscar nomination.

Angela’s role as Sibyl was her second Oscar nomination and came only a year after the first.

“Great send off,” she joked in an interview with the Screen Actors Guild Foundation. “Everything went down hill from there.”

By the time Angela worked on The Picture of Dorian Gray she had filmed Gaslight and National Velvet and had started to become used to working on a set. And she meant “working.” She said in the SAG Foundation interview that she was very conscientious as a young person. She was conscientious of how she needed to be professional for the sake of the other actors and the film overall.

This was  both a good and a bad thing.

“I never had any fun. I never goofed off,” she said. “I missed a lot of fun along the way but perhaps in the end it contributed to me to being able to build such a very strong base for what would was to later become an enormously successful career.”

Facts and Triva about the movie:

Lansbury’s mother appears in the movie as “The Duchess” in the dinner scene at “Lady Agatha’s”. (source Jay’s Classic Movie Blog)

The hideous portrait of Dorian shown later in the movie was painted by Ivan Le Lorraine Albright. According to TCM.com, he was hired after director Lewin saw a painting of his at the Art Institute of Chicago entitled That Which I Should Have Done I Did Not Do. It is not owned by the Art Institute of Chicago.

A scene in the movie staged beneath a wildly swinging chain lamp was an effect that would be duplicated by Alfred Hitchcock in Psycho some fifteen years later.

Several years after this movie premiered, a friend of Hurd Hatfield’s bought the Henrique Medina painting of young Dorian Gray that was used in this movie at an MGM auction, and gave it to Hatfield. On March 21, 2015, the portrait was put up for auction at Christie’s in New York City (from the Collection of Robert Hatfield Ellsworth) with a pre-auction estimate of between five thousand and eight thousand dollars. It sold for one hundred forty-nine thousand dollars. (source IMdB)

Oscar Wilde’s Dorian was blond-haired, blue-eyed, and highly emotional, but Writer and Director Albert Lewin’s conception of Dorian was of an icy, distant character.

The dark musical piece that is heard repeatedly is Frédéric Chopin’s “Prelude in D Minor”, the last of the twenty-four pieces of “Opus 28”.  (Source IMdB)

Writer and Director Albert Lewin was obsessed with retakes. In this movie, he asked for one hundred and ten retakes and ended up using only one. (Source IMdB)

Basil Rathbone campaigned in vain for the part of Lord Henry Wotton and believed that his typecasting as Sherlock Holmes was the reason he failed to get it. MGM’s loaning of Rathbone to Universal Pictures to play Holmes was very profitable for the studio, another reason for not casting him. (Source IMdB)

According to Angela, a friend of hers, Michael Dyne, was considered for the role of Dorian Gray. Dyne suggested Lansbury for the role of Sibyl Vane. The casting director liked her for the part and suggested her to George Cukor for Gaslight (1944). She saw Cukor and Writer and Director Albert Lewin the same day and was cast for her first two movies. (source IMdb)

My overall view of the movie:

This movie creeped me out immensely and made me very sad. It was extremely thought-provoking. As I mentioned above, the movie left me with a very unsettled feeling. I didn’t really want to keep going at points but knew I had to find out how it ended.

The cinematography and the use of light and shadows was amazing. The best example of this is during a climatic turning point in the movie that involves a very dark action by Dorian. As the act is completed he stands with a light swinging back and forth above him and it’s casting light on his face, then it swings back and he’s in darkness. The shadows around and behind him move in the pattern of a monster’s mouth, as if signaling he’s been officially swallowed by and turned into a monster.  

Another shocking part of this movie is the use of color. Yes, the movie was filmed and presented in black and white, but there are three scenes that are shown in brilliant, and later terrifying, technicolor. You have been warned because a couple of the images truly are terrifying.

I probably wouldn’t watch this movie again, but only because it disturbed me, not because it is a good movie. It is a good movie, and it is too good in presenting that icky, dark, and demoralizing feeling it’s meant to present.

Have you seen this movie? What did you think of it?

Cat from Cat’s Wire wrote about her views of it here and she does have spoilers, but it is such a good, interesting post. I loved it. If you’ve already seen the movie or read the book, definitely hop over to her blog.

Left on my Summer of Angela list for August are:

August 15 – A Life At Stake

August 22 – All Fall Down (keep an eye out. I might switch this one up.)

August 29 – Something for Everyone

If you want to read about some of the other movies I watched, you can find them here:

Bedknobs and Broomsticks

The Manchurian Candidate

National Velvet

The Pirates of Penzance

Gaslight

The Pirates of Penzance

Gaslight

Please Murder Me

Death on The Nile

The Court Jester

Sources:

Hurd Hatfield Luv/Tumbler: https://www.tumblr.com/hurdhatfieldluv/123743916003/hurd-hatfield-in-the-picture-of-dorian-gray

The Picture of Dorian Gray on TCM.com: https://www.tcm.com/tcmdb/title/2821/the-picture-of-dorian-gray#articles-reviews?articleId=214451

A second article on The Picture of Dorian Gray on TCM.com

https://www.tcm.com/tcmdb/title/2821/the-picture-of-dorian-gray#articles-reviews?articleId=508

Angela Lansbury Career Retrospective | Legacy Collection | SAG-AFTRA Foundation Conversations: https://youtu.be/vFFOVmCXy1o?si=uencecf3ZhFjWrib

Jay’s Classic Movie Blog: https://www.jaysclassicmovieblog.com/post/the-picture-of-dorian-gray-1945

Summer of Angela: The Court Jester (with some spoilers but not the ending)

On By Lisa R. HowelerIn Movie Impresssions, Summer of Angela13 Comments

This summer I am watching Angela Lansbury movies.

This week I watched The Court Jester (1955) with Angela, Danny Kaye, and Basil Rathbone. It is a musical/comedy.

The main words to describe this movie are silliness, ridiculousness, and peak Danny Kaye moments.

It really fell apart toward the end, I felt, but there were some hilarious moments that made up for it.

First, a bit of the plot with a description from Google:

“Former carnival performer Hubert Hawkins (Danny Kaye) and maid Jean (Glynis Johns) are assigned to protect the infant royal heir from tyrannical King Roderick I (Cecil Parker). While Jean takes the baby to an abbey, Hawkins gains access to the court by impersonating the king’s jester, unaware that the jester is really an assassin hired by scheming Sir Ravenhurst (Basil Rathbone). When Princess Gwendolyn (Angela Lansbury), falls for Hawkins, a witch secretly aids him in becoming a knight.”

This film is just a lot of craziness caused by misunderstandings, misdirection, and generalized oopsies.

We start the movie by learning that an entire royal family was killed so that the current King, King Roderick I, could take the throne.  Actually, though, the entire family wasn’t killed, according to rumors anyhow. The rumors say an infant survived and bears upon his bottom a birthmark of a purple pimpernel.

The rumors further say the child is being cared for in the forest by an “elusive, dashing outlaw” known as the black fox. As if to prove these rumors, one of the king’s men is killed as they are riding near the forest and a note attached to the arrow announces that the child is alive and The Black Fox has him.

Not sure why this was being announced because I would think it would be better to keep this all a secret until the child is older and then they bring the child in to overthrow the usurper, but…what do I know?

After the note scene we are taken to the castle where the king’s advisor, Sir Ravenhurst (Rathbone), is stating the rumor about the child being in the care of the black fox is simply a silly story to scare the king. The other advisors say there is something to the rumor and to the power of the black fox. They feel that the king should form an alliance with Griswold of the North because he is strong and has men who can help them fight against The Black Fox.

Ravenhurst is against this and the other advisors say it is because Ravenhurst wants to be the king’s right hand man and have more power.

The king says even if he wanted to form an alliance he doesn’t have anything to offer Griswold to sweeten the deal. The one advisor says that the king does have something he could give Griswold — the hand of his daughter Gwendolyn — our fair Angela — in marriage.

Angela is gorgeous in this movie. She’s super skinny (not that she’s ever been big), tall and elegant.

My son told me recently that young Angela was beautiful and that even “old Angela” in Murder She Wrote wasn’t so bad. I can’t wait to show him her in this film (I watched it on my own) because this will further solidify his feelings.

Gwendolyn says she is not interested in marriage because the castle witch, Griselda, told her that a more dashing man than Griswold would be coming along to sweep her off her feet.

Now the scene switches to the lair of the black fox, where Hubert tells the black fox he has brought a group of midgets with him from the carnival (Hubert’s former job) to fight for The Black Fox. This brings me to one of the weirdest promo photos I’ve ever seen:

I’ll be seeing this one in my nightmares tonight.

It is the job of Danny’s character, Hubert, to care of the baby and he thinks it is a job that should go to a woman. Well! How rude.

But The Black Fox doesn’t agree and tells Hubert he will continue the job.

Hubert is a little more excited about having to take care of the baby when he is charged with traveling with the beautiful Jean to take the child to the abbey for protection.

When I was reading about the actors in this movie, I found out that Glynis Johns (Jean) also played the mother in Disney’s Mary Poppins. The first one, of course.

Anyhow, moving on — The pair stop for the night and that’s when they not only admit their feelings for each other (smoochy, smoochy) but a man stumbles into the small stable they are in and asks to stay with them for the night. He’s on his way to see the king, he says. He is a court jester and his name is Giacomo.

Ah-ha! Hubert and Jean were just talking about how it would be a good thing if they had a spy in the castle who could tell them if the king was coming after The Black Fox. How very fortuitous this unexpected meeting has been.

Giacomo is knocked out and Hubert steals his clothes and his wagon, which is emblazoned, for some weird reason, with Giacomo’s name across the back of it.

So Jean takes off toward the abbey and Hubert takes off toward the castle.

Sadly, Jean is captured by soldiers from the castle who are looking for good looking women for the king. The baby is hidden in a basket and she and the baby are taken to the castle where she manages to hide the baby away from the king and his men.

Meanwhile, Gwendolyn learns that Griselda lied to her about the dashing man and is about to have her killed when Hubert shows up on the road below and Griselda claims that he is the man that Gwendolyn is supposed to marry.

Whew. This plot is starting to get pretty twisted at this point. From here on out, things get pretty crazy with Griselda casting spells and poisoning people left and right. Ravenhurst also thinks that Giacomo (Hubert) is an assassin who is going to take out the three advisors who wanted to create the alliance with Griswold.

Before all is said and done there will be sword fights, a jousting match, fake and real romances, a midget army, and, of course, plenty of musical numbers by Mr. Kaye.

There is also the famous scene between Danny, Glynis Johns, and Mildred Natwick where they discuss which vessel the poison is in.

Here is a clip of it, in case you’ve never seen the movie:

I won’t share too much more in case you want to watch the movie yourself.

The movie was directed by Norman Panama and Melvin Frank.

According to an article on TCM.com, Panama and Frank formed a production company with Kaye called Dena Productions, named after Danny’s daughter, after Kaye’s success in 1947 with the film The Secret Life of Walter Mitty.

The idea behind the production company was to introduce the real Danny to film audiences. He had been acting on Broadway and in smaller productions on stage for years.

The Court Jester was the company’s second movie and proved to be a huge success but not right away. It actually bombed at the box office, despite it’s stellar cast. Years later though it was regarded as one of Danny’s finest films with, according to TCM, “comedy routines that have entered the annals of film history.”

Amazon features trivia and facts through their xray feature when you watch  a movie there on a computer or device. I often forget that because I usually watch the movies on my TV but this time I watched part of the movie on my phone and bits of the trivia popped up.

One of them was a story from Danny’s daughter who said that fans often came up to him and recited the entire tongue twister scene for him.

What Angela said about the movie:

Angela had been playing mainly dramatic roles before this movie and was able to have some fun with the role. Part of that fun was watching Danny Kaye work she said in the Kaye bio Nobody’s Fool by Martin Gottfried.

“His use of hands was inspired by commedia dell’arte,” she said. “And in the way he moved, he was absolutely original; he was one off the mold.”

She added, “Danny wasn’t an ensemble player – he was the one around whom everyone danced, and we all dressed to him. We never stopped laughing. There was none of that moodiness he could have elsewhere, that abruptness, ignoring people. If something interested him, sparked him, he came alive. The minute that was over, he was closed for business, which I think is true of many of the great comic performers. They are constantly out to lunch. Where they are, I don’t know.”

 Gottfried also wrote an autobiography on Angela and said of her role in the movie: “It allowed her to play not only a princess, but a princess her own age. She was made up to look young and lovely. She got to wear beautiful clothes that showed off her fine, slender figure.”

What I thought overall

This was a ton of fun. As I mentioned above, I wasn’t a huge fan of the ending when things started to fall apart in some ways and just descend into chaotic ridiculousness but that was a minor issue when there were so many other great moments and interactions in the film.

Angela wasn’t in this one a ton but she was in it enough to enjoy her mix of wide-eyed adoration of Danny’s character and her devious ways to get what she wanted. She truly was beautiful in the film as well.

I loved the wordplay and back and forth between the characters. None of the songs really stuck out to me but they were fun.

This is a great film to escape into and forget about your problems with. The bright and colorful outfits alone will distract you from the stresses of your days.

Trivia about the movie:

Basil Rathbone had made many movies where he was the sword-wielding villain so when it came to his role in this film, he was ready. He was 66 at the time, though, having already redefined Sherlock Holmes in 14 films from 1939 to 1946, and wasn’t ready for how quick Danny would be able to move the sword. A body double had to be called in to film some of the fencing scenes because Danny was moving so fast that Basil was almost injured. It was because of his superior fencing skills that no one was injured but he still couldn’t keep up with Danny’s fast, though less accurate, moves.

According to TCM.com. “(Basil’s) talents were carefully observed by Danny:  With his quick reflexes and his extraordinary sense of mime, which enabled him to imitate easily anything seen once, Kaye could outfence Rathbone after a few weeks of instruction.” (various sources, including TCM.com.)

During the “Maladjusted Jester” sequence, King Roderick I (Cecil Parker) kicks Hawkins (Danny Kaye) every time he makes a mistake. It took 11 takes, and afterward, Kaye said he had bruises all over his hip. (source IMdB)

The “Now I can shoot and toot” speech during “The Maladjusted Jester” was previously said by Danny Kaye in Up in Arms (1944).

From IMdB: “This was composer Vic Schoen‘s first movie. He was not officially trained in the mechanisms of how music was synchronized to film, so he had to learn on the job. It took him a long time, but he was very proud of his work. Composer Igor Stravinsky listened to his score and later complimented Schoen, saying he had broken all of the rules.”

A U.S. Civil War reenactment group, The American Legion Zouaves of Richard F. Smith Post No. 29, Jackson, Michigan” performed the intricate high speed marching maneuvers during the knighting ceremony. (source, Classic Movie Hub)

Have you ever seen this movie?

What did you think?

Cat from Cat’s Wire shared her thoughts on the movie here..

Here is what is left of my Summer of Angela:

August 1 – The Court Jester

August 8 – The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

If you want to read about some of the other movies I watched you can find them here:

Bedknobs and Broomsticks

The Manchurian Candidate

National Velvet

The Pirates of Penzance

Gaslight

Please Murder Me

Death on the Nile


Sources:

TCM.com     https://www.tcm.com/tcmdb/title/4501/the-court-jester#articles-reviews?articleId=99293

Classic Movie: https://www.classicmoviehub.com/facts-and-trivia/film/the-court-jester-1956/#google_vignette

IMdB: https://www.imdb.com/title/tt0049096/?ref_=tttrv_ov_bk

Summer of Angela: Death on the Nile (1978) Without spoilers

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, Summer of Angela13 Comments

Angela Lansbury once said in an interview that one of the more exciting moments of her career was working with Bette Davis in Death on the Nile (1978).

That’s the movie I watched this week for my Summer of Angela feature.

The movie is full of A-list movie stars: Angela, Bette, David Niven, Maggie Smith, Mia Farrow, and, of course, Peter Ustinov as Hercule Poirot.

I’m not a fan of Ustinov as Poirot since David Suchet plays the part so brilliantly, and I can’t see anyone else as Poirot, but the movie is still okay overall. I only added it to my watch list because Angela is in it. I had fun watching her be absolutely over the top as an eccentric romance writer and Maggie Smith be an overall jerk throughout, which is a role that she seemed to always play well.

Mia Farrow was …er…creepy as always.

Let’s talk about the plot a little for those who aren’t familiar with this one from either the book by Agatha Christie or the movie.

The online description:

“On a luxurious cruise on the Nile River, a wealthy heiress, Linnet Ridgeway (Lois Chiles), is murdered. Fortunately, among the passengers are famed Belgian detective Hercule Poirot (Peter Ustinov) and his trusted companion, Colonel Race (David Niven), who immediately begin their investigation. But just as Poirot identifies a motley collection of would-be murderers, several of the suspects also meet their demise, which only deepens the mystery of the killer’s identity.”

Angela portrays an eccentric romance writer named Salome Otterbourne who based a character in one of her books on Linnet. She and Linnet confront each other on the boat and Linnet tells Salome she’s going to sue her for libel. Just about everyone on the boat seems to have an issue with Linnet, which makes me wonder how they all ended up on the boat together. Planned or just coincidence, I don’t know, but they all seem to know each other and Linnet is angry with just about everyone and they are angry with her.

Salome is on the boat with her daughter Rosalie who is embarrassed by her mother’s behavior.

Angela’s character isn’t in the movie as much as other characters, but when she is, she certainly fills the screen with her crazy personality and outfits.

She makes all kinds of semi-suggestive comments about possible couples or what people need to do to feel more relaxed. Some of the characters refer to her books as “lurid.”

At one point, she and her daughter talk about whether or not Poirot would know her from her books. Rosalie says, “Somehow, I don’t think Monsieur Poirot is a very keen reader of romantic novels, Mother.”

Mrs. Otterbourne responds: “Well, of course he is! All Frenchmen are. They’re not afraid of good, strong sex!”

She is such an obnoxious character that after the murder occurs David Niven’s character comments to Poirot: “What a perfectly dreadful woman. Why doesn’t somebody shoot her, I wonder?

Poirot responds, “Perhaps one day, the subscribers of the lending libraries will club together and hire an assassin.”

The film was shot on location in Egypt so many of the experiences the characters had were actually had by the actors and actresses. I think some of the reactions that were filmed when they were climbing on the donkeys and camels were totally adlibbed because they were so authentic and funny.

According to TCM, makers of the film were trying to cash in on the success of the 1974 film Murder on the Orient Express, also based on an Agatha Christie book. That cast was also star-studded with Lauren Bacall, Ingrid Bergman, and Anthony Perkins.

Unfortunately, while Murder on the Orient Express brought in $27.6 million, this movie only grossed $14.5 million in the U.S. and Canada. Despite the lackluster success at the time it was released, many Christie fans see it as one of the better adaptations of the book — at least according to the many comments about it that I read online.

One thing that might have made the movie less of a success was the filming locations.

TCM.com stated this in an article about the movie: “Despite the exotic locale, split between Egypt and London, filming conditions for the movie were less than ideal. Filmed on a little boat called The Carnock, the actors took a speedboat back and forth each day from their hotel in Aswan down river to the shooting location. The Carnock was also apparently too small for all the actors to have their own dressing rooms. One unpleasant incident involved Bette Davis, Olivia Hussey and some Eastern chant records Hussey liked to play early in the morning. After Davis asked Hussey not to play her music, it was reported that the actresses did not speak to each other again while aboard The Carnock. If tensions weren’t high enough, the temperature climbed well above 100 degrees everyday and filming often was halted at noon.”

What Angela said about the movie:

As I mentioned in the beginning of this post, Angela remembers what a delight it was to work with Bette Davis.

“She was a very fascinating woman,” Angela told Studio Canal. “I got to know her quite well on that occasion. She had been a great, great Warner Brothers star and I had been a fan of hers as a child. She was a great deal older than me and I remembered her and all her great roles.”

Angela remembered Bette as being a “special and unique” actress.

“Unique looking and sounding and I was delighted to meet her and work with her.”

Angela also reflected on working with Ustinov who was her ex-brother-in-law.

“My role was such an interesting, farcical character anyways and there was so much comedy involved,” she said. “David Niven and Peter Ustinov and myself and my husband and I, we were all great friends and knew each other from other times.”

As for the conditions, Angela confirmed that they were not very nice at times.

“We were billeted in a hotel in the middle of the Nile,” she said. “To get to it, we had to get on a boat, having to cross water. We all lived in this luxury hotel in the middle of the Nile in Egypt and that was a special and wonderful experience I would say. I mean you couldn’t have been more comfortable. Swimming pools, wonderful food, everything  you could possibly want and then we would get 4 or maybe 3 in the morning because of the heat at the time in Egypt. We had to do the shooting before noon. Otherwise, it would be too hot. So, we were dealing with that and also an old riverboat we were working on which was trundling its way down the Nile, pulled by little boats and sometimes under its own steam.”

The boat made so much noise, though, that it was often tugged along by the little boats, she said.

The only dressing room in the bottom of the boat in a four-bed cabin.

“It was a bed up and a bed down, so the fittings had to take place between the two beds,” Angela said. “I remember that Bette would lie down on one bunk and Maggie Smith was on the other and I was on the third. We would take turns being fitted in the ‘well’, in the middle. It was one of those extraordinary circumstances where we forced to not be the stars we were supposed to be.”

The costumes in this movie were amazing and were designed by Anthony Powell, who won an Oscar for his work on the film (the film’s only award). Angela had nothing but praise for him.

“My costumes on that film I thought were absolutely extraordinary and quite original and marvelous,” she said. “They were built in New York City by my friend Barbara Matera and he worked with her and we all worked together and we came up with this extraordinary look but Anthony was at the root of it all.”

I have to agree that her costumes were dazzling and something else. Not sure I’d ever wear them, but they fit her character for sure.

You can see the full interview here:

My thoughts:

I watched this one in pieces because it comes in at a whopping 2 hours and 20 minutes!! I didn’t remember it being that long when I first watched it with my husband, but, thinking back, I seem to remember we watched one half one night and the other half the next night.

While I did enjoy the movie, and watching Angela’s antics when she was on screen, the movie was really too long for my taste. I know they needed to take us down some twists and turns to keep us guessing but two and a half hours? Gah!

Also, what always gets me about these movies is how a bunch of people can die (the number of deaths in this one was excessive if you ask me and I’d like to read the book to see if Agatha wrote that many deaths) and at the end everyone just shrugs it off. I won’t give it away but there was one death in particular that just got waved off as no big deal at the end with the characters smiling and walking away arm in arm. So bizarre and left me wondering if the person they said killed that person wasn’t actually someone else.

In addition to Angela’s performance, I loved the witty and sarcastic banter between Maggie Smith and Bette Davis’ characters.

Maggie’s character, Miss Bowers, was supposed to be Bette’s nurse and companion. Bette portrayed Marie Van Schuyler, a socialite. Maggie was horrible to Bette’s character, though! It was sort of crazy but also hilarious. They had some of the best exchanges.

“Mrs. Van Schuyler: Come on, Bowers, time to go. This place is beginning to resemble a mortuary.

Miss Bowers: Thank God you’ll be in one yourself before too long, you bloody old fossil!

***

Mrs. Van Schuyler: Shut up, Bowers. Just because you’ve got a grudge against her, or rather her father, no need to be uncivil.

Miss Bowers: *Grudge*? Melhuish Ridgeway ruined my family!

Mrs. Van Schuyler: Well, you should be grateful. If he hadn’t, you would have missed out on the pleasure of working for me.

Miss Bowers: I could kill her on that score alone!

***

Mrs. Van Schuyler: How would a little trip down the Nile suit you?

Miss Bowers: There is nothing I would dislike more. There are two things in the world I can’t abide: it’s heat and heathens.

Mrs. Van Schuyler: Good. Then we’ll go. Bowers, pack.

Miss Bowers was definitely not a respectful employee, but I think that Mrs. Van Schuyler liked that.

One other observation: This movie seems to feature a lot of scenes of rich people sitting around in drawing rooms, all dressed up with nowhere to go. I’m very confused why they got all dressed up to sit around every night together and then just go to bed. Didn’t any of them own clothes that weren’t fancy? Of course, I’m teasing here because I really did love the outfits for the women. The dresses were all so eye-catching.

Trivia or Facts About the movie:

According to producer Richard Goodwin, Bette Davis brought her own make-up, mirrors, and lights to Egypt. (source IMdB)

Peter Ustinov was David Niven’s personal attendant during World War II. Ustinov was a private and Niven was a Lt. Colonel (various sources)

Location shooting in Egypt consisted of four weeks on the riverboat “S.S. Karnak” and three weeks filming in places such as Luxor, Cairo, Aswan, and Abu Simbel. (various sources)

Ustinov portrayed Poirot five more times. (various sources)

Albert Finney was initially asked to reprise his role as Poirot from Murder on the Orient Express (1974). However, he had found the make-up he had to wear for the first movie very uncomfortable in the hot interior of the train, and on realizing that he would have to undergo the same experience, this time in temperatures exceeding 100 degrees Fahrenheit (38 degrees Celsius), he declined the role. (source IMdB)

Angela Lansbury had never seen the finished film until she attended a 40th Anniversary screening on November 9, 2018.   (source IMdB)

Dancer Wayne Sleep, relatively unknown at the time, choreographed the tango scene. He reported in 2018, “I was being paid an hourly rate, which was great as nobody turned up to the rehearsal and I had to go and find David Niven and persuade him to come.” (source IMdB)

Producer John Brabourne said no telephones were available while on-location in Egypt. They had to communicate by telex. . (source IMdB)

Agatha Christie was inspired to write the source novel in 1937, during an Egyptian vacation. The hotel scenes were shot at the Old Cataract Hotel in Aswan, where Christie stayed. The hotel’s front had to be “redressed” to appear more 1930s, and the furniture on the hotel’s terrace was replaced with custom period-authentic pieces.  (source IMdB)

Notable quotes:

  • Jacqueline De Bellefort: Simon was mine and he loved me, then *she* came along and… sometimes, I just want to put this gun right against her head, and ever so gently, pull the trigger. When I hear that sound more and more…
  • Hercule Poirot: I know how you feel. We all feel like that at times. However, I must warn you, mademoiselle: Do not allow evil into your heart, it will make a home there.
  • Jacqueline De Bellefort: If love can’t live there, evil will do just as well.
  • Hercule Poirot: How sad, mademoiselle.

***

Mrs. Van Schuyler: [Remarking on Linnet’s pearls] Oh, they’re beautiful!

Linnet Ridgeway: Thank you.

Mrs. Van Schuyler: And extraordinary, if you know how they’re made. A tiny piece of grit finds it’s way into an oyster, which then becomes a pearl of great price, hanging ’round the neck, of a pretty girl like you.

Linnet Ridgeway: I never thought of it that way.

Mrs. Van Schuyler: Well, you should. the oyster nearly dies!

***

  • Jim Ferguson (to Rosalie): Karl Marx said that religion was the opium of the people. For your mother, it’s obviously sex.

***

Miss Bowers: I think a shot of morphia will meet the case. I’ve always found it very effective when Mrs Van Schuyler is carrying on.

***

Mrs Otterbourne: I suppose that uncouth young man will appear now and attempt to seduce you. Well, don’t let him succeed without at least the show of a struggle. Remember, the chase is very important.

Rosalie Otterbourne: Oh, mother!

Mrs Otterbourne: I tell you that I, Salome Otterbourne, have succeeded where frail men have faltered. I am a finer sleuth than even the great Hercule Porridge.

Have you seen this one? What did you think?

Here is what is left of my Summer of Angela:

August 1 – The Court Jester

August 8 – The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

If you want to read about some of the other movies I watched you can find them here:

Bedknobs and Broomsticks

The Manchurian Candidate

National Velvet

The Pirates of Penzance

Gaslight

Please Murder Me

Additional resources:

TCM.com

https://www.tcm.com/tcmdb/title/16698/death-on-the-nile/#articles-reviews?articleId=87814

Interview with Angela about the movie:

https://youtu.be/6vmY6_WMbeU?si=zZIs2jq3mVZGofZi

IMdB listing: https://www.imdb.com/title/tt0077413/trivia/

Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.

Summer of Angela Summer of Angela: Please Murder Me (with tiny spoilers but not big ones)

On By Lisa R. HowelerIn Summer of Angela16 Comments

This summer I am watching Angela Lansbury movies for the Summer of Angela.

I switched some things up a couple of weeks ago and slid The Pirates of the Penzance and this week’s movie, Please Murder Me, in place of a couple of TV movies Angela was in. I do have an interest now in watching one of the ones I replaced, so I may do that on my own.

This week’s movie starred Angela with Raymond Burr. It was short, sweet, and to the point, and very good. My husband watched it with me and said this movie would be considered a “B-movie” back in the day, but it was a very good B-movie to me.

I have been remiss in sharing where I have found these movies to watch so I do want to share that this one is free on Tubi and YouTube. The reproduction quality isn’t the best because it is a “b movie” and is now in the public domain. This means people can put this movie up wherever they want and not get hit with a copyright claim. I’ve found a lot of cool movies that way through YouTube and Tubi.

The movie seems to show, no matter where you find it, lines down the middle and sides from the old film. I am not sure if there are cleaner copies out there or not.

The description of this movie is that Raymond Burr portrays a lawyer who finds out his client, who he just got off for murder, is actually guilty. There is a lot more to it than that, but that’s the bottom line.

According to TCM.com, the movie’s screenplay was based on a teleplay by E. A. Dupont and David Chantler on Big Town (CBS, 1954).

It was directed by Peter Godfrey.

The movie starts with Raymond walking down a street, going into an office, and then speaking into a tape recorder (reel-to-reel) telling whoever hears the recording that in 55 minutes he will be dead.

We then have a flashback that will encompass the bulk of the movie.

That flashback consists of us learning that Burr’s character, Craig Carlson, is in love with his best friend’s wife Myra Leeds (Angela). We find this out because Craig tells Joe Leeds (Dick Foran) and says that he and Myra are going to be married and Craig would like Joe to divorce her.

Joe is oddly calm about this and as he leaves Craig’s law office, says he needs some time to think.

Before long we are in the Leeds’ apartment and Joe Leeds has met his maker. He’s under a sheet and Myra is being questioned by a plain-clothes cop who clearly thinks her self-defense story is absolutely garbage.

Myra says that Joe lunged at her, furious that she told him she wanted a divorce, and that she, terrified that he was going to kill her, shot him.

Uh-huh. Are we, the viewers, buying this?

Well, yes, I was because I hadn’t read the synopsis of this film before I watched it so I thought she might actually be telling the truth but…..not really sure.

Craig has, of course, volunteered to be Myra’s defense attorney.

It isn’t too much of a spoiler to say (since all the descriptions online already say this) that after the trial Craig discovers that Myra wasn’t being very truthful.

The problem is that in the United States a defendant can’t be tried twice because of the concept of “double jeopardy.”

Now Craig has to figure out how to make Myra pay for what she did to her husband and his best friend. Craig already felt guilty about having an affair and now the guilt is insurmountable and has a hefty helping of betrayal piled on.

I have only seen Raymond Burr in the old Perry Mason episodes and Rear Window but have enjoyed his acting in both and I enjoyed his acting in this movie as well.

He mainly played villains in the beginning of his career.

Here he portrayed a bit of a darker Perry Mason or as the author at Heart of Noir stated “a three-dimensional, complex lead role” who is “both a home wrecker and a cuckold, which demands of him quite a balancing act of emotions.”

Overall, I liked this movie and I enjoyed both Raymond and Angela’s performance.

I read a piece of trivia that I will share below that involves Angela taking the job because she needed the money and she may have only done it for the money, but she seemed to put her all in it.

I really enjoyed her performance, even if it was toned down from what she would show in films such as The Manchurian Candidate. One might say this role was a good preparation Eleanor Shaw.

I loved the use of light and shadow in the film. I am a huge fan of black and white photography and films that use shadow and light to highlight what the photographer or director wants the viewer to focus on.

In this one, there was a lot of shadow around the subjects with light hitting their eyes or whole face during tense scenes when a secret was about to be revealed or a confrontation was had.

My husband and I agree on some points about the movie.

There could have been more explanation of the plot. There was some missing information throughout which led to rushed scenes.

“Instead of being only an hour and 14 minutes it could have been an hour and 45 minutes,” my husband said.

This would have given us time for a bit more background and exposition.  We both agree that these minor issues didn’t take away from the overall story, however.

I like what Heart of Noir said about the movie: “From the pre-credits opening scene of an unidentified man walking the city sidewalk past scummy-looking bars and peep shows, the film oozes with economy, bland interiors and soupy darkness combining with overhead shots and Dutch angles to disorient the viewer and create an occasional dream-like feeling.”

I also enjoyed this assessment by PopOptiq: “The picture earns its fatalistic conclusion with a gut-punch plot resolution to Craig’s tireless mission to expose Myra. If anything, the film is yet another reminder of the range both Raymond Burr and Angela Lansbury had as actors. Both became legends through very different projects on television, making this reunion, before their popularity erupted, all the more interesting a time capsule.”

Trivia or facts:

  • According to Angela Lansbury’s authorized biography, this movie was filmed in an abandoned supermarket near Yucca and Franklin Streets in Los Angeles. Lansbury and her husband Peter Shaw were at a low financial point in their marriage and they needed the money. After the film was finished, she applied for unemployment insurance. (source IMdB) (An insert by me here: her husband was Peter Shaw and she played Eleanor Shaw in a movie? Like…weird!)
  • The film was made the same year that Raymond Burr auditioned for the role of Perry Mason.
  • Lamont Johnson’s who plays . . . well, I’m not going to tell you so I don’t spoil anymore of the story …. Is in this movie and this was his last movie as an actor before he became a full-time director. He mainly directed stage and television productions.
  • The opening credits featured the cast, writers, director and producers. The crew appeared in the closing credits.  (source TCM.com)
  • Please Murder Me was the first film made by Gross-Krasne, Inc., which was run by executive producers Jack J. Gross and Philip N. Krasne. (source TCM.com)

A quote from the movie that I liked, “My whole life has meant just meant three things,  my love for Joe, my work, and my love for you. You destroyed them all. How much more is left of me?”

Have you ever seen this one? If so, what did you think?

Cat from Cat’s Wire also watched the movie this past week and wrote about it on her blog here.
For next week, I am switching The Mirror Cracked, based on an Agatha Christie book, for Death on the Nile, based on another Agatha Christie book. I’ve been reading that Death on the Nile is better than The Mirror Cracked..

Here is the full list of movies left to watch for this feature:

July 25: Death on the Nile

August 1 – The Court Jester

August 8 – The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

If you want to read about some of the other movies I watched you can find them here:

Bedknobs and Broomsticks

The Manchurian Candidate

National Velvet

The Pirates of Penzance

Gaslight

The Pirates of Penzance

Sources and additional resources:

Please Murder Me: https://heartofnoir.com/film/please-murder-me-1956/

Please Murder Me IBdB: https://www.imdb.com/title/tt0049621/trivia/?ref_=tt_dyk_trv

TCM.com: https://www.tcm.com/tcmdb/title/86833/please-murder-me/#overview

Wikipedia: https://en.wikipedia.org/wiki/Please_Murder_Me!

‘Please Murder Me’ sees underrated greats Lansbury and Burr go head-to-head: https://www.popoptiq.com/please-murder-me/

Summer of Angela: The Pirates of Penzance (1983)

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, Summer of Angela16 Comments

This summer I am watching Angela Lansbury movies for the Summer of Angela. Up this week we have The Pirates of Penzance, which is a bit of a switch up from my original list. You can read more about that below, but first just a quick note —  Last week, Cat from Cat’s Wire watched Gaslight and talked about it on her blog. You can read her thoughts here. She compared the British and American movie versions and a German televised version of the original play, and I think the post is so much fun!

And now on to this week’s movie, which I switched around from my original plan. I was going to watch the TV movie, The Shell Seekers, but instead, I thought that I would watch one of Angela’s Broadway/musical performances for fun — The Pirates of Penzance with her and Kevin Kline. The movie is a reproduction of the Joseph Papp’s Broadway production.

I will tell you upfront that halfway through the movie, I had to check that I wasn’t having a fever dream. I also realized I’m very old and my ears are in even worse condition than I thought because I had no idea what was being said in any of the songs. I even tried close captioning but because I watched it for free on YouTube, it didn’t work so well.

I also couldn’t figure out what was happening most of the time.  Still, I pushed forward and ended up enjoying it in places and being utterly baffled in other places.

A description from Google:

“Frederic (Rex Smith), who has spent his formative years as a junior pirate, plans to mark his 21st birthday by breaking free from the Pirate King (Kevin Kline) and beginning his courtship of Mabel (Linda Ronstadt). But because he was born on Feb. 29, a date that only arrives every fourth year, Frederic isn’t technically 21 — and the Pirate King is still his master. Unless something gives, Frederic will soon be on a collision course with the Pirate King’s new nemesis: Mabel’s father.”

 The movie starts with the people in town coming out of church, seeing the pirate ship off shore, and locking up all their doors.

Then we are on the pirate ship with Frederic and the Pirate King and the rest of the crew celebrating Frederic’s birthday. It is after all the singing that Frederic announces that now that he is 21 he can leave the ship and his service with the Pirate King.

This is when Ruth (Angela), Frederic’s nursemaid, tells him that all those years ago when his father wanted him to apprentice with a pilot and she heard “pirate” instead.

Frederic has a strong sense of duty, which is why he stayed with the pirates and committed crimes with them all those years. But now that he is no longer bound to them, he vows that when he leaves the ship, he will fight against the pirate and the criminal acts he and his crew try to commit.

“Individually, I love you all, with affection unspeakable. But collectively, I look upon you with a disgust that amounts to absolute detestation.”

Frederic sees pirates as scum but if they are going to be actual pirates, he does wish they would attack people stronger than them instead of pretending they just don’t want to hurt anyone. Instead, they just don’t want to get beaten. There is also a whole song about how they won’t attack anyone who says they are an “orphan” because they are also orphans.

This word said in a British accent becomes important later in the movie when there is a whole hilarious debate about if they are saying “orphan” or “often.”

Anyhow, Ruth wants to leave with Frederic and marry him, but Frederic isn’t so sure about it. He’s never really met other women and wants to know if Ruth is attractive. The pirate and crew assure him that she is, simply because they would like to get rid of her too.

Frederic agrees to take Ruth with him but discovers, when he sees a group of women frolicking together near a small pond, that she is not actually attractive and is instead just old.

He sends Ruth away and approaches the women, who turn out to be sisters, and asks which one of them would like to marry him.

Yeah….this musical is weird.

What follows is a song where he hits an incredible note and does a little impression of Elvis.

A lot of silliness follows all this including the singing of the famous song “I Am The Very Model of a Modern Major General.” That was a lot of fun. I always wondered what the song came from. The speed which the nonsense for this song is spit out is insane.

Fun is the key word for this movie. The songs are fun – though I still don’t know what they were saying in half of them. Wait. I’ve mentioned it like ten times now that I didn’t know what they were saying half the time, didn’t I? Okay, I’ll stop doing that.

Also, I did finally look up the lyrics so I could follow along. They didn’t make much more sense that way, but, hey, at least I knew what was being said.

I should note that I did read that a lot of this musical is satire and making fun of some elements of British society during the time the original comedic opera was written in 1879, which is why it seems ridiculous at times.

One thing I can say after seeing this is that Angela was so talented — it seems like there wasn’t anything she couldn’t do — acting, singing, dancing, producing, writing… wow. I’m still trying to figure out if she actually hit the high note in the one song but if she did…wow again!

I am a huge fan of some musicals — Fiddler on the Roof, Singing in the Rain, South Pacific, etc., but this one? I didn’t know what to make of it at first, and from what I am reading, that is a bit of the point of Gilbert and Sullivan musicals.

Their musicals are, I guess, nonsensical at times, and that’s what makes them fun. After reading more about the musical/movie, I understood it more, watched parts again, and liked it more than I did with my first run through.

At first, I decided I’d never watch the movie or musical again, but it grew on me on the second time around — especially Kevin Kline and his unbuttoned shirt. I mean.. his musical and acting talent.

Rex Smith (who I’d never heard of before) was amazing. The pipes on him. WOW.

The resolution on this video is not great but the singing….sheesh!



I had to look him up to see if he had been in anything else and apparently, besides his stage work, he’s most well-known for starring in a show called Street Hawke in the 1980s as well as for being a popular singer in the late 70s with his song You Take My Breath Away.

I would be remiss if I didn’t mention Linda Ronsdadt. I really don’t think I had a clue she sang this amazingly. I don’t know a lot about her at all so her voice totally shocked me! I thought she was just a pop singer . . . I feel embarassed I didn’t realize her range.

The Pirates of Penzance was released on Pay TV at the same time it was released in the theater, which made it a flop at the box office because theater owners boycotted it as a form of protest. Boy, if the theater owners from back then could only see what’s going on these days with movie releases!

Because of the boycott, the film ended up making less than a $1 million total during it’s entire time in the theaters.

It also received mix reviews from critics, but over the years it has become a type  of cult classic among musical theater fans.

Those who have seen it over the years, especially when they were young, hold a special place in their heart for it.

Cat Smith of Film Obsessive had this to say about Angela replacing Estelle Parsons, who was in the original Broadway production:

“The movie version of the Papp production came out in 1983. It’s pretty much the same experience as the stage. The biggest differences are some superfluous cuts to the score and the upgrading of the character Ruth. No offense to Estelle Parsons (we love her), but let’s face it—Angela Lansbury would be an upgrade of pretty much anyone.”

Of when Ruth and the Pirate King return to find Frederic she writes: “Apparently, once officially rejected by Frederic, Ruth went back to the pirates who not only welcomed her, they got her a fabulous makeover to boot. Not going to lie, my boyfriend and I have this head canon in which the Pirate King and Ruth wind up together since he knows better than to be prejudiced against a hot older woman. They do their best to frump her up for Act 1 but let’s face it—Queen Angela. Need I say more?”

(Aside: I had considered watching Angela in Sweeney Todd for this movie-watching event, but — wince — that really isn’t my type of movie/Broadway musical. Maybe I’ll watch it at some point, though.)

In past posts I have shared with Angela thought of the movie she was in, but….I couldn’t find any interviews with her about this one so I don’t have that. I do, however, have some trivia/facts.

Trivia or facts:

  • Kevin Kline won the 1981 Tony Award (New York City) for Best Actor in a Musical for “The Pirates of Penzance” Broadway 1981 to 1982 production and re-created his role in this cinema movie. It was Kline’s second Tony Award after having won one for “On the Twentieth Century”. Kline also starred in the precursor New York Central Park stage production and that park production’s subsequent made-for-television movie, The Pirates of Penzance (1980).
  • Linda Ronstadt loved the musical so much when she read about it that she played the part of Mable first in Central Park and then on Broadway for $400 a week. She then played it in the movie. It was her only movie role. She was nominated for a Tony when she played it on Broadway.
  • In Act II, there is an extra song (“My Eyes Are Fully Open”) that is not originally from “The Pirates of Penzance.” It’s a modified version of a song from Sir W.S. Gilbert and Sir Arthur Sullivan‘s “Ruddigore”. The inclusion of this song required Kevin Kline, Dame Angela Lansbury, and Rex Smith to sing one of most dizzyingly rapid songs in the entire Gilbert and Sullivan catalogue. (source IMdB)
  • The source Broadway stage production was preceded by a 1980 Joseph Papp production of “Pirates of Penzance”, which was part of a “Shakespeare in the Park” series of free plays in New York City’s Central Park, which had the same cast of principals as the movie and the Broadway stage production (except for Ruth). (source IMdB)
  • Writer and Director Wilford Leach, with this movie, knew what kind of movie he wanted to make. Leach wanted to create an “illusion of reality” which actually was “reality askew”. Leach, according to the January-February 1983 edition of Coming Attractions Magazine, “tried to delineate a colorful and comic world that is always true to its own logic.” (source IMdB)

Have you seen this version of the musical or the musical itself anywhere?

Cat from Cat’s Wire shared her thoughts about the movie here.

Up next in my movie watching journey, I have switched things up again and have replaced the Murder She Wrote two-part movie with Please, Murder Me from 1951, starring Angela with Raymond Burr.

The rest of the list remains the same:

July 25 – The Mirror Cracked

August 1 – The Court Jester

August 8 The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

Additional resources:

The Pirates of Penzance: For Some Ridiculous Reason…

https://filmobsessive.com/film/film-analysis/film-genres/comedy-films/the-pirates-of-penzance-for-some-ridiculous-reason/

Wikipedia https://en.wikipedia.org/wiki/The_Pirates_of_Penzance_(film)

IBdB trivia: https://www.imdb.com/title/tt0086112/trivia/

Summer of Angela: Gaslight (1944)

On By Lisa R. HowelerIn classic movie impressions, Movie Impresssions, Summer of Angela15 Comments

This summer I am watching Angela Lansbury movies for the Summer of Angela.

This week I watched Gaslight (1944), which was Angela’s first movie and also her first nomination for an Academy Award. I think I stated before that she won the Oscar, but she didn’t. Whoops!

She was 18 years old when she portrayed Nancy, the odd, boisterous and flirty housemaid of Ingrid Bergman’s character.

After I watched it, I knew this movie was going to be hard for me to write about without giving tons of spoilers and without expressing my strong desire for one particular character to die, or at least suffer greatly by the end of the film, but I am going to try not to in case any of you who haven’t watched it want to watch it later.

Ahem.

Sorry for being so blunt about wanting a character to die or suffer, but…. it is true.

This movie is about a woman who is made to believe she is insane.

That’s pretty much the description. Here is a little more from Google, though: “After the death of her famous opera-singing aunt, Paula (Ingrid Bergman) is sent to study in Italy to become a great opera singer as well. While there, she falls in love with the charming Gregory Anton (Charles Boyer). The two return to London, and Paula begins to notice strange goings-on: missing pictures, strange footsteps in the night and gaslights that dim without being touched. As she fights to retain her sanity, her new husband’s intentions come into question.”

It stars Ingrid Bergman as Paula Alquist, Charles Boyer as Gregory Anton, Angela Lansbury as Nancy Oliver, and Joseph Cotten as Brian Cameron. 

When I asked my 80-year-old mom if she wanted to watch the movie with me this week, she said, “No! Oh no!” and looked horrified.

That didn’t make me feel excited to watch it until she explained it wasn’t a bad movie, just somewhat dark and creepy. I told her that her response reminded me of how she might react if I asked her if she wanted to watch The Birds with me. The Birds is my mom’s least favorite movie.

When I was a child, she once came rushing into the house from mowing the lawn.

“The birds!” she cried waving her arms over her head, brushing at her hair. “The birds! They were swooping! Swooping down at me like in that movie! Swarming me! The Birds!! The Biiiiirds!”

Needless to say, that was not a movie I ever watched with her and won’t ask her to watch again.

Anyhow, Gaslight is based on a UK version of the movie, which was based on a play called Gas Light (two words). As far as I know, the American version is considered the better version since it was nominated for seven Oscars, winning two, including one for best actress for Ingrid.

Joseph Cotten portrays a police inspector, whose interest in an decade-old murder case is piqued when he sees a woman who looks like the victim. It turns out the woman is the niece of the murdered woman.

Cameron wants to know more about what is going on and why the niece never leaves the house, or if she does it is for a very short time and never without her husband. He finally gets his chance when Paula stands up to the controlling Gregory and tells him she wants to leave the house for an event they were invited to by a woman she knew as a child.

Throughout the movie her husband has been accusing her of stealing or moving things, suggesting she doesn’t remember when she does the these things and hinting, more than once, that she might be insane. Even at the event she finally is able to go to he accuses her of stealing his watch, which leads her to having a near mental breakdown in public.

As the movie goes on, we begin to wonder who is actually crazy, but we do know that her husband seems pretty horrid and abusive. We also know that one reason Paula thinks she is crazy is because she notices the brightness of the gaslights decreasing and increasing throughout the evening, something no one else in the house seems to notice.

I don’t want to give too much away, but this movie did have me on edge throughout the entirety. I felt such anxiety for Ingrid’s character and a lot of anger toward her husband, though I wasn’t sure what was really going on.

Angela’s character was evil and selfish. That’s the only way I know how to describe her. She definitely was brilliant in her role because she made me so uncomfortable. If I could describe her even more succinctly, I would say “what a trashy little tart.”

What Angela said about the movie:

Angela was 17 when she auditioned for the movie.

“As far as I was concerned, I was very consciousness at the age,” Angela said in an interview with the SAG-AFRTA Foundation. “So I went about learning my lines and listening to George Cukor direction and he directed the test . . .I did it with an actor called Hugh Marlow who played the part of Charles Boyer’s role (for the test) and we did a very extensive test.  I’m glad we did. Cukor took great care because I think he really wanted me although the first decision was that I wouldn’t play it, you know, I was too young. But I signed a contract anyhow because Albie Mayer saw my test when he came back from a trip back east to see his horses … and he saw my test and said ‘sign that girl.’”

Angela said she had a lot of interaction with L.B. Mayer, who ran Metro-Golden-Mayer (MGM) studios and that she was very fond of him. Not only did he sign her but also her mother and wanted to sign her twin brothers, but they decided not to let the twin sign. Instead, they later became writers for the movie and television industry.

After being nominated for Oscars for both Gaslight (1944) and The Picture of Dorian Gray (1945), Angela says she was never considered a starlet, always an actress. That made her job a little easier.

Angela said that she was glad in many ways that she didn’t win the Oscars she was nominated for because in her view many people who win Oscars second guess what their next steps will be. They often overthink what roles they need to take next because they are always thinking about being as good as an Oscar winning role, she said. She thinks that for her she didn’t have that pressure. She just went with whatever she wanted to do next, though she was a little disappointed that MGM didn’t have anything lined up for her so she could use the momentum of the success from her first two movies.

She went on with laughter in the interview saying that she was nominated for her first two movies and “it all went downhill from there.”

Angela was  nominated again, however, for The Manchurian Candidate in 1963 where she played the role of a mother to an actor who was only three years younger than her. She told the interviewer that she felt the fact she was given roles where she was playing older women showed her that she was always a character actor.

In a 2000 interview with NPR’s Fresh Air, Angela recalled how the audition for Gaslight really came about.

“Well, I was introduced to the studio, which was MGM, by a young man who was being considered for the role of Dorian Gray. His name was Michael Dyne. And he arranged that the casting director would see me, this young English girl, who at that time was – I think I was 17. And I went to the studio with my mother and was interviewed for the part of Sibyl Vane in “Dorian Gray.” And the head of casting, a man called Billy Grady, came into the room while I was sitting there. He said, sort of whispered in the ear of Mr. Ballerino, the man I was seeing, you know, you should suggest that this young lady meets George Cukor, who’s trying to cast the role of the maid in “Gaslight.” And so right then and there, I was whipped off to meet George Cukor. And so, well, the rest, as they say, is history.”

The interviewer asked Angela if she was aware of some of the darker elements of the film, or was she a little naïve because she was so young at the time.

“I can’t honestly say, except by my on-set demeanor,” she responded. “I think my on-set demeanor was a very, very careful, covered, rather shy attitude about what I was doing. And when I say that, I don’t mean that I was aware of that, but I know from my own uncertainty about my personal – you see; I’ve always been a very private person. When it comes to the work, I’m on solid ground. When it comes to the – Angela Lansbury the young woman, I was on very uncertain ground.”

She continued: “So, I had to marry those two rather carefully. And that’s why, as I say, I always felt that I had to, shall we say, tread rather warily from a personal point of view. Just listen and hear and do what I was told and asked to do. I could discuss it, but I – in most instances, I was pretty quick to pick up directorial indications from somebody like George Cukor because he was extremely clear and funny and helpful. And what he said I understood. So you could say I was fortunate in that I could understand what he wanted and then deliver it. This is what I do, and this is what I always maintained throughout my career – was that I had that ability to take direction and also to understand what the – what was required of the character.”

Angela turned 18 on the set and had this to say about that time: “Oh, it was required that there was a social worker with me until my 18th birthday, which I celebrated on the set of “Gaslight,” actually. And I always remember it because Ingrid and Charles and George Cukor were so wonderfully kind. And Ingrid gave me lovely bottles of Strategy, which was a lovely, smelly cologne, which – I’d never had anything as lovely as that – and powder, you know, sort of talcum powder and things that, you know, set. I always remember that. It’s interesting, the things you do remember.”

This part made me laugh so I had to include it: “And we celebrated. And I was able to take a cigarette out of a packet in my purse and smoke it, which I hadn’t been able to let on, that I had been smoking from the time I was, really, about 14 years old. I say that without any sense of pride at all. And I stopped smoking 30 years ago. But nevertheless – I don’t know if you remember, but I do smoke a rather long Cigarettello in the movie. And that was part of the business in the movie of “Gaslight.” But they only let me puff it. And I wasn’t allowed to inhale, as Mr. Clinton would say.”

As Mr. Clinton might say. Wahahaha! I remember that interview with him. He didn’t inhale and he didn’t have sexual relations with that woman…well, we all know how that second one went.

Anyhow,

You can read and listen to the full interview with Angela here https://www.npr.org/2022/05/27/1101435407/angela-lansbury-looks-back-on-her-great-performances-on-stage-and-screen

 It was fascinating to me.

A bit of trivia or facts:

  • According to TCM.com: “MGM head Louis B. Mayer, determined to eliminate the competition for what was expected to be one of the studio’s biggest hits of the year, ordered all prints of the 1939 British version purchased and destroyed. Prints, however, did survive, and the film turned up again in the 1950s, often under the title of the original 1938 stage production, Angel Street.”
  • MGM tried to sue Jack Benny in the 50s because he presented a spoof of the movie called Autolight. Benny played Charles Boyer’s character and Barbara Stanwyck performed as Bergman. The comedians lawyers argued the skit was in the realm of parody and therefore not a copyright violation and the suit was dropped.
  • Ingrid Bergman was filming The Bells of St. Mary’s when she won her Oscar for Gaslight. The star of the film, Bing Crosby, and the director, Leo McCarey, had previously won Oscars. In her acceptance speech Ingrid quipped: “I am particularly glad to get the Oscar this time because I’m working on a picture at the moment with Mr. Crosby and Mr. McCarey and I’m afraid if I went on the set tomorrow without an award, neither of them would speak to me.”
  • From TCM: “In the big confrontation scene between the chambermaid and the lady of the house, Lansbury was required to light a cigarette in defiance of her mistress’s orders. But because she was only 17, the social worker and teacher assigned to her would not allow her to smoke until she was a year older. When her 18th birthday arrived, Bergman and the cast threw her a party on the set, and the scene was done shortly after.”
  • Director George Cukor suggested that Ingrid Bergman study the patients at a mental hospital to learn about nervous breakdowns. She did, focusing on one woman in particular, whose habits and physical quirks became part of the character. (source IMdB)
  • The first time Ingrid Bergman encountered Charles Boyer was the day they shot the scene where they meet at a train station and kiss passionately. Boyer was the same height as Bergman, and in order for him to seem taller, he had to stand on a box, which she kept inadvertently kicking as she ran into the scene. Boyer also wore shoes and boots with two-inch heels throughout the movie. (source IMdB)
  • Charles Boyer‘s wife, Pat Paterson, was pregnant with what would be the couple’s only child. Boyer and Paterson had been trying to have a baby for many years, and Boyer was exceptionally nervous while making Gaslight. He rushed between takes to call and check on his wife’s health as the expected birth date grew nearer. The baby was expected to come after Boyer had finished working on this movie, but he arrived early. Boyer broke down in tears when he was notified, and he informed the rest of the cast and crew of his son’s birth. Production was halted for the day and the cast and crew opened up bottles of champagne to celebrate the birth. (source IMdB)
  • Angela had been working at Bullocks Department Store in L.A. before getting the part in Gaslight. When she told her boss that she was leaving, he offered to match the pay at her new job, expecting it to be in the region of her Bullocks salary of the equivalent of twenty-seven dollars a week. He was shocked to find out she’d be earning $500 a week. (source IMdB)

Cat from Cat’s Wire also watched the movie this week and you can read her thoughts here. She compared the British and American movie versions and a German televised version of the original play. I absolutely loved how she compared these three!

Here is my full schedule of movies I am watching for the Summer of Angela:

Blue Hawaii

The Manchurian Candidate

National Velvet

Bedknobs and Broomsticks

July 11 –  The Shell Seekers

July 18 – Murder She Wrote: The Celtic Riddle

July 25 – The Mirror Cracked

August 1 – The Court Jester

August 8 The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

Additional resources:

Angela Lansbury Looks Back on Her Great Performances on Stage and Screen:

https://www.npr.org/2022/05/27/1101435407/angela-lansbury-looks-back-on-her-great-performances-on-stage-and-screen

Gaslight Review: The Hollywood Reporter: https://www.hollywoodreporter.com/movies/movie-news/gaslight-review-1944-movie-999932/

From TCM: https://www.tcm.com/tcmdb/title/166/gaslight#articles-reviews?articleId=29976

The Essentials (Gaslight): https://www.tcm.com/tcmdb/title/166/gaslight#articles-reviews?articleId=89327

In the Good Old Days of Classic Hollywood, Gaslight: https://crystalkalyana.wordpress.com/2015/10/04/gaslight-1944/

Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.

Summer of Angela: Bedknobs and Broomsticks (1971)

On By Lisa R. HowelerIn Movie Impresssions, Summer Movie Marathon, Summer of Angela19 Comments

This summer I am watching Angela Lansbury movies. This week — well, last week — I watched Bedknobs and Broomsticks.

First, a movie description:

During the Battle of Britain, Miss Eglantine Price (Angela Lansbury), a cunning witch-in-training, decides to use her supernatural powers to defeat the Nazi menace. She sets out to accomplish this task with the aid of three inventive children who have been evacuated from the London Blitz. Joined by Emelius Brown (David Tomlinson), the head of Miss Price’s witchcraft training correspondence school, the crew uses an enchanted bed to travel into a fantasy land and foil encroaching German troops.

The children come to live with Eglantine Price not because she wants them to, mind you. She is sort of cohersed into it by a lady from the community who ran out of room for the other children who came from London.

Once there the children decide they are going back to London. Miss Price doesn’t eat normal food (she doesn’t eat any sausages at all!). Miss Price can’t let them go back to London because the city is being bombed but..oddly enough…later in the movie she takes them all back to London via a magical bed. Yes, you read that right. A magical, flying bed.

The movie is based on two novels by Mary Norton, The Magic Bed-Knob (1945) and Bonfires and Broomsticks (1957), about the adventures of an apprentice witch and the three children who come to stay with her to escape the bombing of London during World War II.

In some parts, the movie mixes live action and animation, similar to Mary Poppins.

Walt Disney (the man, not the company) purchased the rights to the first book the year it was published, but the movie wouldn’t be made until five years after his death, partially because of  Mary Poppins. It took Disney years and years to convince P.L. Travers to give the rights to Mary Poppins. Walt wanted to make a movie based on Bedknobs and Broomsticks but decided he’d hold on to that one if he couldn’t get Mary Poppins. Of course, he did get Mary Poppins so Bedknobs was pushed aside for a bit.

Walt said the stories were very similar, so he wanted to wait to make Bedknobs and Broomsticks, a title that combined both book titles, when the frenzy from Mary Poppins had died down a bit. In the end, Walt died before Bedknobs and Broomsticks was developed and released.

Observer.com says this about the movie: “Bedknobs and Broomsticks is just as unhinged as it sounds. The 1960s through the 1980s was a period of decline for Disney, and the internal drama at the studio plus the Mary Poppins-related delays are evident in Bedknobs and Broomsticks, a film that’s all over the place (ironic, as Lansbury called her performance “acting by the numbers;” each scene was storyboarded ahead of time). At first, it strikes the same chord as Chitty Chitty Chitty Bang Bang (1968), but then it veers into West Side Story (1961) territory with extended dance numbers (including dancers in brownface). The scenes where the group travels using Miss Price’s magical bed are bizarrely psychedelic à la the tunnel scene in Willie Wonka and the Chocolate Factory, which premiered the same year. And the arcs featuring a mix of live action and animation, particularly the soccer scene on the cartoon island of Naboombu, feel like precursors to future hits like Space Jam (1996).”



Who is in it:

The movie stars Angela Lansbury and David Tomlinson (the father in Mary Poppins, incidentally) and three wonderful child actors Ian Weighill, Roy Snart, and Cindy O’Callaghan.

Highlights for me:

The children in this movie were absolutely amazing. They were hilarious, quick-witted and delivered their lines perfectly.

In one scene, the oldest boy decides he’s going to blackmail Miss Price into giving them better food (not vegetarian food that she eats) by telling her that the kids know she’s a witch. They know this because when they were trying to sneak out of the house to go back to London, they saw her trying to ride a broom for the first time and falling off into a bush.

“What we have here is an opportunity,” he says when he sees her fall off her broom. “She don’t want us to tell anyone she’s a witch so….”

Oh gosh, the kid is so funny in his delivery. His sister isn’t very pleased with him trying to manipulate Miss Price, by the way, and Miss Price isn’t easily manipulated so it doesn’t really work.

Angela, of course, was very good in this movie. I have to agree with some reviews that said she wasn’t as animated in the movie as she could have been. However, later in life she talked about how technical these types of movies have to be, adding that it is hard to improvise or do anything that breaks too much from the script when the movie is storyboarded so exact for the technical aspects.

There was one song that sort of made my eyebrows raise: Portobello Road. Mainly because of the women who come up to the professor on Portobello Road and seem to be flirting with him. They are dressed in brightly colored dresses that have a certain “look” to them. These same women are in the background of the song flirting with the soldiers and even get their own break out dance moment. As my mom would say, “Oh. Oh my!”

I’m really surprised they put “those type of women” in the movie, which was, clearly, meant for children. I kept looking for any commentary online about this and did find some, but mainly from bloggers.

“I mean, it wasn’t until this viewing that I worked out that, yes, those are prostitutes attempting to pick up Professor Browne and not just friendly women,” Gillianred on The Solute.com wrote. “Which is . . . not something I expected from a Disney movie. But if you look at what they’re wearing and exactly how they size him up, it seems to me that, yup, they’re wondering if he’s got a few bob in his pocket to spare for a little bit of fun.”

I also enjoyed all the different cultures represented during the Portobello Road song. Soldiers who fought for the British during World War II were shown dancing in their own moments during the song, including Scottish, Indian, and  Jamaica.  Online there was at least one site that called this scene racist but I guess I didn’t see it that way. I just thought it was nice they were representing the other countries who fought with England.

 I also felt that the Jamaican section in particular was very respectful because they were dancing to traditional music, the Jamaican women had the best dresses of anyone else in the dance sequence and everyone around them was clapping and enjoying themselves.

The children were even enjoying watching the dances and weren’t making fun of them, but trying to mimic them and try to dance like the people. To me the sequence is a chance to talk to children about the differences between culture. While the depictions are not completely accurate, to me, they are an attempt to bring awareness to all of those different countries that fought with the British during that time.

Eglantine’s cat looked like it had died – so that was funny to see. It looked like the cat we had, who we loved dearly, but was 19 when she died and looked awful. She looked like an animatronic cat that had gone through a garbage disposal at that point.

What I thought overall:

I liked this movie a lot but I don’t know that I would watch it again and again. Maybe if I had watched it as a child and had a sentimental connection, I would have loved it. Instead, I only liked it.

I almost loved it, maybe that’s a better way to say it. This was a comfy, cozy movie for me, even if it wasn’t my favorite Disney film. Yes, I know comfy and cozy are essentially the same word. Just go with it.

I loved the humor of the children and how they made the movie. I loved the silliness and the absolute detachment from reality it had , something people in the 40s would have really needed. Since the movie was released in 1971 it would have provided some people a happier way to frame that period, which was so dark for the world, but especially British people.

I’m actually glad children back then couldn’t see movies like this or read books like the Narnia Chronicles. They might have thought they were all going to mansion with professors or witches where they would disappear into a magical land via a wardrobe or fly away to adventure on a bed.

Nazis showing up at the end of the film was awkward and I imagine would have been very scary for children who watched it when really young.

Mr. Brown dreaming of Angela in a revealing acrobat outfit was also…er…interesting.  Not inappropriate but a bit strange. In a funny way.

And, of course, the ending when — well, have you seen the film? I hate to give it away but I will say that a spell is cast and very exciting things happen to help make sure there is a happy ending.

If I were to boil down my overall opinion of the movie into one sentence I would say that it was a magical adventure for me that allowed me to escape life stresses and that is exactly what I think the makers of this movie wanted to do.

What Angela said about the movie:

I could not find the source for this again, but at some point, I was watching an interview with Angela and she said that what really made the movie was the children. Their acting was so good and, of course, children love to watch movies with other children in them.

In 1998 Disney released an extended version of the movie, adding in deleted scenes and musical numbers. Interviewed by Disney for the project, Angela said only those who acted in the movie knew what was missing all these years, but they were so glad to add those parts back.

“It was my passport to an entire generation of youngsters,” Angela said in the interview for Disney. “Now those children are all grown up and they are showing Bedknobs and Broomsticks to their kids.”

“To fly is everybody’s dream,” she continued in the interview. “And to have that experience of being suspended and moving freely through the air is a lovely feeling.”

Pullies and wires were used to help Angela and the other actors seem to fly but special effects also came into play.

“It has to do with make believe,” Angela said. “We had to understand that we were interacting with an animated creature, so your hand had to be in a certain position for  him to put his hand on yours in the final print.”

A bit of trivia or facts:

  • Julie Andrews was offered the role of Miss Price in the movie but declined. When she made up her mind she did want to do it, it was too late. Angela had been offered the role and had accepted.
  • The Beautiful Briny was actually written for Mary Poppins, but saved out and filmed for Bedknobs and Broomsticks instead.
  • The song A Step in the Right Direction was cut from the movie and the footage could never be found to restore it to the restored version of the movie. Disney did, however, clip together some images and present it on the Disney Channel before airing the movie with all the deleted scenes added back in. (https://youtu.be/J-VwRkQGkAw?si=QpQ0jjsfKoP5H9wa
  • In the establishing shot of the animated soccer game, a bear wearing a Mickey Mouse T-shirt can be spotted in the crowd on the right side of the picture.
  • There were differences between the books and the movie. For example, in the first book of the series, the warm is not explicitly mentioned and the children are not orphans but are instead sent to spend the summer with their aunt in the country. It’s heard they meet Eglantine Price, who gives them the magic bedknob in exchange for not revealing she is a witch. In the second book, set two years after the first, the children travel back in time to 1666 before the Great Fire of London and that’s where they meet Emelius Jones (not Brown) and bring him back with them to the future.
  • Another difference between the movie and book is that Eglantine ends up traveling back with him to his time and takes the bed with her, which means the children will not have any more adventures or trips.
  • From TCM.com: “In an interview filmed for the thirtieth anniversary of the film that was included as added content on the DVD release, Richard M. Sherman and Robert B. Sherman, the brothers who were the film’s composer-lyricists, stated that they were given the task to write songs for Bedknobs and Broomsticks while the studio awaited permission from author P. L. Travers to film Mary Poppins. In an interview reprinted in a modern source, the brothers reported that Disney assured them that he owned another story about magic for which their songs could be used if Mary Poppins was not produced. According to the Shermans, the song “The Beautiful Briny” actually was written for, but never used in, Mary Poppins.”
  • According to 1971 studio production notes, three blocks of Portobello Road as it looked in 1940 were reproduced on Disney Studio soundstages. Among the props used for this sequence were carts rented from A. Keehn, a company that had a monopoly on them, according to set decorator Emile Kuri, who stated that for over a hundred years the company had collected a shilling a day for each barrow rented by vendors on Portobello Road. (Source TCM.com).
  • All longer scenes with Roddy McDowall as the local pastor “Mr. Jelk,” were cut from the film and he ended up in only a three-minute clip in the original film.
  • The New York Times stated in their review that Angela projected a “healthy sensuality” in the movie. (*giggle*)
  • This was the last Disney movie released while Roy O. Disney was still alive. He died a week after its U.S. premiere.
  • The armor in the climactic battle with the Nazis was authentic medieval armor, previously used in Camelot (1967) and El Cid (1961). When any item of armor was to be destroyed, exact fiberglass replicas were created and used.
  • In this movie, the King of Naboombu’s name is Leo. In official merchandise guidebooks, his full name is King Leonidas, after the Spartan King who died at the Battle of Thermopylae in 480 B.C.
  • This was the last Disney-branded movie to receive an Academy Award until The Little Mermaid (1989). Others received nominations, and two Touchstone Pictures movies, The Color of Money (1986) and Who Framed Roger Rabbit (1988), received awards before that.

If you want to read a very fun review of this film, I enjoyed this one by Mutant Reviewers Movies: https://mutantreviewersmovies.com/2013/03/25/deneb-does-bedknobs-and-broomsticks/

Cat from Cat’s Wire also watched this one this week and you can find her thoughts here:

Up next in my Summer of Angela is Gaslight.

Here is my full schedule of movies I am watching:

July 4 – Gaslight

July 11 –  The Shell Seekers

July 18 – Murder She Wrote: The Celtic Riddle

July 25 – The Mirror Cracked

August 1 – The Court Jester

August 8 The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone

Additional resources:

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#notes

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#articles-reviews?articleId=188901

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#photos-videos

https://www.the-solute.com/disney-byways-bedknobs-and-broomsticks/#:~:text=I%20mean%2C%20it%20wasn’t,a%20little%20bit%20of%20fun.

https://www.imdb.com/title/tt0066817/trivia/

Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.