Tony Curtis

Summer of Marilyn: Some Like it Hot

/ Lisa R. Howeler / 5 Comments

Last week the days got away from me and I completely forgot to watch my Marilyn movie, let alone write about it.

I’m back this week, though, talking about Some Like It Hot with Marilyn, Jack Lemmon, and Tony Curtis.

This was a crazy, hilarious, insane film that had me gasping and laughing through the entire thing. It was released in 1959 and directed by Billy Wilder.

It was something I needed as I’ve felt like my brain has been racing lately with worry and a rushed feeling.

The movie takes place in 1929 with booze being smuggled into a funeral home that is actually a speakeasy.

They are musicians – Jerry and Joe.

The speakeasy gets raided and they don’t get paid

They need money so when they hear that a band needs a couple of replacement girls they decide they need to become women – or well, sort of anyhow. Tony nixes that idea though and says they need to take another job instead but when they go to pick up the car, they witness a mob murder. Now they are forced to dress as women and get as far away from Chicago as they can, which in their case is Florida with the female band.

They buy the clothes and the wig and the makeup and board the train.

That’s when they meet Marilyn, a.k.a. Sugar.

Sugar is a bit of a drinker and they can’t help checking her out, but trying to pretend they aren’t checking her out.

Marilyn sings and dances in this one and shakes a lot which Jack and Tony very much enjoy. Jack, in fact, says he would like to have a cup of that sugar. This is the movie where Marilyn sings, “I Want to be Loved By You” with THAT dress. The one that had to be filmed partially in the dark because it sort of looks like she’s half naked, even though there is fabric there.

It is clear early on that Sugar is an alcoholic who needs her booze. At one point, she sneaks into Jack’s bed looking for booze, which, of course gets him hot under the collar. While it’s Tony that keeps reminding Jack that he is supposed to be a girl, Tony himself gets a bit attached to Sugar himself. When he learns that Sugar dreams of meeting and marrying a millionaire, he decides he’s going to find a way to be that millionaire for her.

While pretending to be a millionaire he does a hilarious impression of Cary Grant, which just cracked me up, especially when he said to Jack later something like, “Of course I’m faking it. No one really talks like that.”

On and on the craziness went on in this movie until my head was spinning with it all and with laughter.

There are a lot of sexual innuendos in the movie, including one where the band leader says,  “A reminder to all you boys out there, all my girls are virtuosos and I intend to keep it that way.”

When Tony reminds Jack that he’s a guy and not a girl, he tells him, “Jerry, there is another problem. Like what are you going to do on your honeymoon?”

That questions ends up being a bit rhetorical as Jack’s character says they haven’t decided where they will go on their honeymoon yet.

According to information online, the movie was made for $2.9 million and made $49 million. Overall since the time it was released, it has made $83 million internationally.

My husband said he read that Marilyn could not stand Jack Lemmon so I Googled to see if this was true. According to the site Slashfilm.com, it wasn’t really that she didn’t like Jack, she just didn’t like anyone at that time. She was lashing out at a lot of people and they got caught in the crosshairs. She was abusing medication at the time and dealing with depression. I guess it is fitting that her character was an alcoholic since she was one in real life at times too.

She was also pregnant during the making of the movie and later went on to have a miscarriage after filming ended. I believe she had a few during her career and I’m sure this was part of her issues during the filming.

She and Tony Curtis actually dated in 1949, which I found interesting. It was only for a couple of months, according to Curtis.

Jack said he liked Marilyn, but felt sorry for her because he could tell she was troubled. He had less scenes with her than Curtis and didn’t have to deal with her habitual lateness as much.

Wilder was completely frustrated with Marilyn through most of the filming because she often could only get through a small amount of dialogue part of the time, after showing up late, according to a couple of articles. She cost the production half a million dollars with all her delays and he made it clear to her he was not happy with her when he held a cast party when the filming was done and did not invite her. She decided she didn’t like him either and told his wife to tell him to do something very anatomically impossible for a person to do with himself.

Years later he said that he didn’t have issues with Marilyn as much as she had issues with herself. He also said that her discombobulated and erratic behavior actually led to some adlibbed moments that made the movie a classic. Still, I think he would have preferred they didn’t have to write her lines on the inside of drawers because her brain was so addled from drinking too much and taking pills.

Wilder and Marilyn did make up before she passed away, especially because he still considered her a brilliant actress despite the issues she had during filming.

A bit of trivia from IMBd:

  • Some people asked why Curtis was so much better at walking like a woman or having female mannerisms than Lemmon and he told an interviewer it was because he tried so hard to be a female he was very tightly wound and overthinking it. Lemmon, on the other hand, “ran out of his dressing room screaming like the Queen of the May,” kept much more of his masculine body language.”
  • Tony later said that he asked Wilder if he could imitate Cary for his stint as the millionaire in the movie. Wilder liked it and they shot it that way. Apparently, Grant saw the parody of himself and stated, jokingly, “I don’t talk like that.”
  • Marilyn wanted the movie to be shot in color (her contract stipulated that all her films were to be in color),but Wilder convinced her to let it be shot in black and white when costume tests revealed that the makeup that Tony and Jack wore gave their faces a green tinge.
  • Marilyn didn’t originally didn’t want to play Sugar. She said, “I don’t want to play someone who can’t tell Daphne and Josephine are really men dressed in drag.”

Another tidbit that I pulled off Wikipedia was that this movie was made without the approval of the Hayes Code, which was a code in the “old days” that determined what could and could not be in movies. It wasn’t long after this movie was released and became a huge success that the Hayes Code was discontinued.

Oh, and I did figure out that the name for the movie comes from the music when Tony asks if Marilyn plays her music hot and she says she does and he says he likes his music slower but “Some Like It Hot.”

Have you seen Some Like It Hot? What did you think of it if you have? Let me know in the comments.

Up next I’ll be watching The Seven Year Itch.

After that I will be watching:

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits

Spring of Cary: Operation Petticoat

/ Lisa R. Howeler / 7 Comments

For Spring Erin from Still Life, With Cracker Crumb, Kajta of Breath of Hallelujah, and I have been watching and writing about Cary Grant movies. I always add this disclaimer: the movies we watched were chosen because I had never seen them before, not because they are his best. I was trying to watch movies of his I had not seen so thought I’d do a challenge similar to my Summer of Paul last summer.

Now, with that disclaimer out of the way, last week we delayed writing about Operation Petticoat because Erin and I both had busy weeks and felt frazzled. We found out later that Katja also had a weird week so that worked out well.

Okay, now back to the movie, which is a comedy and that is really what I needed last week and still need this week. I find it surprising that this movie, out of all of Cary’s movies was actually the highest grossing of his career at $9.3 million. It was extremely popular when it was released in 1959 and is still considered the highest-grossing comedy of all time. Crazy, right?

Anyhow, we open with Cary Grant in a naval officer’s uniform.

This is actually a photograph from the end, but close enough.

At this point, I pause and sigh as I admire the view. I pause the film for a moment and sigh again.

In a world where men are being feminized more and more, it is refreshing to see a real man looking like a real man in uniform. Again, in case you don’t understand what I am saying, he does look nice in a uniform.

Now, on with the show.

Cary is an admiral in the Navy in the beginning of the movie. He’s gone back to a submarine that he was once the captain of. He finds his way to the captain’s cabin and waits for him to arrive and while he does he reminisces about when he was captain and all the craziness that happened one day in the beginning of the U.S.’s involvement in World War II.

Here is a bit of background and plot of the movie from Wikipedia so I don’t have to explain it all in my awkward way.:

“In 1959, U. S. Navy Rear Admiral Matt Sherman (Cary Grant) boards the obsolete submarine USS Sea Tiger, prior to her departure for the scrapyard. Sherman, her first commanding officer, begins reading his wartime personal logbook, and a flashback begins.

On December 10, 1941, a Japanese air raid sinks Sea Tiger while she is docked at the Cavite Navy Yard in the Philippines. Lieutenant Commander Sherman and his crew begin repairs, hoping to sail for Darwin, Australia before the Japanese overrun the port. Believing there is no chance of repairing the submarine, the squadron commodore transfers most of Sherman’s crew to other boats, but promises Sherman that he will have first call on any available replacements. Lieutenant (junior grade) Nick Holden (Tony Curtis), an admiral’s aide, is reassigned to Sea Tiger despite a total lack of submarine training or experience.”

Nick, in fact, has so little experience he walks up in an all-white dress uniform and talks about all the mundane and unimportant things he did for the admiral. None of it includes being at sea.

Nick does have another talent – ideas for how to get supplies that the captain will need to get his ship running again.

His ideas are “less than proper” shall we say and it turns out the admiral’s aide isn’t a waste of space after all. While the commander thought he was soft, it turns out he’s a real con-man, which is what is needed to get the submarine back on its way to Australia.

Nick strikes deals with ex-cons, witchdoctors, and many others to make sure they can get their supplies or help.

While out to see they find an island on and on that island are nurses who were stranded there when their plane had to land in an emergency because they were being fired at by the Japanese.

Cary/Matt isn’t really very interested in taking the nurses on his ship of all men, but the men, of course, are thrilled.

Many suggestive and flirty comments begin at this point, especially between Nick and Second Lt. Barbara Duran who he offers his pajamas to on her first night aboard.

In this moment things become quite bawdy (though not dirty) when she says she couldn’t possibly take his pajamas and he says it is totally fine as long as he is not in them at the same time. When she asks what he’s going to wear he says, “I’ll take the bottoms, if you like the tops. Do you like the tops? You can have the bottoms if you want.”

Oh, dear.

Matt tries to take the women to an army base but the Army says they can’t take the women without the proper orders because the Japanese are closing in. It is because the Japanese are closing in that Matt allows Nick to set up a casino-like operation where enlisted men can bring them the parts they need and get paid for them. The hull was damaged in the initial attack and the torpedo man would like some paint to fix the chips and nicks in it. The only issue is that they can’t get their hands on any gray paint so they finally settle on red and white. We all know what color that makes so eventually the hull is painted – yes, pink.

As you can imagine, this makes the submarine a perfect target and creates even more hilarious moments on board as they try to make their way to safety. The real problem with the pink submarine and then some repairs that still need to be taken care of, is that eventually, their own side doesn’t know that it is them. I won’t tell you how they finally let the U.S. Navy know it’s them and not the Japanese, but let’s just say it involves some unmentionables.

A little bit of trivia from Wikipedia: Tony Curtis took credit for the idea for the movie because he joined the Navy during World War II to work on a submarine partly because he had seen Cary’s movie Destination Tokyo. After the war and after he became a star, Tony said he’d love to be in a movie with Cary where Cary would be a submarine captain.

An actress who was going to be in the movie actually pulled out because she felt there were too many sex jokes. She was probably right, but the jokes were still way tamer than the jokes that are in movies today.

One risqué quote that did crack me up from Cary was, “It’s like watching a striptease. Don’t ask how it’s done. Just enjoy what is coming off.”

The U.S. Navy supported the movie and allowed it to be filmed around Naval Station Key West, which is now called the Truman Annex of Naval Station Key West. The submarine was portrayed by three different World War II-era submarines.

I kept being too technical watching this movie and saying “You can’t bring a submarine up and down like that.”

My husband had to keep reminding me that this is meant to be a goofball comedy. “It is a typical Blake Edwards comedy.” Which I guess means that Blake Edward created crazy and unrealistic comedies.

And, yes, in case you are wondering or don’t know, the show Operation Petticoat (which I have never seen) was based on the movie.

Overall I really enjoyed this movie and it came at a time I needed something silly.

To catch up on what Erin thought of the movie you can find her blog here (the post might be late today) and you can find Katja’s blog here (her post might also be late but it will be up later).

Here is the original trailer

Next up to finish up Spring of Cary:

Suspicion (May 25)

Notorious (May June 1)

I’d love to do a Summer of Bogart and watch Humphrey Bogart movies, but I haven’t run that by Erin or Katja yet. I’ll see what they think. Maybe I’ll do it on my own for fun.