Summer of Angela: Bedknobs and Broomsticks (1971)

This summer I am watching Angela Lansbury movies. This week — well, last week — I watched Bedknobs and Broomsticks.

First, a movie description:

During the Battle of Britain, Miss Eglantine Price (Angela Lansbury), a cunning witch-in-training, decides to use her supernatural powers to defeat the Nazi menace. She sets out to accomplish this task with the aid of three inventive children who have been evacuated from the London Blitz. Joined by Emelius Brown (David Tomlinson), the head of Miss Price’s witchcraft training correspondence school, the crew uses an enchanted bed to travel into a fantasy land and foil encroaching German troops.

The children come to live with Eglantine Price not because she wants them to, mind you. She is sort of cohersed into it by a lady from the community who ran out of room for the other children who came from London.

Once there the children decide they are going back to London. Miss Price doesn’t eat normal food (she doesn’t eat any sausages at all!). Miss Price can’t let them go back to London because the city is being bombed but..oddly enough…later in the movie she takes them all back to London via a magical bed. Yes, you read that right. A magical, flying bed.

The movie is based on two novels by Mary Norton, The Magic Bed-Knob (1945) and Bonfires and Broomsticks (1957), about the adventures of an apprentice witch and the three children who come to stay with her to escape the bombing of London during World War II.

In some parts, the movie mixes live action and animation, similar to Mary Poppins.

Walt Disney (the man, not the company) purchased the rights to the first book the year it was published, but the movie wouldn’t be made until five years after his death, partially because of  Mary Poppins. It took Disney years and years to convince P.L. Travers to give the rights to Mary Poppins. Walt wanted to make a movie based on Bedknobs and Broomsticks but decided he’d hold on to that one if he couldn’t get Mary Poppins. Of course, he did get Mary Poppins so Bedknobs was pushed aside for a bit.

Walt said the stories were very similar, so he wanted to wait to make Bedknobs and Broomsticks, a title that combined both book titles, when the frenzy from Mary Poppins had died down a bit. In the end, Walt died before Bedknobs and Broomsticks was developed and released.

Observer.com says this about the movie: “Bedknobs and Broomsticks is just as unhinged as it sounds. The 1960s through the 1980s was a period of decline for Disney, and the internal drama at the studio plus the Mary Poppins-related delays are evident in Bedknobs and Broomsticks, a film that’s all over the place (ironic, as Lansbury called her performance “acting by the numbers;” each scene was storyboarded ahead of time). At first, it strikes the same chord as Chitty Chitty Chitty Bang Bang (1968), but then it veers into West Side Story (1961) territory with extended dance numbers (including dancers in brownface). The scenes where the group travels using Miss Price’s magical bed are bizarrely psychedelic à la the tunnel scene in Willie Wonka and the Chocolate Factory, which premiered the same year. And the arcs featuring a mix of live action and animation, particularly the soccer scene on the cartoon island of Naboombu, feel like precursors to future hits like Space Jam (1996).”



Who is in it:

The movie stars Angela Lansbury and David Tomlinson (the father in Mary Poppins, incidentally) and three wonderful child actors Ian Weighill, Roy Snart, and Cindy O’Callaghan.

Highlights for me:

The children in this movie were absolutely amazing. They were hilarious, quick-witted and delivered their lines perfectly.

In one scene, the oldest boy decides he’s going to blackmail Miss Price into giving them better food (not vegetarian food that she eats) by telling her that the kids know she’s a witch. They know this because when they were trying to sneak out of the house to go back to London, they saw her trying to ride a broom for the first time and falling off into a bush.

“What we have here is an opportunity,” he says when he sees her fall off her broom. “She don’t want us to tell anyone she’s a witch so….”

Oh gosh, the kid is so funny in his delivery. His sister isn’t very pleased with him trying to manipulate Miss Price, by the way, and Miss Price isn’t easily manipulated so it doesn’t really work.

Angela, of course, was very good in this movie. I have to agree with some reviews that said she wasn’t as animated in the movie as she could have been. However, later in life she talked about how technical these types of movies have to be, adding that it is hard to improvise or do anything that breaks too much from the script when the movie is storyboarded so exact for the technical aspects.

There was one song that sort of made my eyebrows raise: Portobello Road. Mainly because of the women who come up to the professor on Portobello Road and seem to be flirting with him. They are dressed in brightly colored dresses that have a certain “look” to them. These same women are in the background of the song flirting with the soldiers and even get their own break out dance moment. As my mom would say, “Oh. Oh my!”

I’m really surprised they put “those type of women” in the movie, which was, clearly, meant for children. I kept looking for any commentary online about this and did find some, but mainly from bloggers.

“I mean, it wasn’t until this viewing that I worked out that, yes, those are prostitutes attempting to pick up Professor Browne and not just friendly women,” Gillianred on The Solute.com wrote. “Which is . . . not something I expected from a Disney movie. But if you look at what they’re wearing and exactly how they size him up, it seems to me that, yup, they’re wondering if he’s got a few bob in his pocket to spare for a little bit of fun.”

I also enjoyed all the different cultures represented during the Portobello Road song. Soldiers who fought for the British during World War II were shown dancing in their own moments during the song, including Scottish, Indian, and  Jamaica.  Online there was at least one site that called this scene racist but I guess I didn’t see it that way. I just thought it was nice they were representing the other countries who fought with England.

 I also felt that the Jamaican section in particular was very respectful because they were dancing to traditional music, the Jamaican women had the best dresses of anyone else in the dance sequence and everyone around them was clapping and enjoying themselves.

The children were even enjoying watching the dances and weren’t making fun of them, but trying to mimic them and try to dance like the people. To me the sequence is a chance to talk to children about the differences between culture. While the depictions are not completely accurate, to me, they are an attempt to bring awareness to all of those different countries that fought with the British during that time.

Eglantine’s cat looked like it had died – so that was funny to see. It looked like the cat we had, who we loved dearly, but was 19 when she died and looked awful. She looked like an animatronic cat that had gone through a garbage disposal at that point.

What I thought overall:

I liked this movie a lot but I don’t know that I would watch it again and again. Maybe if I had watched it as a child and had a sentimental connection, I would have loved it. Instead, I only liked it.

I almost loved it, maybe that’s a better way to say it. This was a comfy, cozy movie for me, even if it wasn’t my favorite Disney film. Yes, I know comfy and cozy are essentially the same word. Just go with it.

I loved the humor of the children and how they made the movie. I loved the silliness and the absolute detachment from reality it had , something people in the 40s would have really needed. Since the movie was released in 1971 it would have provided some people a happier way to frame that period, which was so dark for the world, but especially British people.

I’m actually glad children back then couldn’t see movies like this or read books like the Narnia Chronicles. They might have thought they were all going to mansion with professors or witches where they would disappear into a magical land via a wardrobe or fly away to adventure on a bed.

Nazis showing up at the end of the film was awkward and I imagine would have been very scary for children who watched it when really young.

Mr. Brown dreaming of Angela in a revealing acrobat outfit was also…er…interesting.  Not inappropriate but a bit strange. In a funny way.

And, of course, the ending when — well, have you seen the film? I hate to give it away but I will say that a spell is cast and very exciting things happen to help make sure there is a happy ending.

If I were to boil down my overall opinion of the movie into one sentence I would say that it was a magical adventure for me that allowed me to escape life stresses and that is exactly what I think the makers of this movie wanted to do.

What Angela said about the movie:

I could not find the source for this again, but at some point, I was watching an interview with Angela and she said that what really made the movie was the children. Their acting was so good and, of course, children love to watch movies with other children in them.

In 1998 Disney released an extended version of the movie, adding in deleted scenes and musical numbers. Interviewed by Disney for the project, Angela said only those who acted in the movie knew what was missing all these years, but they were so glad to add those parts back.

“It was my passport to an entire generation of youngsters,” Angela said in the interview for Disney. “Now those children are all grown up and they are showing Bedknobs and Broomsticks to their kids.”

“To fly is everybody’s dream,” she continued in the interview. “And to have that experience of being suspended and moving freely through the air is a lovely feeling.”

Pullies and wires were used to help Angela and the other actors seem to fly but special effects also came into play.

“It has to do with make believe,” Angela said. “We had to understand that we were interacting with an animated creature, so your hand had to be in a certain position for  him to put his hand on yours in the final print.”

A bit of trivia or facts:

  • Julie Andrews was offered the role of Miss Price in the movie but declined. When she made up her mind she did want to do it, it was too late. Angela had been offered the role and had accepted.
  • The Beautiful Briny was actually written for Mary Poppins, but saved out and filmed for Bedknobs and Broomsticks instead.
  • The song A Step in the Right Direction was cut from the movie and the footage could never be found to restore it to the restored version of the movie. Disney did, however, clip together some images and present it on the Disney Channel before airing the movie with all the deleted scenes added back in. (https://youtu.be/J-VwRkQGkAw?si=QpQ0jjsfKoP5H9wa
  • In the establishing shot of the animated soccer game, a bear wearing a Mickey Mouse T-shirt can be spotted in the crowd on the right side of the picture.
  • There were differences between the books and the movie. For example, in the first book of the series, the warm is not explicitly mentioned and the children are not orphans but are instead sent to spend the summer with their aunt in the country. It’s heard they meet Eglantine Price, who gives them the magic bedknob in exchange for not revealing she is a witch. In the second book, set two years after the first, the children travel back in time to 1666 before the Great Fire of London and that’s where they meet Emelius Jones (not Brown) and bring him back with them to the future.
  • Another difference between the movie and book is that Eglantine ends up traveling back with him to his time and takes the bed with her, which means the children will not have any more adventures or trips.
  • From TCM.com: “In an interview filmed for the thirtieth anniversary of the film that was included as added content on the DVD release, Richard M. Sherman and Robert B. Sherman, the brothers who were the film’s composer-lyricists, stated that they were given the task to write songs for Bedknobs and Broomsticks while the studio awaited permission from author P. L. Travers to film Mary Poppins. In an interview reprinted in a modern source, the brothers reported that Disney assured them that he owned another story about magic for which their songs could be used if Mary Poppins was not produced. According to the Shermans, the song “The Beautiful Briny” actually was written for, but never used in, Mary Poppins.”
  • According to 1971 studio production notes, three blocks of Portobello Road as it looked in 1940 were reproduced on Disney Studio soundstages. Among the props used for this sequence were carts rented from A. Keehn, a company that had a monopoly on them, according to set decorator Emile Kuri, who stated that for over a hundred years the company had collected a shilling a day for each barrow rented by vendors on Portobello Road. (Source TCM.com).
  • All longer scenes with Roddy McDowall as the local pastor “Mr. Jelk,” were cut from the film and he ended up in only a three-minute clip in the original film.
  • The New York Times stated in their review that Angela projected a “healthy sensuality” in the movie. (*giggle*)
  • This was the last Disney movie released while Roy O. Disney was still alive. He died a week after its U.S. premiere.
  • The armor in the climactic battle with the Nazis was authentic medieval armor, previously used in Camelot (1967) and El Cid (1961). When any item of armor was to be destroyed, exact fiberglass replicas were created and used.
  • In this movie, the King of Naboombu’s name is Leo. In official merchandise guidebooks, his full name is King Leonidas, after the Spartan King who died at the Battle of Thermopylae in 480 B.C.
  • This was the last Disney-branded movie to receive an Academy Award until The Little Mermaid (1989). Others received nominations, and two Touchstone Pictures movies, The Color of Money (1986) and Who Framed Roger Rabbit (1988), received awards before that.

If you want to read a very fun review of this film, I enjoyed this one by Mutant Reviewers Movies: https://mutantreviewersmovies.com/2013/03/25/deneb-does-bedknobs-and-broomsticks/

Cat from Cat’s Wire also watched this one this week and you can find her thoughts here:

Up next in my Summer of Angela is Gaslight.

Here is my full schedule of movies I am watching:

July 4 – Gaslight

July 11 –  The Shell Seekers

July 18 – Murder She Wrote: The Celtic Riddle

July 25 – The Mirror Cracked

August 1 – The Court Jester

August 8 The Picture of Dorian Gray

August 15 – A Life At Stake

August 22 – All Fall Down

August 29 – Something for Everyone


Additional resources:

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#notes

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#articles-reviews?articleId=188901

https://www.tcm.com/tcmdb/title/68329/bedknobs-and-broomsticks#photos-videos

https://www.the-solute.com/disney-byways-bedknobs-and-broomsticks/#:~:text=I%20mean%2C%20it%20wasn’t,a%20little%20bit%20of%20fun.

https://www.imdb.com/title/tt0066817/trivia/


Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.

Summer Movie Marathon: Gidget (1959)

This month I will be writing about classic summer movies that I’ve picked out on my own or that were suggested to me. These will be movies released before 1970.

Some will be campy, some will be about the cheesiest thing you’ve ever seen, but all will have an element of fun in them.

First up is Gidget (1959) starring Sandra Dee.

This movie had me all kinds of nervous and stressed, let me tell you.

First, they seemed to be rushing very young girls toward sex and romance way too early and that surprised me for a movie from the late 50s.

Second, while much of the scenes were meant to be funny, I just kept thinking about how dangerous many of the situations young Gidget was in were.

I was practically yelling at the TV at one point.

We start with Francine Lawerence in her bedroom and her friends are telling her it’s time she grew up and tried to get a man. She’s about to turn 17 and her friends are taking her to the beach so she can join them in trying to hunt men.

Of course, much of the movie is meant to be silly so when her mother asks why she doesn’t look excited to go, Francine’s friend says it’s because she’s going on her first “manhunt.”

The mom is a little shocked but sort of shrugs it off when Francine’s dad protests that she’s too young for that.

Francine is of the age when young girls look for boyfriends, her mother says.

Again, I was a bit shocked with this declaration but continued on.

On the beach, Francine’s friends undress to their bathing suits and do their best to catch the attention of a group of young men lounging on the beach next to their surf boards.

Francine isn’t as – ahem – developed as her friends so she doesn’t garner much attention.

The boys are also on to the girl’s ploys and mock and ignore them for the most part.

Francine would rather go swimming than catch boys anyhow so she sets out into the ocean and gets herself caught in some seaweed, which leads to her calling for help.

A young surfer named Jeffrey “Moondoggie” Matthews (James Darren) comes to her rescue and once she is rescued his friends mock him and Francine, but one of them offers to take Francine back to their hut and help her learn about life. Eek.

Francine is naïve and clueless about the flirting surfer so she ignores him and instead wants to know how she can get a surfboard too. She’d love to be part of the gang, she says.

They all wave her off and tell her to go home but the next day she is back at the beach to buy a surfboard and meets the Burt “The Big Kahuna” Vail, played by Cliff Robertson  – a man who is close to 30 but spends his days surfing the waves all over the world.

Francine eventually inserts herself into the group and gains the nickname Gidget from them. Moondoggie isn’t too happy with her being in the group because he knows his fellow surfers aren’t the nicest guys and will try to take advantage of her.

At point he has to rescue her from the first guy who suggested teaching her how life works – ahem again – and tells her to go home.

“The lessons you’re going to get here aren’t what you are looking for.”

And they aren’t because the lessons Gidget wants are ones that will teach her how to surf so she can fit in with the guys, especially Moondoggie, who she’s fallen for.

Meanwhile at home, while Dad was once nervous about his little girl becoming a manhunter, he decides he should use her to get in good with his boss by having her go out with the boss’s son who is visiting.

The word pimp came to my mind at this point, I’m sorry to say.

There is a ton of humor in this movie, even if I was cringing at some of the scenes with men trying to take advantage of Gidget’s innocence.

I didn’t like the idea that a girl is expected to start dating men at such a young age, even if it was a different time.

Still, I had some fun with the movie and liked the surfing and beach scenes, even if the surfing scenes were very fake.

I thought it was interesting that Elvis was the first choice to play Moondoggie but he was in the U.S. Army at the time. Luckily he went on to make some dumb beach movies on his own in the future, including Clam Bake, which is one my list to watch for this series.

The movie was based on the book Gidget, the Little Girl with Big Ideas by Frederick Kohner who based the main character on his daughter Kathy. According to Wikipedia, the screenplay was written by Gillian Houghton, who was then head writer of the soap opera The Secret Storm, using the pen name Gabrielle Upton. 

There were a few more Gidget movies made after this including Gidget Goes Hawaiian, Gidget Goes to Rome, Gidget Grows Up, Gidget Gets Married, and Gidget’s Summer Reunion.

Different actresses played Gidget in each movie.

There was also a series called Gidget that ran for one season in 1965 and starred Sally Fields.

The original movie is said to have kicked off the “beach genre” movies, a couple of which I plan to watch.

I didn’t look up a ton of reviews and trivia about this one but did see this excerpt of a review by Craig Butler in Allmovie notes: “Although the very title prompts snorts of derision from many, Gidget is actually not a bad little teenaged flick from the ’50s. Great art it definitely isn’t, but as frivolous, lighthearted entertainment, it more than fits the bill. Those who know it only by reputation will probably be surprised to find that it does attempt to deal with the problems of life as seen by a teenager—and that, while some of those attempts are silly, many of them come off quite well. It also paints a very convincing picture of the beach-bum lifestyle, much more so than the Frankie Avalon–Annette Funicello beach party movies.”

Have you ever seen Gidget or any of the other Gidget movies?

My complete Summer Movie Marathon list (with some additions possible):

Gidget (August 1)

Beach Blanket Bingo (August 8)

Mr. Hobbs Takes A Vacation (August 15)

Summertime (August 22)

Having A Wonderful Time (August 27)

Clambake (August 29)

Next Classic Movie Impressions feature: Summer of Marilyn

I am going to be doing another Classic Movie Impressions feature this summer and so far, I am offering it up for whomever might like to jump in during the rest of June and part of July.

Erin from Still Life, with Cracker Crumbs is too busy in June for this feature and I know Katja has been busy as well, but the invitation for her to join in is totally there.

Anyone else who wants to join may do so as well and at any point. You don’t have to watch or write about all of the movies to be a part.

Now, onto who I am featuring this summer.

Marilyn Monroe.

So yes, the feature will be called A Summer of Marilyn.

If you have been following this blog for a while, you know I featured Paul Newman for my summer movie watching last year and Cary Grant for this spring.

I thought I should choose an actress this time around and decided on Marilyn when I discovered how many of her movies we own on blu-ray. I’ve also been a little fascinated with Marilyn because of how Hollywood really abused and used her until there was nothing left of her. It’s a story with a sad ending but I guess I am looking for some happiness she might have experienced in the making of at least a couple of these movies.

I’m going to kick off the feature this Thursday with How To Marry A Millionaire, which I watched on that wonderful Saturday where I had where five hours to myself with no responsibilities and no one else to care for.

If you want to quickly watch it, or have already seen it, and want to jump in, go for it. Or you can share a post later and just link to mine and I’ll let readers know you’ve shared your views too.

Without further ado, here are the movies I plan to watch and the dates I plan to blog about them on:

June 15: How To Marry A Millionaire

June 22: Gentlemen Prefer Blonds

June 29: Some Like It Hot

July 6: Niagra

July 13: The Seven Year Itch

July 20: Monkey Business (because it’s Marilyn and Cary together)

July 27: All About Eve

August 3: The Misfits