Hardy Boys Nancy Drew Mystery of the Hollywood Phantom (Episode 1) Recap

Here I am with another recap of an episode from The Hardy Boys/Nancy Drew Mysteries show from 1977 to 1979. This month it’s perfect because it fits in with my Nancy Drew November event.

As I’ve mentioned before in previous recaps, in the first season of this series, the episodes switched back and forth from The Hardy Boys and Nancy Drew episodes and in the next season, which is the season I am in now, they started to join together. Eventually, they began to phase out the Nancy episodes and focus more on The Hardy Boys. A new actress also stared as Nancy part way through season two when Pamela Sue Martin became disenchanted with the lack of parts that were being written for her character.

According to trivia on IMdb: “Upon Janet Julian replacing Pamela Sue Martin in the second half of season two, Nancy Drew was only seen teaming up with the Hardy Boys, and never any solo stories. ABC however, did continue to air Martin’s episodes over rerun periods. For the third season, Nancy Drew was completely eliminated from the series, which was re-titled simply “Hardy Boys.””                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        

I haven’t decided if I will watch the episodes that are just Hardy Boys, but I probably will.

This time around, I am tackling The Hardy Boys and Nancy Drew: The Mystery of the Hollywood Phantom.

This is the second two parter I am writing about, with the first being The Hardy Boys and Nancy Drew Meet Dracula.

This time around I am going to share my recap in two posts, instead of one.

In this first episode, Nancy and the boys fly, separately, to Hollywood to take part in a detective conference. As Nancy is walking into the terminal, we see someone cutting a pol polaroid picture of her, removing her head. When she pauses at the payphones to call Bess (her sidekick for this season, but who does not show up in these episodes other than that call), we see someone cutting across a photograph of a man wearing a cowboy hat, and removing his head (in the photograph, I mean) as well.

We then see the Hardy brothers walking through the airport and picking on each other.

When Nancy looks across the airport, she sees a man trying to put a polaroid in the bag of the man with the cowboy hat. She runs to stop him, but the other man gets away and the cowboy thinks she’s the one trying to put something in his bag.

Frank and Joe see the interaction and rush to her rescue, telling the cowboy that they are with the airport police, juvenile division. Joe says to Nancy he thought he told her not to show up at that airport anymore.

The cowboy isn’t buying it and tells them he thinks they are all in on it together and were trying to steal from him.

As usual, Nancy is a bit uptight about it all when the cowboy leaves, but laughs a little at the boys. She catches a taxi and leaves them behind, being somewhat rude as usual.

The Hardy boys figure out she’s going to the same conference and will see her at the hotel.

While in the taxi, Nancy pulls out the photo of herself with the head missing. That means someone was able to shove a photo into her bag too. On the back are the words, “No one will shed a tear when you’re gone” written in sharpie.   

Back at the hotel famous detectives are arriving but then we also see Fenton Hardy’s head being cut off in a photo too. Someone is using a typewriter to write, “The best shall also go.” The camera pans up, and we see a person wearing a creepy blue rubber mask.

A detective named Jason Fox arrives and the media all rush to talk to him. Fox chats with the media some, then brushes them off and see Fenton and goes to talk to him while the cowboy — Arlo Weatherly  — comes in behind Fox and grabs him in a bear hug. They are all old buddies, I guess.

Weatherly sees Nancy, excuses himself, and approaches her. Nancy says she’s an investigator and Weatherly asks her why she put a photo of him with his head missing in his bag.

Nancy says she didn’t put the photo there and shows her own photo.

The Hardy Boys show up and together they all decide that this must be some sort of prank, even though Weatherly’s photo says,  “You’re first, Cowboy.”

The boys later find similar photos in their room. “Brothers can disappear too,” is written on the back.

Soon Fenton, Nancy, and the boys are all comparing their photos.

Nancy says she thinks it is something important and dangerous and the boys laugh it off, because, you know, chauvinism.

Jason Fox shows up, and he says the same thing, reminding Fenton of all the pranks they’ve pulled in the past at this, and other, conferences.

The boys and Nancy start to walk back to their rooms later and Nancy says she still feels like something bad is going on. Frank pulls the sexist line, “Is this what you call women’s intuition?”

Then Nancy throat punches him. Oh. No. I mean. She should have.

Instead, she just roasts him by saying, “It’s called detectives intuition. Don’t you have any at all?”

Joe and Frank watch her leave and are like, “Girls. Psht. Whatever.”

Next, we are on a tour with the attendees. They are touring the sets and various sites of the movie and television making industry. Part way through, though, Nancy announces that Arlo Weatherly is missing.

She asks the boys if they remember the threat he got. That he’d be the first to go?

The boys brush her off yet again.

“Please, Nancy, don’t start on all that again,” Frank says with an eye roll.

Nancy shows them there was a polaroid on Weatherly’s seat and it’s the second half of his photo, his head.

The boys still aren’t buying it. Because they are stupid and don’t remember she helped solve the mystery with Dracula the last time they met her. Duh-uh!

So, Frank and Nancy go off to look for Weatherly and run into Columbo or Peter Falk who is shooting his show but wait — that’s not really Peter Falk. It’s an imposter! Something is off.

Oh, because that isn’t really Peter Falk. It’s ….. Casey Kasem?!

No. It legitimately it is. But his name in the show is Paul Hamilton and he eventually tells them that is who he is.

He does impressions and used to have a show in the 1950s called The Raiders, he says.

“Ever heard of it?”

Nancy and Frank have no idea what he’s talking about.

On the other side of the park Joe and Fenton are trying to find the Cowboy too but Jason Fox shrugs it off again and says it’s just a prank.

We see it isn’t a prank in the next scene when we see Weatherly sitting in a chair with his hands tied behind his back in a dark and empty cell.

Back in the park, a security guard questions Frank and Nancy about what they are doing there and escorts them out of the park.

Later that night at the conference, the boys ask Nancy if she’s heard anything on Weatherly.

She hasn’t but she has found a shooting schedule for a movie called The House on Bracken Moor.

The boys are confused and she explains that it is based on a book where eight people are stranded in an old house on an English Moor and they each receive a photograph of themselves and then each one disappears. (This is similar to the plot of And Then There Were None by Agatha Christie, by the way).

The boys are still not convinced that it has anything to do with Weatherly’s disappearance but Nancy points out that they were on a studio tour when he disappeared and that studio is shooting The House on Bracken Moor.

To keep the plot going, the boys dismiss her again and she says she’s going to go find the set herself and investigate.

I don’t blame her this time around. I find Pamela’s portrayal of Nancy overly aggressive on a god day, but the boys are being absolute jerks this time around.

To speed things up a bit, Nancy goes to the studio were the movie is being shot and finds a set with a picture propped up that features photos of all of the main detectives at the conference. Someone laughs and she runs after him, chasing the down a dark alley. She eventually finds herself on a set that looks like a dock and soon is tilted off a platform into some water. A fake shark chases her (think Jaws style), but she’s able to get out of the water. Staggering down the sidewalk, much less soaked than she should be if she’d really fallen into water, a truck attempts to back over her, but she is rescued by a man on horseback.

That man turns out to be Dennis Weaver who was acting in a show called McCloud at the time.

He takes her back to the hotel where the boys meet her, and Weaver tells them someone tried to run her over.

She tells the boys about the picture and as she goes in to change her clothes, she is thoroughly annoyed at them. After she leaves, they talk amongst themselves and finally agree that she’s been right all along after all.

They see Bronson, one of the detectives at the conference, get an envelope with a photograph and Frank goes to find Nancy. Nancy opens the door to her hotel room, but says, “Turn around, I’m getting dressed,” after he comes inside. Ummm…so what was she wearing when she opened the door?

Let us not think about that.

Anyhow, they confront Bronson and he says it’s a photograph of his son, not of him. They’re barking up the wrong tree, he adds.

He says Jason Fox is trying to play pranks on people and not to worry about it.

Nancy feels like the boys still won’t believe her now and they all go downstairs and see Jason Fox who is looking for Fenton because it appears that he is now also missing.

Joe, Nancy, and Jason start to go to look for Fenton, but Franks sees a photo in Bronson’s mailbox. He says Bronson sent him to get it. It’s a photo with Bronson’s head cut off.

They can’t find their dad and meanwhile we’re shown that Weatherly and Fenton are tied to chairs. Fenton says, “We should have believed Nancy. This guy’s crazy.”

Fenton’s ring, Arlo Weatherly’s watch, and some pendant belonging to Bronson are in a box given to Jason Fox. They all decide it is time to call the police, even though a ransom note in the box with the items says not to — just to bring money.

“Three of your detectives already gone,” the note reads. “$500,000 will free them. Don’t call the police.”

Jason says he will call the police and the boys apologize to Nancy for not believing her and they all agree to combine their forces and find out what is going on.

There is an argument between Frank and Nancy because Nancy was pushed into water earlier and could be in danger, but she points out she came there alone without them before because they didn’t want to believe her so she will be fine.

After Joe urges them to put their argument aside, they go onto the set and find the same photograph that Nancy told them about.

As they are talking someone begins to laugh again and they see the person’s silhouette outside the set window.

They all take chase. Joe gets onto a golf car type thing, while Nancy runs for help, and Frank gets stopped by studio security. Joe is busy searching an abandoned set when he is also snatched.

That ends episode one.  I’ll share about episode two in a separate blog post tomorrow.

Before, I close, I will share what I liked about episode one: I liked the intrigue and how everyone was blowing off the idea that something dangerous was really going on util Fenton and Bronson disappeared along with Weatherly.

What I didn’t like was how all the men treated Nancy like she was a hysterical girl. I think that they could have moved the plot of the show along even if they had believed her.  They really didn’t have to be so rude to her all of the time.

Even though, again, I feel Nancy is often rude in these shows. I think the writers, and Pamela herself, were trying to make Nancy appear confident, but instead I feel like it makes her look curt, abrupt and dismissive.

If you want to read other recaps from this show you can find them here:https://lisahoweler.com/old-tv-show-recaps/



Hardy Boys Episode Recap: Wipe Out (Did the Hardy Boys just rob the hotel?!)

Here I am with another recap of an episode from The Hardy Boys/Nancy Drew Mysteries show from 1977.

As I’ve mentioned before, in the first season of this series, the episodes switched back and forth from Hardy Boys and Nancy Drew episodes and in the next season, they started to join together. Eventually, they began to phase out the Nancy episodes and focus more on The Hardy Boys. A new actress also started as Nancy when Pamela Sue Martin became disenchanted with the parts that were being written for her character.

This week I watched a Hardy Boys centered episode called Wipe Out.

This episode was one of the better ones, which I seem to be writing a lot more as I continue through the show. It seems the show got a lot better as it went on. Episodes still have some cheesy moments, sure, but the mysteries are better than in the beginning.

I spent the entire first half of this episode thinking our boys might have gone rogue and had become criminals. Luckily, things started to make sense at the halfway point.

We open this episode with a surfing competition underway and soon learn that Frank is in the competition and the boys are in Hawaii.

They aren’t only in Hawaii, they have found two girls who are hanging all over them and going to luaus with them. Of course Joe (Shaun Cassidy) is asked to sing at one of them and of course Frank wanders off to investigate something while Joe is singing. Frank’s wandering off continues a series-long inside joke.

After Frank’s competing, which brings him accolades and a chance to compete for a bigger prize, the boys head back to their hotel room and find out they’ve been robbed. This sends them to the police station where a cop sort of brushes them off because he says their stuff is long gone by now.

This will mean the boys will to call their dad, Fenton Hardy, and see if he can wire them some money for the rest of their trip. Joe says Frank has to call him because he’s the one that wanted to come and be in the surfing competition.

Frank has a better idea and the next thing we now the guys are breaking into a room after swiping the key of a couple at the hotel. I watched in horror as our heroes started loading up bags with the jewelry and money of the people and even more horror as they went to dinner and ordered big ticket items, telling the waitress they were fine on money.

She knew they’d been robbed, though, so she was pretty horrified like me, suspicious of how they got the money to pay for their meal.

This episode did a very good job of keeping us guessing what was going to happen next and tossing in characters we thought were going to bust the boys somehow.

We had hotel cops and town cops coming after them and suspecting them of theft. Then we eventually discover there is a burglary ring, and we wonder how the boys got themselves wrapped up in it. Or did they? What is going on?

Even the girls they are seeing are starting to ask questions, like why they have a pair of fancy binoculars that look like some stolen by a couple at the hotel.

Usually I give spoilers in these posts but today I won’t because it might be fun if you want to watch it later on your own and find out what was really going on.

If you like listening to Shaun Cassidy sing you’ll get your chance a few times in this episode, especially at the beginning and end when he is singing Beach Boys songs.

The joke about Frank never hearing Joe sing continues on as Joe keeps trying to play a cassette for Frank so he can finally hear the performance. That was  a fun gag but less fun was having to see Shaun’s short-shorts and hair leg every single time they focused on the cassette player in his hand.

The surfing scenes were a lot of fun to watch and I have a feeling that young ladies back then just loved to see Parker Stevenson running in and out of the waves. I will say that they kept the show very chaste because he always wore a shirt. There was one scene where Shaun was shirtless while he was rescuing Parker …er.. Frank and I’m guessing the young ladies would have liked that.

You can find the posts I’ve written about other Hard Boys Nancy Drew Mysteries shows by searching on the search bar to the right.

Up next I’ll be watching a Nancy Drew centered mystery, The Mystery of the Ghostwriter’s Cruise.

Episode recap: The Hardy Boys The Mystery of the Flying Courier

I have been sharing my takes on the episodes from The Hardy Boys/Nancy Drew Mysteries show from the late 70s off and on for the last few months.

The show was, of course, based on the separate series of books from the 1930s and switched off between featuring The Hardy Boys and Nancy Drew each week for most of the first season. Eventually the “teen” sleuths would combine their efforts in joint episodes.

*Disclaimer: These posts do spoil the entire episode. Also, I do joke around a lot about the cheesiness or plot holes or the “weird” 70s hairstyles, clothes or music, but please know it is all in good fun. I have fun watching these and the mysteries are often very interesting. Please don’t leave me comments enraged that I am making fun of your favorite show. *wink* I make fun of my favorite shows too!

This week’s episode was with The Hardy Boys and was called The Mystery of the Flying Courier.

We start out with Frank (Parker Stevenson) Callie (their dad’s secretary and maybe Frank’s girlfriend), and Chet (the boy’s friend), heading into a bar or restaurant where Joe’s band is playing. Of course Joe (Shaun Cassidy) is singing because that’s what Shaun Cassidy did back then as a teen heartthrob.

And he’s singing “Da Doo Ron Ron,” which is pretty much one of the most annoying songs I have ever heard — apologies to the original performers, The Crystals, who recorded it in 1961.

The song was Cassidy’s biggest hit other than That’s Rock N’ Roll. *spoiler alert* That song is not rock n’ roll.

When it was recorded by The Crystals the person in the song was “Bill” and not “Jill” by the way. I am sure you wanted to know that.

Okay, back to the show. The camera pans away from Frank and the rest walking inside to two official looking men in suites. One says, “She’s in there now,” and the other says, “We’ll wait for her to come out.”

While sitting and listening to Joe “rock out” (eye roll…it was NOT rock, but pop) Frank spots a girl across the bar and says she looks exactly like Susie Wilkins.

Susie dropped out of sight three years ago, he tells Callie. His father was trying to track her down because her parents were worried about her.

All Fenton Hardy’s leads dried out but now she’s sitting in the bar with them. He’s sure of it.

Frank tries his best to focus on his brother’s performance, but he can’t help stealing looks at the girl and at one point when he looks, she’s gone.

She’s followed the DJ back into his office, but Frank doesn’t know this yet. We, the viewers, do.

She’s telling the DJ that she needs the money he promised her and he better get it to her, but the DJ is saying he doesn’t have it. Not only that, he doesn’t even want to do the project with her anymore because two other men were there asking about her.

She tells him to get it done and get her the money or he’s going to “be the one shot down.”

Whatever that means.

When she leaves, Frank confronts her and calls her Susie. She says he’s mistaken and that’s not her name. She rushes out with him and Callie behind her and all three are met in the parking lot by the men in suits.

They tell Frank that her name is Sandy, not Susie, and they are there to arrest her. Frank runs back into the bar and calls Fenton and says he saw Susie. Fenton tells Frank to get to the police station and see if it is her and why she was arrested.

At the police station, the chief tells him they haven’t arrested a woman but asks for the girl’s information.

Frank goes back to retrieve Joe, and they set out to see if they can find Susie and who has taken her.

The next thing we know the kids are at a junkyard where they find Susie’s car, a little red bug, being destroyed while some men look through the car. I am super confused how they found the car or the junkyard, but let’s just go with it.

Frank sneaks off and climbs in the car to find out more infobot while he’s in there a large magnet comes and picks up the car and carries it off to be crushed.

Callie and Joe follow the car and scream for Frank to get out but then watch in horror as the car is crushed under the machine.

Now they are both crushed in a different way, crying in each other’s arms as they think Frank has become a human pancake.

That’s when Frank pops up from behind some cars behind them after he hears Callie comforting Joe.

“Joe?! What about me?” he asks and suddenly he’s been hugged and they’re crying over him, relieved he is still alive.

Fenton is upset that the boys and Callie took the risk, but Frank says he thinks it was worth it because he found a pay stub in Susie Wilkin’s glove compartment that proves she exists and had a job somewhere not long ago.

The next morning, we find Susie looking for her car, but with no explanation on where she’s been. She’s simply wearing the clothes she had on the day before.

A man pulls up and says hello and she asks him if he knows where her car is.

“You’ve brought this on yourself,” he tells her but then invites her to climb in the car.

She totally does. Like a moron.

They drive off and then we are back to Frank and Joe who are going to “go find us a girl.”

In the meantime we are suddenly at a record making factory where the man has brought “Sandy” and is telling her that he’s short on product because she hasn’t delivered the tapes she promised him

“I told you my terms,” she says. “If you don’t like it, you’ll  have to get them yourself.”

What tapes are these? It’s driving me crazy, but not as much as the plot hole where we weren’t told how Frank and Joe knew to go to the junkyard.

So, the man takes Sandy to her crushed car and when she asks why he would do that he says it’s because he gets angry when a friend lies to him.

We find out a few minutes later, these two have been more than friends in the past. Susie, er Sandy, says so.

That’s why she didn’t go to the cops to the tell them about the tapes, she says with a flirtatious smile.

He tells her that she better have the tapes soon because she’ll be in the next car that is crushed. Oooh…

She says she doesn’t have the tapes on her and she just needs a little more time.

Next thing we see is the DJ ripping a house apart, looking for something. He’s interrupted when Frank and Joe pull up. I still don’t know how they’ve gotten here, other than they had her paystub so it must have had her address on it.

They call for her, but she doesn’t answer so they simply walk right in and find the place trashed.

Then they find a 8 track cassette of a song they say would have been pre-released to DJs and they wonder why she had it. A photo of her and the DJ together let the boys know that the two know each other somehow and are pretty cozy. (Just an aside but Susie seems a bit loose to me…if ya’ know what I mean.)

The DJ and the two men posing as cops are meeting in the next scene, and the men tell the DJ that they tried to get Sandy to tell them where the tapes were but she insisted they were in a safe deposit box and she didn’t have the key. They believed her and let her go. They said pretending to be cops to question her was one thing but kidnapping her was a line they wouldn’t cross.

The men suggest that the DJ just give her the money and get the tapes back and it will all be over.

The men leave the DJ at the same time Frank and Joe pull up. They enter the bar and ask the DJ if he knows Sandy.

“Why me?” he asks.

“She said she was a close friend of yours,” Frank answers.

The DJ, at his swarmy best, grins and says, “Well, all the little girls do.”

Ick. Ick. Ick. Shudder. Shudder. Shudder.

The DJ thinks the boys have left, but actually they’re hiding behind the bar when the DJ leaves so they can snoop around.

When Joe accidentally triggers the sound system, which sounds like a bunch of guns going off, Frank dives behind the booth where Sandy had been sitting. Once the sound has been shut off, Frank stands to reveal a small envelope with a key inside it.

Joe scoffs at it. “You mean we found what those guys were looking for?”

Apparently.

Also apparently, Frank has called the cops before they arrived at the bar, hoping they’d have a reason to arrest the DJ. Now the cops are going to find them inside the locked bar. Uh-oh. The boys are in trouble for causing problems…again.

Next scene brings us to the police station where the DJ is being asked if he knows a Sandy Wolford.

He denies it and the chief asks the boys if they were looking for this Sandy in the bar. They admit it and then tell the chief about Sandy’s car being crushed and her house being ransacked.

The DJ is listening in to all of this and when they produce the key, he appears to be very anxious and interested.

We, of course, know why.

The chief recognizes the key from a safe deposit box at a place where he also has a box. He says they have every right to go find that box and open it now that they have the key with a number on it.

But when they open the box, whatever was in there is gone.

The lady at the safe deposit company says the owner came back and removed what was in the box earlier in the day. Hmmm…why didn’t she tell them that when they asked to see the box to open it? I have no idea.

The chief gets a call while he’s there and it’s his office telling him they picked Susie/Sandy up at a movie theater and have brought her into the station.

Susie is all smiles in the station in the next scene, saying she is Susie Wilkins and she’s just fine. She wasn’t arrested by the police but a couple federal “hot dogs” who made a mistake of her identity.

Frank and Joe try to get Susie to tell them what’s really going on but yet again she denies there is anything bad going on.

Frank tells her that they’re just worried about her.

“Yeah, just like your father three years ago,” Susie snaps. “He had me on the run every minute until I established a new identity.”

I still don’t get why, if she established a new identity, she’s still in the same town she grew up in but maybe it’s supposed to be a bigger town than I think it is.

Anyhow, she leaves the station but tells Joe to have his bandmates pick him up there for practice and follows her outside. Wow. Nice brother. Especially since Susie turns him down for a ride and he decides to just start the van and begins to leave without Joe anyhow.

He doesn’t actually leave alone, though, because Susie sees the guy who threatened her in a car and jumps in the van with Frank.

She doesn’t tell him they are being followed right away but Frank figures it out and asks her to be straight with him and tell him what is going on.

So, Susie finally lets some of her guard down and says the man following them deals in records and any other illegal businesses.

A chase ensues.

“I’m the go-between, Frank,” she confesses. “I get the demos for him from the companies.”

She told Miles, the bad guy, that she’s holding back his early copies of the demos unless he gives her more money.

She says something about “splitting for good” after she sells the tapes back to so-and-so (I honestly never caught what she was saying, even with a replay) and makes more money than she did buying them.

She’s selling them back because the tapes were sequenced with different songs and coded in a way that would help the original record company find out which DJ was bootlegging them and releasing them ahead of their release dates.

“Oh, Frank I don’t want to go to jail. I ran away from one at home. Always being told what to do, how to dress, where to be, who to be.”

Frank makes Susie promise she will tell his dad what she told him.

She “agrees,” but when they get stopped in traffic, Susie thanks Frank before telling him, “This isn’t going to work.”

She jumps out of the van and takes off running.

Susie finds a pay phone and calls the DJ and tells him she has the tapes ,and she will sell them back to him that night. He wants the tapes so no one finds out that he was the one releasing them to radio stations ahead of time.

So they are back at the bar where the DJ works but what’s weird is that he knows who the Hardy Boys are and that they are getting to close to finding out who he is, yet still lets Joe and his band play. I guess to keep the cover that he doesn’t know that they are involved in trying to find the tapes before him? I don’t know, but it’s another plot hole for me.

Susie shows up but now the other guy she was going to sell the tapes is there too. How did he find her? I don’t know! How did Frank, Joe and Callie even know to go to that junkyard?! Frank breaks into the DJs office and tells Susie she doesn’t have to do this and that his dad will help her.

“Cops?!” The DJ is freaking out now so Frank grabs Susie’s hand and they start running. That running leads them right to Miles, the other bad guy. How did he find her? Um…I have no idea really. Someone must have tipped him off.

Frank starts grabbing sandbags and throwing them at Miles and before long all craziness breaks loose between the DJ and his men, Miles and his men, and the boys.

Sand is flying everywhere, and Susie is being absolutely useless and just gasping a lot.

Someone in the crowd yells that they are going to call the cops and the cops show up in less than two minutes, which I found to be a very unbelievable response time.

The bad guys are arrested, and Susie is suddenly nice instead of dramatic and rude and thanks Frank for helping her.

So, I thought the DJ owned the bar and that it would be closed after he was arrested, though I’m not sure that he would have spent very much time in jail for bootlegging early copies of songs. During the closing scene, though, everyone, including Fenton, is back at the bar for a wrap up and to see Joe sing yet again. Fenton tells everyone that Susie is going to reunite with her parents, and they are going to improve their relationship.

They all say how wonderful that is and then turn to watch Joe shake it and flip his feathered hair around. Callie invites Fenton to dance and then the dance scene is extended so we can have a mini-Shaun Cassidy concert.

Yay? I guess….

Did you know that Shaun Cassidy is still performing and will start a 50-city tour in the fall?

According to an interview he did with Billboard Magazine in May, he never had time to tour when he was younger because of The Hardy Boys filming schedule and then he went on to have a second career in writing or producing shows such as American Gothic, Cold Case, Cover Me, The Agency, and, most recently, New Amsterdam.

He also hasn’t had a new album since 1980 but says there will be new songs on the tour.

Cassidy, followed in the footsteps of his half-brother David Cassidy, Oscar-winning actress Shirley Jones Tony-winning actor Jack Cassidy. He broke into the pop world in 1976 with the song “That’s Rock ‘n Roll” which you can hear on this episode in all its glory.

He released five studio albums between 1977 and 1980 on Curb/Warner Bros. including the Todd Rundgren-produced Wasp. After Nancy Drew, Cassidy then focused on the stage, appearing in plays on Broadway and London’s West End during the ‘80s and early ’90, before segueing into behind-the-scenes TV work in the mid-‘90s.

“Honestly, the reason I’m really motivated to do this (tour)  is I have such a feeling that if you are in a position in any way to be a catalyst for bringing people together in a room or a concert hall or a church or your kitchen table, in any context, gathering people, getting them to put down their phone for a minute and actually look at each other and connect and have a shared experience is just so important at this at this stage in our world, I think,” he told Billboard.

He isn’t banning cellphones from his concerts, but he is asking audience members to put them down so he can see their faces.

Here is a clip from him singing Da Do Ron Ron from this episode:

I found a clip of him in later years singing with his half-brother, and his voice definitely got better and stronger as he aged. The reproduction is awful, but here it is:

And if you would like to know more about how I feel about the song Da Do Ron Ron, you can read this post about the first episode of the series:

Okay, up next in our episode recap will be an episode featuring Nancy Drew called The Mystery of The Fallen Angels.


Additional resources:

Shaun Cassidy Gets Ready for the Longest Tour of His 45-Year Career: ‘I Felt the Need to Connect with People’

https://www.billboard.com/music/pop/shaun-cassidy-road-to-us-tour-1235982175/


Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.

A recap and thoughts on The Hardy Boys 1977 episode “The Mystery of Witches Hollow”

I’ve been watching and writing about episodes from the Hardy Boys/Nancy Drew Mystery Show from the 1970s. For the first season the show would switch back and forth between The Hardy Boys and Nancy Drew.

Last time around, I wrote about a Nancy Drew episode.

Now here we are back to a Hardy Boys episode called The Mystery of Witches Hollow. The Hardy Boys stars 70s teen heartthrobs Parker Stevenson and singer Shaun Cassidy.

We start out with the boys and Frank’s girlfriend, or their dad’s secretary, or whoever she is, Callie, and their friend Chet.

They are all driving in the dark somewhere and Joe says he sees a barn with a hex sign.

It seems like each sleuthing team — Nancy or the boys – have that one friend who is afraid of everything. In the Nancy Drew books it is Bess but in the show they eliminated Bess and gave the fear to George. As someone commented on my Instagram post about the Nancy Drew portion of the show, “They did George wrong in this show.”

I don’t know enough about Chet to know if he was done wrong but in this show the poor guy is afraid of everything and always hungry (yes, like Bess too).

So, we open with the boys driving through Witches Hollow near Salem, Mass and when Joe says he sees a hex sign on a barn roof, Chet fearfully asks what that means.

Callie explains that people in this area of the country are afraid of things that go boo in the night so they place hex signs as a way to ward off evil spirits.

Now Chet is whining that he should have gone on vacation somewhere else and wants to know why they are even going this way when they were supposed to be going camping.

In an info dump, Joe tells Chet that Callie’s Uncle Captain McGuire said there were some strange things going on up here and asked their dad to come up an investigate. As so often happens, Fenton Hardy, Frank and Joe’s dad, seems to be pushing his responsibility off onto his young sons who don’t appear to go to school or have a real job since they have so much investigation time.

When they go to look for Captain McGuire at his house (while it is thundering and lightening, of course), a rather creepy woman answers and says she doesn’t know when the Captain will be back. She’s just there to clean the house, she says.

Frank, always perceptive, sees mail piled up behind her and asks her about it, suggesting it means the captain has been gone for a while.

She says she doesn’t know how long he’s been gone.

Umm….okay. Has she not been cleaning his house everyday?

She does let them in to wait for the Captain, though, and then warns them that there are scary “goings on in these here parts” but says the Captain will never listen to her about them. She suggests the kids “get on out of here before things get worse,” but they decide to stay and wait for the captain. She leaves with a warning shake of her head, and once she leaves they immediately start snooping around. Chet is looking for food and the boys for clues. They notice the mail on the counter is dated about a week back and Callie notices her uncle’s favorite shotgun is missing.

They decide they better call their dad, who, in true Fenton (and Carson Drew for that matter) fashion, blows off their concerns.

Fenton tells them they are simply getting wrapped up in all the haunted and creepy stories of the area. None of it is real, he says, and the captain is known to wander off for days on hunting trips.

While all this is going the camera keeps taking us outside to some man staggering toward the house and no offense to this guy but it certainly has taken him a long time to get to the house. He’s been staggering around out there since the housekeeper was giving her creepy speech and left, and all while the kids were digging through the captain’s mail.

Now, though, he seems to be being stalked by a black panther. I kept help wondering what state these guys are in and if black panthers are actually native to that area.

Eventually the guy finally gets to the house after everyone is asleep and slowly lets himself in to steal some food. The scream of a panther wakes everyone up and the man takes off into the storm, quickly followed by Joe who is then followed by Frank. When Frank finds Joe, he’s fallen over the edge of a ravine and Frank has to help him up. After a heart-to-heart about Frank saving Joe and how much Joe appreciates it, the pair find a empty shotgun shell and decide it’s time to go to the town sheriff and tell him they think something happened to the captain.

The sheriff is none too happy they’ve woken him up in the middle of the night and says Captain McGuire is probably off hunting, which is why he bought the cabin in the first place.

They leave the sheriff without much information. The next day, though, they do find out from the owner of the gas station that there is a man who is also a city slicker who has bought some property near the captain.  They find the man man — Donner (yes, I know – foreshadowing much?) — tells the boys he hopes to build a large condominium if a road project goes through. There are some in the area who don’t want the project to go through and many of those people are superstitious, Donner says.

They believe that area is haunted by the ghost of a woman back around the time of the Sale Witch Trials who raised cats, including one very large, black one.

The woman probably raised the large cat, probably a panther, from the time it was a baby, Donner says, but because people in the town believed she just acquired it after it was grown, they labeled her a witch. That would have meant a trial but when the towns people came to get her, she barricaded herself in her house with the cat.

“It’s not a very pretty story,” Donner says.

“It’s not a story at all, without a finish,” Frank counters.

“Well, when she wouldn’t come out, they set fire to the place,” Donner finishes.

And now locals say they hear the woman screaming in the night.

There is something a bit shifty about this Donner guy that we the viewers know already because we’ve seen him in a basement jail holding the captain hostage while a large panther guards him. Apparently, the dude built a cage into his wall for the specific purpose of kidnapping the captain. Why has he kidnapped him? It isn’t yet clear.

Flash forward and the boys finally get their man — the man who broke into the house that is. Only he isn’t a man. He’s a young, mute boy. Not deaf, it appears, but mute.

The boy tries to sign to them that he only broke into the house for food. I’m guessing he has no family who feeds him, but I don’t know.

The boys have no idea what else he is trying to say to them after they take him back to the house. Callie is no help either but in the less than 20 seconds they all discuss how they don’t know what he’s saying the kid somehow sketches a fully detailed and colored in picture of the panther. The guy can’t speak but he is apparently an art savant of some kind.

No one is sure what this drawing means but they know the kid knows something.

That night they all fall asleep and “someone” (cough..Donner…cough) jams a block into the front door of the house so it can’t be open and then lays something over the chimney so that the smoke from the fireplace comes back into the house. The smell of smoke wakes Joe who breaks a window to get fresh air. I’m really not sure what Donner thought was going to happen since even with the door locked the boys could break a window and save themselves. Joe and Frank decide whomever did it simply wanted to scare them.

By the way, most of this episode Chet is just eating and being useless. He even whines when the boys tell him to remove whatever is blocking the chimney while they go get the sheriff. The boy, Simon, is able to communicate to them that the captain was taken away, which is yet another reason they need to find the sheriff. Apparently Simon can’t write all this out because he can’t write. I can’t remember how they figured out his name was Simon.

Before they get to the sheriff, though, the boy points to the side of the road, to indicate he wants them to pull over. They do and see tracks in the dirt. That’s when the boy begins frantically pointing and they look down over the embankment and see two trucks with large speakers affixed to the top, broadcasting a screaming woman over the area.  

Ah, so this is why locals think they hear a screaming woman in the woods at night.

The boys jump onto the back of one of these trucks and find cement that belongs to the contractors who were working to build the freeway. It appears someone is stealing their supplies so they can’t complete the project.

When the boys get back to the house, their dad is waiting for them and was just about to send out a “posse”. I think Fenton thinks it’s 1833 or something.

Anyhow, the boys fill their dad in by saying they think someone is trying to stop the project and that the captain found out about that and that’s why he’s missing.

Fenton says e’s going to get that sheriff to round up a posse and find the captain, but the boys will have to stay at the house, and out of trouble.

“You’re certainly good at poking holes in our balloons,” whines Joe.

“Only when there isn’t enough air in them,” Fenton scolds with a little shake of his head.

During this scene, Joe goes into the next room to “change his shirt” and starts to unbutton it. I’m sure all the teenage girls were hoping for a shirtless scene with this teenage heartthrob, but, alas, it did not help. A few seconds later it appears Joe either has another version of the same shirt or he just changed his mind about changing because he comes out tucking in the exact same shirt. On closer inspection, though, it appears the shirt is the same color but the last one was plaid and this one has stars of some kind on it.

Fenton tells Callie to come with him to get the sheriff because he’s going to need some feminine charm to convince the sheriff to send a posse out to look for her uncle.

When he leaves Simon becomes very animated and draws the boys a picture of a foot, which leads them to the nickname “flatfoot” which is what Donner called the captain when they visited with him.

“What’s that, Simon? Donner is holding the captain hostage?”

Okay, they don’t really say that, but close and Simon nods emphatically, which sends them all rushing out the door, leaving Chet to finish yet another meal while saying, “Here we go again.”

Well, here you go again what, Chet? You’re just shoveling more food in and not going anywhere.

Back we flip to Donner talking to the captain and telling him there is a bill about to pass in the state legislature to stop construction on the freeway pending a study.

First, Donner is clearly an idiot, nothing actually passes in a state legislature and if it does, it is many years after it needs to and by then the bill is completely pointless.

Second, I completely lose Donner’s reasoning at this point. Something about killing the captain and throwing his body at the construction site will delay the project even further.  Why does the guy want the project delayed? He stands to get a lot of money from the construction of condominiums and other structures.

Finally it clicks when he says that other business owners will panic when it looks like the freeway is going to be scraped and will sell to him for a dirt cheap price to get out of what looks like an area that isn’t going to bring their businesses any money. Then, when the project is back on again, he’ll own all that land to mow over the little mom and pop stores and build his more expensive tourist traps.

Donner gives the captain his “final meal” before leaving the basement cage. That meal which includes a steak, but that doesn’t seem very smart of Donner because before long the boys arrive to save the captain and are able to use that steak to distract the wildcat from attacking them.

They then break into the cage and free the captain who bolts from the basement and chases after Donner. The previously useless sheriff shows up at just the right moment, though, and arrests Donner, without even hearing the entire story that the boys only learned after their dad left, I might add.

Maybe Chet told them what was said around a mouthful of scrambled eggs. I have no idea.

I will say that this episode, though a bit cheesy, was much better than The Mystery Of the Diamond Triangle with Nancy Drew.

I bet you didn’t know that there is a Hardy Boys Fandom site, but there is, and here is a bit of trivia from it:

“This is the only episode in the entire run of the 1977 show to be adapted from an actual Hardy Boys book, in this case #41 The Clue of the Screeching Owl, with the opening scene at the circus and the sub-plot dealing with Bobby Thompson and Mystery the beagle & the dog-napping ring being deleted, and a few relationships being changed. An example of a changed relationship, in the book, Captain Maguire is a friend of Fenton Hardy, the boys father; in the TV episode Captain Maguire is the Uncle of Callie Shaw (Callie, while mentioned in the book, never made an actual appearance).”

If you would like to watch the episode for yourself, you can find it here: https://www.youtube.com/watch?v=-RQs2wdw1uw&list=PLwN7GQjoEtl-rP_m3yPtZym6qGzVEP7qx&index=6

Discussing The Hardy Boys Nancy Drew Mysteries Show episode, The Mystery of the Haunted House.

A few months ago, I wrote about the first Nancy Drew-centered episode of the Hardy Boys Nancy Drew Mysteries show from the 1970s — The Mystery of Pirate’s Cove.

The show featured 46 episodes from 1977 to 1979 on ABC.

For those who aren’t familiar with the source material for this show, it was based on The Hardy Boys books by Franklin W.  Dixon and the Nancy Drew Mystery series by Carolyn Keene. Both series were ghostwritten by a number of different authors and created by Edward Stratemeyer in the 1930s.

For the first season of the show, the episodes switched back and forth each week with one week featuring The Hardy Boys and the next week featuring Nancy Drew. During the next season they began combining the two so that The Hardy Boys and Nancy Drew were in the same episode. This had to do with falling ratings – especially when it came to the Nancy Drew episodes. Somewhere in there the original actress —  Pamela Sue Martin — also left and was replaced by Janet Louise Johnson.

Overall, this series is a bit cheesy and cringy, but I do have to say I don’t think they did too bad for the first episode. I mean – it isn’t award winning and the special effects are bizarre, but it is an interesting plot and the acting isn’t the worst I’ve ever seen.

The show starts with the brothers — Jo and Frank Hardy — in town and spotting their father walking out of a hotel. We aren’t told if the brothers were just driving by or why they are outside the hotel when their dad walks out but through conversation between them, we learn that their dad said he was going fishing. They can’t figure out why he would lie to them.

They plan to ask him but then a car pulls out behind their dad’s car. This makes them realize that their dad is being followed so they rev up their trusty little motorcycles (helmets firmly in place first, of course) and decide they are going to follow whoever is following their dad and find out what is going on.

We are then at a cemetery and the boys’ dad is shining a flashlight on a tombstone with the name Will Bronson engraved on it. Bronson has a death date of the year 1974.

The boys don’t see this part with the tombstone, but we the viewers do. What the boys see is that their dad Fenton Hardy, is being followed.

They go back to their dad’s office the next morning and ask their dad’s secretary what she knows. She says she booked a hotel for their dad for  his fishing trip. They, however, find out their dad checked out that day. The secretary shrugs and assures them their dad will be home later in the day then and he will fill them in.

The problem is that Fenton has been cornered and essentially kidnapped by two men. These same men want to know who hired him on his latest case but won’t tell him who they are. We still don’t know who they are when they break into Fenton’s home late that night looking for his client’s name.

They are also very loud for two men who are trying to secretly break into a home, but let’s not quibble with such minor ridiculousness. It’s just TV and there are many more ridiculous moments to come.

Eventually we learn that Fenton’s client was a government agent suspected of stealing government secrets and selling them to a foreign entity. It’s not as cut and dry as it seems because he may have also suffered some sort of amnesia and he’s wandering around the countryside, trying to get away or hide or something or other.

This mystery will have the boys looking for clues in some pretty strange places, including a “haunted” mansion that isn’t what it seems.

As always when I watch an episode with the actors who play The Hardy Boys — Parker Stevenson and Shaun Cassidy – I am fascinated by their fluffy hair. It’s so luscious and soft looking. Ah, the ‘70s, a time when both men and women had impeccable hair.

Anyhow, I digress… during this episode poor Aunt Gertrude, Fenton’s sister (I believe), is beside herself with worry. No one will tell her what is going on and she must be the go between the boys and their dad as they both chase each other all over the place. She keeps asking all three “boys” to be careful and they just scoff and say things like, “Yeah. Yeah. Okay, Aunt Gert,” like she’s the most annoying thing ever. They might as well say, “Whatever you crazy old bat.”

I just think these “boys” should be grateful they have someone to look after them and who cares enough to be worried.

What was with all these books killing off the mothers and having live in housekeepers or aunts anyhow? Nancy Drew’s mom was also dead, and she and her dad had a live in housekeeper named Hannah. Yes, I know I mentioned this in my last post about the show. Yes, I will probably mention it again because I am becoming an lady who forgets what I already wrote about and tells the same stories over and over again.

Also, Fenton’s secretary is about the boy’s age and seems to be a minor character but at the end of the episode, we get the idea she and Frank are dating when she gives Frank a kiss on the cheek. For whatever that tidbit is worth.

I won’t go into too much detail about the episode’s plot because I know so many of you are just dying to go look this series up and binge watch it, *wink* but I will say that you should brace yourself for the creepy scenes in the haunted house and the scary “monsters.”

Someone put the whole series up for free on YouTube and you can find the playlist here:

In my next post on this topic (not necessarily my next post on the blog), I will be writing about The Mystery of The Diamond Triangle, which was an episode that featured Nancy Drew.

Do you remember this old series or have you heard of it at least? It was not something I ever heard of before last year and now I’m a bit hooked.

The Hardy Boys/Nancy Drew Mysteries Season 1 Episode 2 The Mystery of Pirate’s Cove

I have been watching The Hardy Boys Nancy Drew Mysteries from the 1970s on YouTube recently. (It is also streaming on Peacock but I have the cheap version of Peacock and hate the commercials). This goes along with my renewed interest in the original Nancy Drew Mysteries books.

The show was, of course, based on the serial mystery books of the same name.

My husband and I watched one of these episodes on Peacock a few months ago and we giggled through most of it. When it was suggested to me on YouTube one day I decided to watch it for a laugh, and there is definitely laughable material, but then I became addicted and have been working my way through each episode.

For the first two seasons, the series is split into one episode focusing on The Hardy Boys and the next one focused on The Nancy Drew Mysteries. In the third season it was only called The Hardy Boys after the Nancy Drew character was dropped. By then, Pamela Sue Martin (who my husband had a bit of a crush on) had left the show because they had reduced the role of Nancy Drew. She was replaced by Janet Louise Johnson.

The show was canceled halfway through season three.

I was disappointed when I read that they phased Nancy out of the series, but I suppose it was typical at the time to have shows that focused on male heartthrobs instead of female ones. I am glad to know the show totally failed and was canceled with just the men on it, though. *wink*

The young adult detectives didn’t solve mysteries together until the second season when they traveled to Transylvania to rescue Frank and Joe Hardy’s Dad Fenton Hardy.

(An aside here – what was the issue with books back then killing off the mothers? Both Frank and Joe Hardy and Nancy Drew didn’t have mothers, but instead had housekeepers who were like mothers to them. I think the creator of both Nancy Drew and The Hardy Boys – Ed Stratemyer – had some mother issues.)

In the first season, Nancy does most of her sleuthing with her friends Ned Nickerson and George Fayne but in the joint episode, her friend Bess Martin joins her. I’ll write about that episode in the future, but for now, I’ll share about one of the first episodes I watched called The Mystery of Pirates Cove. It was definitely cringy but mainly because there was a professor who was probably in his 40s hitting on Nancy, who I think was supposed to be in her late teens or early 20s.

When that man said he was going to be heading back to the lighthouse later that night and he hoped he wouldn’t be alone – and then gave Nancy a “If you know what I mean, darling,” look – I literally shuddered. It was just gross.

When we go back to the house, Nancy’s dad, Carson Drew, keeps in character with who he is in the books because he is completely unbothered by his daughter being hit on by a man his own age. This is proven by how he shrugs Nancy’s friend Ned off with a, “Of course she can go spend the night with that man in his lighthouse in the middle of nowhere to see if they can record ghost activity.”

Ned is like, (in so many words) “I don’t think you get it, sir. That man doesn’t just want to capture ghosts. He’s got a thing for Nancy.”

Carson, played by William Schallert — a character actor who later portrayed every bad guy imaginable on various crime shows — laughs Ned off and the scene ends with him lighting his pipe, taking a puff and saying, “She’s going to have fun. Yes, she is.”

I’m sorry, but what in the ever-living-male-dominated-television-industry-of-the-1970s was that?

So very awkward.

The mystery was seriously contrived and see-through, of course, but something about the show keeps me watching. I can’t look away – the same way I can’t look away from a car accident when I drive by.

Nancy’s sidekick for the show is George and the actress who plays her (Jean Rasey) makes the most hilarious faces. She’s always looking disturbed or frightened and, to me, seems to be the voice of reason, urging Nancy to be careful or slow down or suggesting they leave a situation instead of getting deeper in.

For her part, Nancy seems slightly arrogant in this series, always rolling her eyes or brushing George off. She always seems to know best or more and wants George to know it. I suppose the idea is to show that Nancy is bold and determined to solve the case, no matter what, but sometimes I just find her dismissive. She dismisses everyone, though – from family to friends and especially to poor Ned Nickerson, who was her boyfriend in the books.

There were a lot of now big name actors on the show back in the day, I’ve noticed, including Marc Harmon and Melanie Griffith.

While researching for this post, I found an interview with Shaun Cassidy and Parker Stevenson from last year when the show turned 46.

According to the article in Entertainment Weekly, “Stevenson went on to appear in a series of TV hits including Falcon Crest, Baywatch, Melrose Place, and most recently, Netflix’s Greenhouse Academy. Cassidy, meanwhile, has built a successful career as a TV writer and producer, creating several series (including American Gothic and Invasion) and serving as an executive producer on NBC’s hit medical drama New Amsterdam.”

Back in the day, though, Cassidy was a pop singer and his song Do-Ron-Ron-Ron debut on the show, where he frequently performed to help along the plot. It’s an absolutely pointless song, by the way. I saw the episode with it and was completely bewildered by how it became popular.

Here are the lyrics, in case you’d like to memorize them:

I met her on a Monday and my heart stood still
Da doo ron ron ron, da doo ron ron ron
Someboy told me that her name was Jill
Da doo ron ron ron, da doo ron ron ron

Yes, my heart stood still
Yes, her name was Jill
And when I walked her home
da doo ron ron ron, da doo ron ron ron

I knew what she was thinkin’ when she caught my eye
Da doo ron ron ron, da doo ron ron ron
I looked so quiet but my oh my
Da doo ron ron ron, da doo ron ron ron

Yes, she caught my eye
Yes, but my oh my
And when I walked her home
da doo ron ron ron, da doo ron ron ron

Well, I picked her up at seven and she looked so fine
Da doo ron ron ron, da doo ron ron ron
Someday soon I’m gonna make her mine
Da doo ron ron ron, da doo ron ron ron

Yes, she looked so fine
Yes, I’ll make her mine
And when I walked her home
da doo ron ron ron, da doo ron ron ron
Yeah, yeah, yeah
da doo ron ron ron, da doo ron ron ron
(repeat & fade)

(It was originally sung by a band called The Crystals and it was a woman talking about a man.)

And here is Shaun singing it on the show:

After leaving the show, Pamela Sue Martin, portrayed Fallon Carrington Colby on Dynasty from 1981 to 1984. She chose to leave Dynasty and her role was later recast. After that she did sporadic television appearances.

Did you ever watch the show – either back when it was on, if you’re old enough (for the record, I am not) or in reruns?

I have thoughts on some other episodes of the series that I’ll share in later posts.