The Hardy Boys/Nancy Drew Mysteries: Will The Real Santa….? Recap.

I have been recapping the old The Hardy Boys/Nancy Drew Mysteries episodes from 1977 to 1979 and this week I am skipping ahead a bit to a Christmas one from season two entitled just “Will The Real Santa…?”

Yes, there are just dots there.

This is the second to last episode Pamela Sue Martin was in as Nancy before leaving the show due to the writers making her role smaller and smaller each episode. Her last episode was one I will write about later and creeped me out a bit —The Lady on Thursday at Ten.

After The Lady on Thursday at Ten, the show featured actress Janet Louis Stevenson as Nancy Drew for four  more episodes. Then after Season 2 episode 21, Joe and Frank Hardy dominated all the episodes. In the next season, which was the shows’ last, it would even be rebranded as The Hardy Boys. It was canceled ten episodes into the season and replaced with The Osmond Family Hour.

This episode starts with a man with a white beard running to catch a train. He is pulled up into one of the cars with the help of another person and then we see two men running out of the darkness, guns pulled.

“This train will stop in River Heights,” the one man says. “We’ll get him there.”

The man with the white beard rides away in the train car and then we switch to Nancy decorating a tree with some woman. Her father, Carson Drew, is sitting on the couch.

Carson and Nancy call the woman George, but this is not the actress who played George before. The previous George had dark hair. This George is a blond.

The tree is huge and so 70s too, by the way. I don’t know how else to explain what I mean by it being “70s”. It just has a lot of red bulbs and popcorn strands on it and — it’s just has a 70s/80s look.

So, Nancy is up on a ladder that is perfectly capable of standing on its own because it is freestanding, but she asks George to hold it anyhow. Nancy is trying to place the tree topper on the top of the tree, when Carson asks George a question and she lets go of the ladder to show him an article in the newspaper. This happens about the same moment when the front door slowly opens, and we see a young man wearing a dark suit and with dark hair peering in.

His knock and him calling out “Mr. Drew?” wasn’t loud enough for them to hear him so he just walks in. It’s a good thing he does too, because at the same time he peeks in, Nancy starts flailing around like the ladder has been pulled out from under her (it hasn’t), yells “George!” and starts to fall.  

In rushes our hero to catch Nancy before she falls and say the words, “I never had a girl fall that hard for me. Not at our first meeting anyhow.”

Har. Har. Cue my gag reflex.

Carson introduces the young man as Ned Nickerson. Color me confused.

The problem with this is that there was a Ned Nickerson in the first season and this is not him.

Ned was his dad’s legal assistant and close friends with Nancy but clearly in love with her. He was in several episodes in the first season and disappeared by season two.

Now we are supposed to pretend that whole season never happened and this is the real Ned Nickerson — some dude who works for the Boston DA.

This new Ned is played by Rick Springfield (…I kid you not! ) and I guess the first Ned never existed. So, it was like they were trying to reboot Ned’s origin story like Marvel keeps rebooting Spiderman’s origin story and DC keeps rebooting Superman’s origin story. Sadly, poor Rick never got to flush out his role as Ned because Pamela Sue Martin left the show after the next episode and Ned’s character was written out of the show.

Also…. I guess Ned was more interested in Nancy than Jesse’s Girl at this point.  *Cymbal shot* Yes that was a bad joke.

[If you, like me, do not know a ton about Rick Springfield — he is a popstar from the 70s and 80s and has also acted. He also has either taken a youth elixir or had a lot of work done because at 76 he looks like he is 56.]

Okay, moving forward . . .

So, George is clearly enamored with Ned and is very excited when Carson introduces them. Then Carson says, “And I guess you’ve already met Nancy.”

Laughter all around and then Ned starts to mansplain to Nancy how to put a tree topper on.

“Beautiful tree but you’re putting the topper on wrong,” he says.

Ummmm…’kay….it’s just a topper. How is there a different way to put it up there?

Dude. Please.

So he puts it up there and says, “There. It’s how it should be.”

And Nancy shoots daggers at him with her eyes. Dashing? Maybe. Total arrogant jerk? Absolutely.

This is setting up the “enemies to lovers” trope that will continue throughout the episode.

Scene shift. Now there is a man dressed as Santa breaking into a house and stealing things while in the other room a white-haired man is on the phone asking Carson Drew, “Hey, cousin, where are you? The party is getting lit over here.”

He doesn’t actually say lit – I summarized for you. What he does say, in a sort of creepy old man way (and also sounding fairly drunk) is, “Ah, cousin, where are you all? The party’s flagging, especially without your beautiful daughter here to liven things up.”

Carson laughs and says they’re just getting ready to leave but wants to know if he can bring Ned along.

“Sure,” the unnamed cousin says. “The more people are here the more Christmassy I’m going to feel.”

Huh? Was that sarcasm or ….? I don’t know but it was weird.

So next scene we see the two men we saw at the train in a car. “I thought you said he’d get off in this town,” the one man says.

“We’ll find him and he’ll never see Christmas,” the other man says.

The man in question, white beard and all, shows up in the next scene but not near where the men are. He’s found a barn and he’s excited because he’s about to crash in the straw for a snooze.

Before he gets there, though, he looks over his shoulder and sees the burglar Santa climbing down some vines (that would not have supported his weight actually) from a second story window of the house. We aren’t sure whose house this is yet, but earlier scenes hinted to us that it is Carson Drew’s cousin’s house.

The white-bearded man shrugs and says, “Dejevu. Christmas Santas.”

He staggers to the barn, unspotted by the Santa who is still busy climbing down, goes inside and lays down in the straw to take a nap. He isn’t there long, though, before two rich kids are looking down at him and saying “Daddy doesn’t allow anyone in the barn.”

The man tells them they wouldn’t want to chase Santa away right before Christmas, would they?

Nooo. They wouldn’t want to do that.

But we scene switch again and the police are at Carson’s cousin’s house, and I don’t know how far away this guy lived but in the time that Carson was in the car to when he got there, the burglary has already been discovered and the police are investigating.

The cousin hands Nancy a card that thanks the man for his generosity and signs it as Santa.

“Not again,” Nancy says.

Ned asks if this has happened before and Carson explains it has happened four times in a week and a cheery card is left at the scene of every crime.

Ned has to get in on the action and says Nancy shouldn’t have been handed the note and Nancy shouldn’t have taken it because fingerprints could have been lifted.

Nancy, of course, has to tell the detective on scene that he’s making mistakes and didn’t notice a footprint covered in glass by the window, showing someone kicked their way into the room.

Ned says something like, “Oh yeah? How do you know?” and Nancy rattles off some nonsense about wet footprints still being there and glass being embedded in his shoes and blah, blah, blah.  It actually didn’t make sense but it’s okay…it’s a fun show so will just go with it.

They all end up back at the Drew’s house where Ned acts like hot stuff and says he can call the DAs office and ask if anyone who is a known burglar has been let out recently or lives in the area. He doubts that it would be anyone local, which offends Nancy who says, “You don’t think this town is big enough to have thieves of their own? Some of the biggest thieves are in this town. I know. I’ve caught some of them.”

I don’t know that I’d want to brag about that, Nancy. It’s kind of like when my area became the Meth capital of the nation. It wasn’t a designation we really liked to tell people about.

Nancy says she’s going to go back to talk to the cousin’s wife and make sure she’s okay. It gives her a chance to get away from Ned who is just driving her bonkers.

Honestly, Ned is a huge jerk in the beginning of this episode, bossy and pushy and essentially acting like they have Nancy act in other episodes.

On the way over to the cousin’s, Nancy notices some lights are on at a house where the owners are supposed to be out of town. She wonders what is going on so she pulls over and, of course, finds the back door broken. We’ve been seeing scenes of someone dressed in a Santa costume stealing valuables and putting them in a big bag, so we know someone is in there.

She goes in and calls the police station, telling them to send the detective over because she’s Nancy Drew and she thinks a house is being broken into.

She makes her way around the house to see if someone is in the house, and is on her way back down the stairs when a man dressed in a Santa costume and wearing a scary mask (it creeped me out!) starts down behind her. A crazy chase scene ensues where the man throws is bag at her (by the way, when it hits the wall, it does not sound like it is full of valuables. Instead, it makes no noise and seems to be full of a pillow.)

Nancy runs into the living room with the man behind her and throws a chair through the patio doors to escape. The Santa is like, “Dude…no way…not dealing with her…She’s nuts” and books it out the back door with a flashlight and his bag.

He runs and finds the barn our “Santa” homeless man is in (so this must be in the same neighborhood as the cousin, which makes this burglar very bold and risky) and runs inside to hide the stolen goods behind some hay bails. He then leaves the barn, with the old white-bearded guy still sleeping in the straw.

When Nancy’s neighbor comes home (I don’t know who called him or how he knew to come home from being “out of town”) they talk to the police detective who says he’s going to get two dozen officers in the neighborhood to track the burglar down. It makes me wonder how much of a budget this little town has that they can afford that many police officers.

The neighbor invites Nancy in for tea (umm…what? Your house was just robbed and you’re inviting this young girl in for tea??) and then says he’s going to check around the house to make sure the guy didn’t try to hide there. Nancy makes her way to the kitchen and starts filling the kettle with water so I guess she’s been here before.

Suddenly, though, the two kids we saw in the barn earlier are in the kitchen with a huge jar of cookies and a loaf of bread.

Okay, so pause here. Nancy tells us viewers, that the family was out of town when she said, “I thought the Garbers were out of town,” when she drove by their house, but the kids were in the house? Alone?? Are these kids siblings of Kevin McAllister? Why didn’t they wake up when the burglar broke in and tried to kill Nancy?

So, I don’t get that part at all, but the kids let it slip that they are taking food to Santa in the barn.

Nancy wants to know if this Santa is the burglar Santa, so she follows them to the barn and meets the man who has been hiding there.

He’s just wearing a gray pair of pants and a gray jacket and looks tired but otherwise fine. The kids give him his food and then leave, which leaves Nancy to grill him about the burglaries. He has no idea what she’s talking about.

“You didn’t catch me the first time,” she says.  “Now you have another chance.”

“I’m sorry, but I don’t think we’ve ever met,” he says.

After some more conversation, he says he did see someone dressed as Santa climbing from a window of a house, but he thought it was a father having fun with his children.

He tells her his name is Griffin.

The police rush in though and start questioning the man, asking him where he’s come from. An officer finds the stashed jewels and other valuables and the man is arrested but says he can’t be arrested because the next night is Christmas Eve and he will be busy.

“You can’t do this to the children!” he says as he is dragged away.

Nancy watches them take the man away and sees a car pull out to follow the police car, as if they were waiting for Griffin to leave.

Back at home later, Carson is woken up by a phone call but no one is there. He tries to go back to sleep but Nancy runs in and says she can’t leave Santa Claus in jail over night, which puzzles Carson who says he actually just had a dream about the man she met. When he tells her the phone call woke him, but no one was there, there is a quick clip slid in of Griffin in jail, so I guess we are supposed to get the idea that this man really is Santa and he has powers to make phone calls or hear conversations or…is omniscient like God? I’m really not sure what we are supposed to be getting here.

All I know is that Carson and Nancy rush down to the jail and post bail for the man which I think is amazing since it is 3 a.m. and most jails wouldn’t let anyone in at that time of the day. When the scene first starts we see the outside of the jail and hear a voice say, “Alright, I’ll release the old man into his custody when he gets down here.”

The officer unlocks the cell door and Griffin says, “Ah, I’ve been expecting you.”

Carson is confused by this, but they move on and offer Griffin a place to stay at their house after asking him some questions.

He tells them that he arrived in their town the night before but will only say that the train brought him — also every time he answers a question music with a little bell plays to suggest he is magical or …whatever.

As they are all leaving, Griffin sees those men waiting in a car outside and while Nancy and Carson are talking, he disappears.

They can’t find him but in the morning, there is a newspaper article saying that Carson Drew is defending Santa Claus. Griffin had told the press that he was Santa, but Carson had no idea when he gave them that information.

Nancy and Ned get into an argument when Ned says this guy is clearly running from something, maybe a crime. Nancy says she has feeling and instinct that he’s a good guy. Ned just laughs at her “hunches.”

Nancy declares she’s going to prove Griffin innocent even if she has to prove he is Santa Claus. Ned scoffs at this as she stomps out of the office.

Next, we have Nancy looking at some fabric she found at the scene of the first crime under a magnifying glass.

She doesn’t see anything that will help her, so she and George start to list what the burglaries have in common. Nancy then tells George to get her a list of all the people who have worked in the homes of the people who were robbed.

Pause here.

First, what is she doing bossing George around? Second, how in the world is George supposed to get that info when she is not a police officer?

George, however, has no doubts. She isn’t the George from season one who was timid and worried all the time. (I mean she’s entirely a different actress even). She’s bold and says she will do it.

In the following scene one of the two men who are after Griffin is talking to another man on a phone.

The man is in a nice office, wearing a suit and tie and says he wants the old man caught and killed because he witnessed “the exchange.” I don’t know what that exchange was but he witnessed it so he orders the man to find him and take him out.

Then he says, “I don’t want a witness to an exchange of $5 million for drugs to be alive.”

Scene switch again and we are in a department store where kids are waiting in line to talk to a Santa who is clearly drunk.

The two children Griffin met in the barn see him and tell the store owners he’s the real Santa. All the kids run to Griffin, and the store owners ask him if he will be their Santa at that night’s Christmas Eve party. He says he can’t because he has a big job to do that night. The store owner thinks it is a joke and hires him.

Meanwhile, Nancy has her list of employees and sees a man named Pierre Cortez, who is the gardener for everyone that was burglarized on the list.

She wants to get his prints so she can prove it was him, but George suggests she call the police first. She refuses because she doesn’t want Ned to think she’s an amateur.

She instead heads back to the barn where Griffin had been staying to find more clues and catches this Pierre man looking for his bag of stuff. There is a standoff, and he threatens to kill her, but luckily, Ned bursts in and tackles the man because George told him what Nancy was going to do.

Somehow, he was also able to call the police in that short amount of time, and they burst in and take the man into custody.

Nancy then rewards Ned with a big kiss, which startles him (and me too, quite frankly) but he thoroughly enjoys. Apparently, they are no longer enemies. He asks what the kiss was for, and she says it was because he saved her life and he quips he will have to do that again sometime.

Now Griffin is off the hook, but Nancy still has to figure out who is following him and why.

Griffin is going to be in a Christmas parade that  night so the men who are after him decide they’ll shoot him, Nancy, and Carson to get them all out of the way in case Griffin told Nancy and Carson what they saw.

Before the parade, Griffin overhears Nancy tell Carson that there was a doll she saw in a store in Amsterdam that she wishes she could have purchased as a child. This will come into play later.

Flashing forward a bit, because this recap is getting way too long, we get to the parade and the snipers are ready to shoot Griffin, but he does some voodoo magic where he can see them through his mind and as Carson and Nancy are talking, Griffin disappears.

The men don’t know where he’s gone, but they shoot at Carson and Nancy anyhow and somehow completely miss them.

The police look for where the shots came from and run to the roof and find the two men unconscious, with their guns beside them, and handcuffed together.

Everyone is bewildered until Nancy sees hoofprints and sleigh marks in the snow. It’s at this point that Pamela Sue Martin lets out the weirdest giggle and smile, which makes me wonder if she was on something at the time of filming. I guess it was supposed to show how excited she was at the idea of Griffin being the real Santa, but it flat out scared me.

At the end of the episode, everyone is opening gifts, even Ned who should have gone home by now. There is one gift that no one saw before. It’s addressed to Nancy, from Griffin and inside is the doll she’d always wanted from Amsterdam. The doll, by the way, is some really small, weird looking doll in underwear. It is not what I expected at all.

Pamela does the weird smile again — and again I am frightened. She looks somewhat deranged. I’m sorry! But she does!

Also, she was sporting some really long, crazy nails for this one. I couldn’t figure out how she could get anything done with them!

Up next I’ll be recapping Pamela’s last episode where she has some more weird expressions but not as creepy as her smiles in the Christmas episode.

Hardy Boys Nancy Drew Mystery of the Hollywood Phantom (Episode 1) Recap

Here I am with another recap of an episode from The Hardy Boys/Nancy Drew Mysteries show from 1977 to 1979. This month it’s perfect because it fits in with my Nancy Drew November event.

As I’ve mentioned before in previous recaps, in the first season of this series, the episodes switched back and forth from The Hardy Boys and Nancy Drew episodes and in the next season, which is the season I am in now, they started to join together. Eventually, they began to phase out the Nancy episodes and focus more on The Hardy Boys. A new actress also stared as Nancy part way through season two when Pamela Sue Martin became disenchanted with the lack of parts that were being written for her character.

According to trivia on IMdb: “Upon Janet Julian replacing Pamela Sue Martin in the second half of season two, Nancy Drew was only seen teaming up with the Hardy Boys, and never any solo stories. ABC however, did continue to air Martin’s episodes over rerun periods. For the third season, Nancy Drew was completely eliminated from the series, which was re-titled simply “Hardy Boys.””                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        

I haven’t decided if I will watch the episodes that are just Hardy Boys, but I probably will.

This time around, I am tackling The Hardy Boys and Nancy Drew: The Mystery of the Hollywood Phantom.

This is the second two parter I am writing about, with the first being The Hardy Boys and Nancy Drew Meet Dracula.

This time around I am going to share my recap in two posts, instead of one.

In this first episode, Nancy and the boys fly, separately, to Hollywood to take part in a detective conference. As Nancy is walking into the terminal, we see someone cutting a pol polaroid picture of her, removing her head. When she pauses at the payphones to call Bess (her sidekick for this season, but who does not show up in these episodes other than that call), we see someone cutting across a photograph of a man wearing a cowboy hat, and removing his head (in the photograph, I mean) as well.

We then see the Hardy brothers walking through the airport and picking on each other.

When Nancy looks across the airport, she sees a man trying to put a polaroid in the bag of the man with the cowboy hat. She runs to stop him, but the other man gets away and the cowboy thinks she’s the one trying to put something in his bag.

Frank and Joe see the interaction and rush to her rescue, telling the cowboy that they are with the airport police, juvenile division. Joe says to Nancy he thought he told her not to show up at that airport anymore.

The cowboy isn’t buying it and tells them he thinks they are all in on it together and were trying to steal from him.

As usual, Nancy is a bit uptight about it all when the cowboy leaves, but laughs a little at the boys. She catches a taxi and leaves them behind, being somewhat rude as usual.

The Hardy boys figure out she’s going to the same conference and will see her at the hotel.

While in the taxi, Nancy pulls out the photo of herself with the head missing. That means someone was able to shove a photo into her bag too. On the back are the words, “No one will shed a tear when you’re gone” written in sharpie.   

Back at the hotel famous detectives are arriving but then we also see Fenton Hardy’s head being cut off in a photo too. Someone is using a typewriter to write, “The best shall also go.” The camera pans up, and we see a person wearing a creepy blue rubber mask.

A detective named Jason Fox arrives and the media all rush to talk to him. Fox chats with the media some, then brushes them off and see Fenton and goes to talk to him while the cowboy — Arlo Weatherly  — comes in behind Fox and grabs him in a bear hug. They are all old buddies, I guess.

Weatherly sees Nancy, excuses himself, and approaches her. Nancy says she’s an investigator and Weatherly asks her why she put a photo of him with his head missing in his bag.

Nancy says she didn’t put the photo there and shows her own photo.

The Hardy Boys show up and together they all decide that this must be some sort of prank, even though Weatherly’s photo says,  “You’re first, Cowboy.”

The boys later find similar photos in their room. “Brothers can disappear too,” is written on the back.

Soon Fenton, Nancy, and the boys are all comparing their photos.

Nancy says she thinks it is something important and dangerous and the boys laugh it off, because, you know, chauvinism.

Jason Fox shows up, and he says the same thing, reminding Fenton of all the pranks they’ve pulled in the past at this, and other, conferences.

The boys and Nancy start to walk back to their rooms later and Nancy says she still feels like something bad is going on. Frank pulls the sexist line, “Is this what you call women’s intuition?”

Then Nancy throat punches him. Oh. No. I mean. She should have.

Instead, she just roasts him by saying, “It’s called detectives intuition. Don’t you have any at all?”

Joe and Frank watch her leave and are like, “Girls. Psht. Whatever.”

Next, we are on a tour with the attendees. They are touring the sets and various sites of the movie and television making industry. Part way through, though, Nancy announces that Arlo Weatherly is missing.

She asks the boys if they remember the threat he got. That he’d be the first to go?

The boys brush her off yet again.

“Please, Nancy, don’t start on all that again,” Frank says with an eye roll.

Nancy shows them there was a polaroid on Weatherly’s seat and it’s the second half of his photo, his head.

The boys still aren’t buying it. Because they are stupid and don’t remember she helped solve the mystery with Dracula the last time they met her. Duh-uh!

So, Frank and Nancy go off to look for Weatherly and run into Columbo or Peter Falk who is shooting his show but wait — that’s not really Peter Falk. It’s an imposter! Something is off.

Oh, because that isn’t really Peter Falk. It’s ….. Casey Kasem?!

No. It legitimately it is. But his name in the show is Paul Hamilton and he eventually tells them that is who he is.

He does impressions and used to have a show in the 1950s called The Raiders, he says.

“Ever heard of it?”

Nancy and Frank have no idea what he’s talking about.

On the other side of the park Joe and Fenton are trying to find the Cowboy too but Jason Fox shrugs it off again and says it’s just a prank.

We see it isn’t a prank in the next scene when we see Weatherly sitting in a chair with his hands tied behind his back in a dark and empty cell.

Back in the park, a security guard questions Frank and Nancy about what they are doing there and escorts them out of the park.

Later that night at the conference, the boys ask Nancy if she’s heard anything on Weatherly.

She hasn’t but she has found a shooting schedule for a movie called The House on Bracken Moor.

The boys are confused and she explains that it is based on a book where eight people are stranded in an old house on an English Moor and they each receive a photograph of themselves and then each one disappears. (This is similar to the plot of And Then There Were None by Agatha Christie, by the way).

The boys are still not convinced that it has anything to do with Weatherly’s disappearance but Nancy points out that they were on a studio tour when he disappeared and that studio is shooting The House on Bracken Moor.

To keep the plot going, the boys dismiss her again and she says she’s going to go find the set herself and investigate.

I don’t blame her this time around. I find Pamela’s portrayal of Nancy overly aggressive on a god day, but the boys are being absolute jerks this time around.

To speed things up a bit, Nancy goes to the studio were the movie is being shot and finds a set with a picture propped up that features photos of all of the main detectives at the conference. Someone laughs and she runs after him, chasing the down a dark alley. She eventually finds herself on a set that looks like a dock and soon is tilted off a platform into some water. A fake shark chases her (think Jaws style), but she’s able to get out of the water. Staggering down the sidewalk, much less soaked than she should be if she’d really fallen into water, a truck attempts to back over her, but she is rescued by a man on horseback.

That man turns out to be Dennis Weaver who was acting in a show called McCloud at the time.

He takes her back to the hotel where the boys meet her, and Weaver tells them someone tried to run her over.

She tells the boys about the picture and as she goes in to change her clothes, she is thoroughly annoyed at them. After she leaves, they talk amongst themselves and finally agree that she’s been right all along after all.

They see Bronson, one of the detectives at the conference, get an envelope with a photograph and Frank goes to find Nancy. Nancy opens the door to her hotel room, but says, “Turn around, I’m getting dressed,” after he comes inside. Ummm…so what was she wearing when she opened the door?

Let us not think about that.

Anyhow, they confront Bronson and he says it’s a photograph of his son, not of him. They’re barking up the wrong tree, he adds.

He says Jason Fox is trying to play pranks on people and not to worry about it.

Nancy feels like the boys still won’t believe her now and they all go downstairs and see Jason Fox who is looking for Fenton because it appears that he is now also missing.

Joe, Nancy, and Jason start to go to look for Fenton, but Franks sees a photo in Bronson’s mailbox. He says Bronson sent him to get it. It’s a photo with Bronson’s head cut off.

They can’t find their dad and meanwhile we’re shown that Weatherly and Fenton are tied to chairs. Fenton says, “We should have believed Nancy. This guy’s crazy.”

Fenton’s ring, Arlo Weatherly’s watch, and some pendant belonging to Bronson are in a box given to Jason Fox. They all decide it is time to call the police, even though a ransom note in the box with the items says not to — just to bring money.

“Three of your detectives already gone,” the note reads. “$500,000 will free them. Don’t call the police.”

Jason says he will call the police and the boys apologize to Nancy for not believing her and they all agree to combine their forces and find out what is going on.

There is an argument between Frank and Nancy because Nancy was pushed into water earlier and could be in danger, but she points out she came there alone without them before because they didn’t want to believe her so she will be fine.

After Joe urges them to put their argument aside, they go onto the set and find the same photograph that Nancy told them about.

As they are talking someone begins to laugh again and they see the person’s silhouette outside the set window.

They all take chase. Joe gets onto a golf car type thing, while Nancy runs for help, and Frank gets stopped by studio security. Joe is busy searching an abandoned set when he is also snatched.

That ends episode one.  I’ll share about episode two in a separate blog post tomorrow.

Before, I close, I will share what I liked about episode one: I liked the intrigue and how everyone was blowing off the idea that something dangerous was really going on util Fenton and Bronson disappeared along with Weatherly.

What I didn’t like was how all the men treated Nancy like she was a hysterical girl. I think that they could have moved the plot of the show along even if they had believed her.  They really didn’t have to be so rude to her all of the time.

Even though, again, I feel Nancy is often rude in these shows. I think the writers, and Pamela herself, were trying to make Nancy appear confident, but instead I feel like it makes her look curt, abrupt and dismissive.

If you want to read other recaps from this show you can find them here:https://lisahoweler.com/old-tv-show-recaps/



Episode recap: Nancy Drew: A Haunting We Will Go

Here I am with another recap of an episode from The Hardy Boys/Nancy Drew Mysteries show from 1977.

As I’ve mentioned before, in the first season of this series the episodes switched back and forth from Hardy Boys and Nancy Drew episodes and in the next season they started to join together. Eventually they began to phase out the Nancy episodes and focus more on The Hardy Boys. A new actress also started as Nancy when Pamela Sue Martin became disenchanted with the parts that were being written for her character.

This time around I am writing about a Nancy Drew centered episode called A Haunting We Will Go.

As far as episodes go, this one wasn’t the worst. It had a lot of humor mixed in and kept the mystery going for quite a long time. It also had some absolutely ridiculous elements, but that’s totally okay. That’s what makes these episodes fun.

Nancy, George, and Ned are producing a play to raise money to demolish the old town theater so they can build a children’s home. What exactly is the children’s house? I have no idea, but it is supposed to be a good cause, from what I can tell.

They’ve already recruited a former well-known local actress to perform in the play. Then Ned starts receiving notifications from other people who used to act in the community theater and are now famous.

They want to come and help out too.

The young people are confused, but excited for them all to come, even though a prop chandelier fell and almost killed Nancy the scene before.

Here are our characters who used to be actors at the theater: Alex Richmond, Seth Taylor, Danny Day, Thelma March, and Janet Musant.

Janet remained living in the town but everyone else moved away. Janet isn’t too happy about having been left behind and everyone returning either. She’s pretty unpleasant all around but she seems to have reason to be. Life hasn’t been easy to her. Her hotel, located across the street from the theater, is old and run down and she uses a cane. We aren’t sure why she has the cane and limp but it’s clear some kind of illness or injury has befallen her.

Janet.

Nancy is trying to figure out what happened with the light fixture that almost fell on her when the other people start to arrive.  

We feel the tension among the group fairly fast, especially between the others and Thelma, who is now a movie actress and is very condescending to everyone. She tells the one man she wonders how he is able to spend all his time sharing bad news as a newscaster and then says, “Oh well, I always turn way from you to channel 3. It’s a much better quality of news.”

This is how things will go for a good portion of the first half of the show — the actors shooting verbal barbs at each other.

The actors all claim they came back to the theater to act on the stage one more time before the theater is destroyed, but Nancy recognizes right away there isn’t a ton of truth in these statements.

Something else is definitely up.

Arguments are breaking out, snide remarks are being made, and when Nancy suggests they came for a reason other than raising money for the children’s house, they all get funny looks on their faces.

Nancy was only referring to the fact they were all in the same play together years ago, but they certainly looked panicked. Nancy doesn’t miss these expressions either.

Later that night, after an argument between Seth and Thelma that is witnessed by Nancy and George, the five actors begin searching the theater.

We aren’t sure what they are searching for, but it seems like some kind of treasure from the comments they are making. “It should be back here!” “This is where we put up the wall!”

 During the search they insult and accuse each other of vague offenses, keeping us from knowing what is really going on.

At one point Seth and Janet end up in an argument at the top of the stairs in the theater. The actors have been put up at Janet’s hotel. Janet snottily asks Seth if he is happy with his room.

He sneers back that he expected it to be lined with mink.

“Someone has been making a very good living out of this nightmare,” he snaps.

Janet is incredulous. “You think it’s me? Would I stay on in this town, in this run down mausoleum?”

“Where else would you fit in so well?” Seth asks.

Ouch.

Seth snaps out some more accusing remarks and Janet swings at him with her cane. He grabs her at the moment Nancy shows up at the bottom of the stairs and it looks like Seth is about to throw the woman down the stairs. Yikes. He clearly has anger issues, if not homicidal tendencies

The pair of actors claim they were simply practicing a scene to attempt to cover up their fight, but Nancy’s way too smart for that. She knows something is going on.

She tells Ned something is going on and Ned sort of groans and says, “Why are you always playing detective when there’s no crime?”

Burn.

Nancy isn’t letting Ned deter her though. She knows these people are hiding things and she’s going to find out what they are.

I have to say that Nancy is really, really rude to Ned in this episode. She mocks him incessantly because he is proud of bringing all the actors in and organizing the play. Nancy is often very mean to him, and I don’t know why he keeps pursuing her.

Look! She’s even giving him the “duh, Ned!” expression!

I’m sure the writers were trying to add humor, but it’s not funny when Nancy compliments him only to bait and switch and tell him he needs to see a psychiatrist because he worked so hard on a project that she talked him into working on.

*pulling out soapbox*

I think he’s a pretty weak man for putting up with her belittling him all the time, but I think that’s what 70s shows were like at times. They were trying to give women independence and much like today there is an attitude that to make women appear stronger they have to tear men down. I don’t like that idea or to see it pushed here.

*putting soapbox away*

Anyhow, Ned does start to wonder if Nancy is right about something weird going on when he stops by the theater at night to check the props and lights again and finds Thelma and Alex carrying bricks out the back door of the theater.

See, right before Ned shows up, the viewer is shown that all four of the actors are digging with pickaxes into a wall in the basement of the theater. They’re saying something about them not remembering it being so thick and they thought it was more hollow.

When Ned catches them, they toss out a lame excuse that Alex has a bad back and needs to sleep on the bricks to help his back. I think that was a thing people did back in the day but ouch!

They talk Ned into leaving to get some rest by suggesting he’s offended Thelma by calling her old, so they can go back to digging.

In the morning, Ned and Nancy find the actors all asleep in the dressing room and they claim they were running their lines.

Nancy again knows they are lying, and Ned admits he saw them sneaking bricks out of the theater the night before.

“I knew it!” Nancy declares.

When Ned and Nancy leave, the actors start talking about how they’ve been bled dry financially by someone in the room and that someone has their money and they’re going to find out who. All four (Janet isn’t there) deny being the blackmailer.

The actors agree to stumble out onto the stage for a rehearsal but after a few runs they are ready to go back to their rooms and crash. Nancy argues that they need to stay to help her learn her part (which seems to consist entirely of her carrying drinks out to the stage and asking if they want one … so not too challenging to me.)

While arguing about going or staying, an entire light fixture falls and would have killed Alex if Nancy hadn’t pushed him out of the way.

Nancy is certain it was done on purpose, but, as usual, her father (Carson  Drew) and Ned disagree and offer up excuses like: “The theater is old. Maybe we shouldn’t even have people there for a play,” and “These are fine, upstanding members of society. Why would they have anything to do with people almost getting killed in the theater, Nancy? It’s preposterous!” (Not actual dialogue but imagine all that said in a very posh British accent. I did and it made me giggle.)

Nancy pushes out her lower lip and stomps her foot and says, “Well, I am going to find out what is going on! I am! I am!”

She doesn’t actually say this but it’s very close.

She stomps out the door like a toddler after that. Very mature for an “18-year-old” sleuth.

Things get worse after she leaves when her dad’s sexism rears it’s ugly head when he suggests she’s just being emotional because she’s working with so many stars. The he leans back with his pipe and grins.

Ick. The way Carson Drew is portrayed in this show is so icky to me. In the books he was fairly clueless — letting Nancy run all over the place without really checking on her, but in the show he’s downright dismissive of her and practically calls her an emotional woman on her period. He is a lot more misogynistic in the show in other words.

Nancy decides she’s going to put some ultra-violet paint on things around the studio, like the door, to see if any of the actors are the person who has been sneaking around and sabotaging things in the theater.

During the episode we have little snippets of someone walking around spying on Nancy and George or some of the actors. It’s always just someone in black boots and pants so we are never sure if it is one of the actors or who.

The next day during rehearsals, Nancy shuts off the lights and shines ultra-violet light onto the stage to see who is guilty and discovers that all of the actors have the paint on their hands. We won’t get into how she found an ultra-violet light that big to shine on them because I have no idea.

This leads the actors to discuss in private how Nancy knows too much and that “we know what we have to do.”

“No, oh no,” says Seth. “I can’t do that again.”

“You can’t do what again?” asks Thelma (who has a fake theater voice…it’s weird).

“I can’t do away with that sweet, innocent girl.”

Thelma says she didn’t want to do away with her anyhow.

“She’s talking about him,” Danny says. “We’ve got to get rid of him.”

“In the cellar,” Alex says. “Before he does away with us.”

I’m sorry? Blink. Blink.

Before who does away with you?

Oh my!

So, next, Nancy and George go to the library to find newspapers that will tell them what happened when the first play was held some 20 plus years ago. They find out that the original play was promoted by a producer named Jason Hall. Hall took in several donations from the community businesses to promote the play and promised that New York critics would come in to see it. The play flopped , no critics came, and Jason Hall disappeared the first night of the performance with all the money.

A humorous moment comes in the next scene comes when the actors pull a sarcophagus out of the basement of the theater. The entire time they are saying things like, “Jason has gotten heavier,” or “Good grief, where did you think Jason was going to go after all these years.”

Yikes. So, we have already figured out what happened to Jason.

Ned stumbles onto them while coming back to check something at the theater and Seth, while holding one end of the sarcophagus says, “Oh..” nervous laugh. “Beautiful night, isn’t it?”

“That looks like a sarcophagus,” Ned says.

Seth, barely able to hold on to his end of the thing says breathlessly, “Well, yes, it is a sarcophagus.”

Like this is something that happens every day. Two grown men carrying a sarcophagus.

Seth says that the item was a souvenir he wanted to keep and that he collects them

“I have nine of them. I have just the spot for this one in my Hollywood apartment.”

“Do you think he’s suspicious of anything?” Alex asks when Ned leaves.

“What’s suspicious about two men carrying a sarcophagus down a dark alleyway at midnight?” Seth asks while rolling his eyes.

Har. Har. Cue the cymbal tap.

Nancy hears about the sarcophagus and tells her dad that she just knows that Jason Hall’s body is in the sarcophagus.

Carson isn’t very sure about this, because, you know, it would be a travesty for him to believe his daughter, but he calls the police anyhow.

Before the police get there, the actors talk about how they can’t believe Jason is still in there. Janet says how she’s the one who has had to live across the street from where his body has been buried while they all went to live their lives somewhere else.

When the police get there, bursting through the doors, they make the actors open the sarcophagus and — Oh.  It doesn’t have a body inside. Instead, it is full of bricks.

Even the actors are shocked but try to play it off.

“Of course there isn’t a body in there!” they declare. “We knew there wouldn’t be!”

But they all look a bit panicked and when everyone else leaves, Danny says that the body was removed by the blackmailer who has been demanding money from them to keep the secret a secret.

The show must go on and the next night they are all on the stage, while the local TV station broadcasts it live.

Nancy, though, standing in the wings, knows what really has happened.

Jason Hall never died. He’s been alive this whole time and he’s the one who has been blackmailing all the actors and creating all the havoc at the theater. When George asks why, Nancy says it is because he’s been trying to end the performance. Once the theater was torn down and the sarcophagus uncovered, it would be clear he wasn’t really dead and had been blackmailing them all along.

When it is Nancy’s time to go out and they are all supposed to take a drink of champagne, Nancy smells something odd in the bottle and yells for them all not to drink it. She then demands Ned shut off all the lights and use the ultra-violet light on the audience. They see a man with glowing hands in the front row. He takes off up onto the stage and runs across it, but the actors and the police (where did they even come from?) catch the man. He is revealed to be none other than Jason Hall! Alive and well! Gasp!

Later the actors all share what really happened with Nancy, Carson, Ned and George. They say Jason tricked them all those years ago and took all the money from the investors for the play and the ticket sales. They found out before he could leave town. A violent argument ensued and Jason fell and hit his head, they say. They all thought they had killed him, but instead of calling the police (hello!!) they tossed him in the sarcophagus to pretend it never happened.

“At sometime, he must have recovered consciousness and gotten out of the sarcophagus, weighted it down with bricks, and then not realizing it we all came back to the theater after the performance and bricked it up,” Alex theorizes.

Everyone agrees that must have been what happened but no one expresses guilt at having shoved Jason’s body in the sarcophagus in the same place. Seth does express guilt at how they have all acted and how they went all cray cray about finding the body before anyone else.

The actors agree they will do the performance again, with no pretenses this time, and raise the money to have the theater torn down so the children’s house can be built.

By the way, when Jason was caught, the dude didn’t even get a line. Not one line. He just scowled at Nancy. I guess that was one way to cut down on how much he had to be paid. Another cost saving measure in this episode is how much was shot with a dark background since they were on a theater stage for much of it. Less lighting expense I suppose.

Everyone agrees at the end that Nancy is an amazing sleuth. She, however, is not an amazing actress, Thelma tells her.

The episode ends with everyone laughing at Nancy, which I thought was a bit called for since she’d been so mean to Ned the entire episode.

If you want to read some of the other episodes I’ve written about, there is a search bar to the right and you can just type in Hardy Boys or Nancy Drew.

Up next will be The Hardy Boys: The Mystery of the Flying Courier!


Lisa R. Howeler is a blogger, homeschool mom, and writes cozy mysteries.

You can find her Gladwynn Grant Mystery series HERE.

You can also find her on Instagram and YouTube.

The Hardy Boys/Nancy Drew Mysteries Season 1 Episode 2 The Mystery of Pirate’s Cove

I have been watching The Hardy Boys Nancy Drew Mysteries from the 1970s on YouTube recently. (It is also streaming on Peacock but I have the cheap version of Peacock and hate the commercials). This goes along with my renewed interest in the original Nancy Drew Mysteries books.

The show was, of course, based on the serial mystery books of the same name.

My husband and I watched one of these episodes on Peacock a few months ago and we giggled through most of it. When it was suggested to me on YouTube one day I decided to watch it for a laugh, and there is definitely laughable material, but then I became addicted and have been working my way through each episode.

For the first two seasons, the series is split into one episode focusing on The Hardy Boys and the next one focused on The Nancy Drew Mysteries. In the third season it was only called The Hardy Boys after the Nancy Drew character was dropped. By then, Pamela Sue Martin (who my husband had a bit of a crush on) had left the show because they had reduced the role of Nancy Drew. She was replaced by Janet Louise Johnson.

The show was canceled halfway through season three.

I was disappointed when I read that they phased Nancy out of the series, but I suppose it was typical at the time to have shows that focused on male heartthrobs instead of female ones. I am glad to know the show totally failed and was canceled with just the men on it, though. *wink*

The young adult detectives didn’t solve mysteries together until the second season when they traveled to Transylvania to rescue Frank and Joe Hardy’s Dad Fenton Hardy.

(An aside here – what was the issue with books back then killing off the mothers? Both Frank and Joe Hardy and Nancy Drew didn’t have mothers, but instead had housekeepers who were like mothers to them. I think the creator of both Nancy Drew and The Hardy Boys – Ed Stratemyer – had some mother issues.)

In the first season, Nancy does most of her sleuthing with her friends Ned Nickerson and George Fayne but in the joint episode, her friend Bess Martin joins her. I’ll write about that episode in the future, but for now, I’ll share about one of the first episodes I watched called The Mystery of Pirates Cove. It was definitely cringy but mainly because there was a professor who was probably in his 40s hitting on Nancy, who I think was supposed to be in her late teens or early 20s.

When that man said he was going to be heading back to the lighthouse later that night and he hoped he wouldn’t be alone – and then gave Nancy a “If you know what I mean, darling,” look – I literally shuddered. It was just gross.

When we go back to the house, Nancy’s dad, Carson Drew, keeps in character with who he is in the books because he is completely unbothered by his daughter being hit on by a man his own age. This is proven by how he shrugs Nancy’s friend Ned off with a, “Of course she can go spend the night with that man in his lighthouse in the middle of nowhere to see if they can record ghost activity.”

Ned is like, (in so many words) “I don’t think you get it, sir. That man doesn’t just want to capture ghosts. He’s got a thing for Nancy.”

Carson, played by William Schallert — a character actor who later portrayed every bad guy imaginable on various crime shows — laughs Ned off and the scene ends with him lighting his pipe, taking a puff and saying, “She’s going to have fun. Yes, she is.”

I’m sorry, but what in the ever-living-male-dominated-television-industry-of-the-1970s was that?

So very awkward.

The mystery was seriously contrived and see-through, of course, but something about the show keeps me watching. I can’t look away – the same way I can’t look away from a car accident when I drive by.

Nancy’s sidekick for the show is George and the actress who plays her (Jean Rasey) makes the most hilarious faces. She’s always looking disturbed or frightened and, to me, seems to be the voice of reason, urging Nancy to be careful or slow down or suggesting they leave a situation instead of getting deeper in.

For her part, Nancy seems slightly arrogant in this series, always rolling her eyes or brushing George off. She always seems to know best or more and wants George to know it. I suppose the idea is to show that Nancy is bold and determined to solve the case, no matter what, but sometimes I just find her dismissive. She dismisses everyone, though – from family to friends and especially to poor Ned Nickerson, who was her boyfriend in the books.

There were a lot of now big name actors on the show back in the day, I’ve noticed, including Marc Harmon and Melanie Griffith.

While researching for this post, I found an interview with Shaun Cassidy and Parker Stevenson from last year when the show turned 46.

According to the article in Entertainment Weekly, “Stevenson went on to appear in a series of TV hits including Falcon Crest, Baywatch, Melrose Place, and most recently, Netflix’s Greenhouse Academy. Cassidy, meanwhile, has built a successful career as a TV writer and producer, creating several series (including American Gothic and Invasion) and serving as an executive producer on NBC’s hit medical drama New Amsterdam.”

Back in the day, though, Cassidy was a pop singer and his song Do-Ron-Ron-Ron debut on the show, where he frequently performed to help along the plot. It’s an absolutely pointless song, by the way. I saw the episode with it and was completely bewildered by how it became popular.

Here are the lyrics, in case you’d like to memorize them:

I met her on a Monday and my heart stood still
Da doo ron ron ron, da doo ron ron ron
Someboy told me that her name was Jill
Da doo ron ron ron, da doo ron ron ron

Yes, my heart stood still
Yes, her name was Jill
And when I walked her home
da doo ron ron ron, da doo ron ron ron

I knew what she was thinkin’ when she caught my eye
Da doo ron ron ron, da doo ron ron ron
I looked so quiet but my oh my
Da doo ron ron ron, da doo ron ron ron

Yes, she caught my eye
Yes, but my oh my
And when I walked her home
da doo ron ron ron, da doo ron ron ron

Well, I picked her up at seven and she looked so fine
Da doo ron ron ron, da doo ron ron ron
Someday soon I’m gonna make her mine
Da doo ron ron ron, da doo ron ron ron

Yes, she looked so fine
Yes, I’ll make her mine
And when I walked her home
da doo ron ron ron, da doo ron ron ron
Yeah, yeah, yeah
da doo ron ron ron, da doo ron ron ron
(repeat & fade)

(It was originally sung by a band called The Crystals and it was a woman talking about a man.)

And here is Shaun singing it on the show:

After leaving the show, Pamela Sue Martin, portrayed Fallon Carrington Colby on Dynasty from 1981 to 1984. She chose to leave Dynasty and her role was later recast. After that she did sporadic television appearances.

Did you ever watch the show – either back when it was on, if you’re old enough (for the record, I am not) or in reruns?

I have thoughts on some other episodes of the series that I’ll share in later posts.