Katherine Hepburn

Comfy, Cozy Cinema: Bringing Up Baby

/ Lisa R. Howeler / 10 Comments

Erin from Still Life, With Cracker Crumbs and I have been watching Comfy Cozy mmovies This week we had to switch up the movie we were watching because Amazon and Frevee and all the other free streaming services removed Skylark, which is the second movie in the Sarah, Plain, and Tall series.

Instead we chose Bringing Up Baby at my suggestion because I wanted something funny and goofy but also cozy.

I’ve seen this movie twice before and it is absolute chaos and craziness. Everyone except poor Cary Grant is off their rocker and it is glorious.

The movie stars Cary Grant and Katherine Hepburn. Katherine is absolutely batty in this film which makes it all even more hilarious.

Cary Grant’s character (Dr. David Huxley) is a paleontologist who accidentally runs into Katherine Hepburn’s character (Susan Vance) a totally nuts socialite who immediately latches on to Cary and decides she’s going to become obsessed with him and make his life a living hell.

In the beginning of the movie, David has been building a dinosaur skeleton for years and the last piece of it has just been found. He and his fiancé – Alice Swallow – are thrilled that the intercostal clavical has been found and will be arriving soon in the mail. Alice – a very uptight, proper women who says the point of their marriage will be to only advance his research and not for love — also knows that more money needs to be secured for his research so she tells David he must go golfing with an important doner.

This is where he meets crazy Susan who tries to steal his car, takes off with him riding on the footboard while he tries to tell her it is his car, and then leads him on various crazy adventures. He runs into her again at a dinner where he is trying to secure a donation from a woman named Elizabeth Randall who is considering a $1 million donation.

The scenes at the dinner party include this a hilarious scene where Katherine’s dress gets ripped and she and Cary have to make their way through a crowded dining room with Cary against her back to make sure nothing is scene. It is so classic and hilarious and always has me laughing.

David thinks he has shaken Susan loose after a bizarre journey with her where she tries to wake up the doner he’d been trying to meet at the golf course and David ends up knocking him out with a rock.

The next morning the clavical arrives and David is thrilled, but somehow Susan gets his number and, thinking he is a zoologist rather than a palentologist, she asks him how she should take care of a leopard named Baby that her brother sent her from Africa.

David promptly tells her he doesn’t care about her Leopard and doesn’t know anything about it, but when she trips and falls while on the call, he thinks she’s being attacked. She’s thrilled he thinks this and hams it up even more, which sends him flying out the door to her apartment to “rescue” her.

Collection Christophel / RnB © RKO Radio Pictures

Of course, when he gets there, Susan is fine, but yet another plot twist is coming up when Susan says she needs to go to Connecticut with the leopard because she doesn’t want her aunt to find the leopard there when she decides to visit. The aunt is going to give Susan $1 million someday and if the aunt finds the leopard there, she won’t give her the money.

So Susan decides they need to take Baby to the country in Connecticut and begs David to take her. Somehow David gets caught up in taking her, even though it is his wedding day and he needs to be in New York to get married. While in Connecticut, Susan realizes she is in love with David.

 I should also mention that to calm Baby they have to sing, “I Can’t Give You Anything But Love, Baby.”

The movie is – as I said earlier – absolute chaos from start to finish.

Cary and Katherine are the perfect pair to play against each other in a screwball comedy and had some experience with it already since they also starred opposite each other in Sylvia Scarlett (1935), and Holiday , which released the same year as Bringing Up Baby (1938). They also starred together in The Philadelphia Story in 1940.

This is a risqué movie in many ways with a lot of double entendre moments and innuendos that are clean but a bit sassy. I suppose some people could make the double entendre moments more crude, but there are people who can do that with anything.

I wanted to know about the leopard that was used in the film and while looking up information about it, I thought it was interesting to read that the Jack Russell Terrier in the film was the same dog used to play Asta in The Thin Man film series, which is a favorite series of mine. The dog’s real name was Skippy incidentally. The tame leopard (Baby) and another leopard (you will have to watch the movie to know what that is all about) were both played by a trained leopard named Nissa.

The trainer was a Swedish woman named Olga Celeste, who would stand by with a whip during shooting. According to Wikipedia, at one point, when Hepburn spun around, her skirt twirled and Nessa lunged at her. She was subdued when Celeste cracked the whip. After that Hepburn wore heavy perfume to keep Nessa Calm but Grant was terrified of Nissa and a stand in had to be brought in with his scenes with the leopard.

This movie has some terribly hilarious quotes including:

Cary: “In moments of quiet, I am strangely drawn to you, but well there haven’t been any moments of quiet with you.”

Cary: “It never will be clear while she’s explaining it.”

Cary: “You don’t understand: this is my car!”

Katherine: “You mean this is your car? Your golf ball? Your car? Is there anything in the world that doesn’t belong to you?

Cary: “Yes, thank heaven, YOU!”

Katherine:” Anyway, David, when they find out who we are they’ll let us out.”

Cary: “When they find out who you are they’ll pad the cell.”

The movie was directed by Howard Hawks. The screenplay was written by Dudley Nicholas and Hagar Wilde and was based on a short story by Wilde that appeared in Collier’s Magazine in 1937.

Have you ever seen this chaotic comedy? What did you think of it?

You can read Erin’s impression here:https://crackercrumblife.com/2024/11/07/comfy-cozy-cinema-bringing-up-baby/

Next week we will be watching Grand Budapest Hotel and the following week we will be having a group watch of Chocolate on November 17 at a time to be announced.

You can catch up with my impressions of the movies we’ve watched here: https://lisahoweler.com/movie-reviews-impressions/

Comfy, Cozy Cinema: The African Queen

/ Lisa R. Howeler / 6 Comments

For the next three months, Erin from Still Life, With Cracker Crumbs and I will be watching cozy, mysterious, or comfy movies. Erin made these awesome graphics detailing what we are doing and what movies we will be watching.

This week we watched The African Queen, which I am not sure was really a comfy, cozy movie but I forgot some of the details when I suggested it. I’m not sure why I picked it for this feature, but it’s still a good movie and we did find some cozy(ish) moments in it as a romance began to blossom in the middle of a very stressful situation.

The movie, released in 1951, stars Katherine Hepburn and Humphrey Bogart. It was directed by John Huston.

It is both an adventure movie and a romance.

Katherine plays Rose Sayer, a missionary in Africa, and Humphrey portrays Charlie Allnut (which Katherine pronounces as Ulna throughout the movie).

Rose had stationed been in African villages with her brother for a decade and meets Charlie when he travels up the river in his small, rickety steamboat to deliver mail and other supplies. The steamboat was dubbed The African Queen by Charlie.

On one visit Charlie tells Rose and her brother Sam that he probably won’t be there for two months because war has broken out. The movie starts in 1914 so this is the beginning of World War I.

He leaves and within a matter of hours or days, or I’m not sure which, the Germans march through with an army made up of Africans and begin to burn down the village. This leaves Rose’s brother in a state of shock and also affects his physical health and he passes away a couple months or so later.

Rose is now alone in the village but luckily not for long as Charlie finds her and she asks him to take her with him up the river.

Rose and Charlie are very different. She is very prim and proper and British and he is very “uncouth” one might say. My husband said that the movie is based on a 1935 novel and that the main characters in the novel are both British. Charlie has a cockney accent.  Humphrey refused to try to pull that accent off so he was made Canadian for the sake of this movie.

The chemistry between the two is great with them bouncing quips off each other throughout the film.

When Rose finds out they are upriver from a German ship that will be used to launch an offensive against the British, and that Charlie has potential weapons on The African Queen, she decides they will travel this very dangerous river with rapids, crocodiles, and a German fort, and blow up the German ship.

Charlie, for his part, thinks she’s nuts but agrees to help her – that is until things get more and more dangerous and he’s certain they are going to die in the rapids.

When he tells her in the beginning that it isn’t possible to take the steamboat down the river she says, “How would you know? You’ve never tried.”
He scoffs. “I’ve never tried shooting myself in the head either.”

In another scene, Charlie gets drunk on the gin that’s on the boat and Rose is not happy about it.

“Oh come on,” Charlie says. “It was just human nature.”

Rose raises her chin and says, “Human nature, Mr. Allnut, is what we are put on this world to rise above.”

There are several comments or lines like that throughout the film which turns romantic somewhat by accident when Charlie celebrates one of their accomplishments and kisses Rose on impulse.

Kissing and being romantic was most likely a huge challenge for Katherine because she, like most of the cast and staff, caught dysentery and malaria and was very sick for the time in Africa.

Huston wanted the film to be as realistic as possible so he shot on location in Uganda and the Congo for part of the film with the rest being shot in London, outside and on a sound stage. Scenes where the actors were in the water were deemed to be too dangerous in Africa.

It was so realistic that Katherine and others got sick, as I mentioned, and during one scene when she’s playing the piano, she actually had a puke bucket off-scene just in case and I guess there were a few “cases.” Poor woman.

Boggie later joked that he and Huston didn’t get sick because they drank whiskey instead of the local water.

As a bit of trivia, the only Oscar Boggie ever won was for this film. Katherine was nominated for best actress but did not win. Huston was also nominated for best director but didn’t win.

Katherine won four Oscars and was nominated 12 times over the years. She also won an Emmy and two Tony Awards.

This comment came from my husband who always has a cheery note about when or how one of the actors died as we watch a movie: “To think he (Boggie) would only have five more years after this.”

At one point, when Charlie apologizes for getting drunk Rose says that is not upset about that.

“You think it was your nasty drunkenness I minded? You promised me you’d go down the river.”

“Well, I’m taking my promise back,” Charlie says.

Little Miss looked at me and said, “Fun fact. You can’t take back a promise.”

So there you go. Some wisdom for your day.

When this movie came out, both Boggie and Hepburn were older and some critics said moviegoers wouldn’t want to see two old actors fall in love.

According to movie critic Roger Ebert, though, that wasn’t true. Many people wanted to see the movie and loved it despite it being released at the same time as A Streetcar Named Desire with Marlon Brando and Vivien Leigh.

The novel was much darker but Huston credited Boggie and Hepburn with making the movie have some humor in it.

“They were just naturally funny when they worked together.” Miss Hepburn, on the other hand, gives the credit to Huston. “The humor didn’t just grow, it was planted. The picture wasn’t going well until Huston came up with the inspiration that Rosie, my role, should be played as Eleanor Roosevelt.”

Ebert said of Bogart’s role: “Whatever the case, the many scenes Bogie and Kate play together are superb. Bogart, as the gin-swilling proprietor of a banged-up riverboat, created a strange little laugh for his role. He was shy, amused and intimidated by this Bible-reading missionary lady who washed out her unmentionables each and every night. And the laugh, meant to conceal his unease, also serves to display the thoughts of a taciturn man. He does not often laugh at the things Rosie finds funny.”

There was one scene with leeches and I wanted to know if they were really on Boggie. A quick search online brought me to a site full of trivia which let me know that: “While filming the scene where Charlie finds his body covered with leeches, Humphrey Bogart insisted on using rubber leeches. John Huston refused, and brought a leech-breeder to the London studio with a tank full of them. It made Bogart queasy and nervous, qualities Huston wanted for his close-ups. Ultimately, rubber leeches were placed on Bogart, and a close-up of a real leech was shot on the breeder’s chest.”

It is an interesting site and I was going to leave a link here to it but it says the site is not secure so I won’t do that – just in case.

The bottom line was that I did like this film but it wasn’t necessarily comfy, cozy or creepy. I guess it was a mix of comfy and adventure.

To read about Erin’s take on the movie, hop on over to her blog: https://crackercrumblife.com/

If you would like to join in on our Comfy, Cozy Cinema you can print out our watch/post schedule here:



Arsenic and Old Lace (Sept. 28)

Oct. 5 (break for us or you to catch up!)

The Lady Vanishes (October 13)

Strangers on a Train (Oct. 19)

Rebecca (Oct. 26)

Little Women (November 2)

Tea with The Dames (November 9)

Spring of Cary: Holiday

/ Lisa R. Howeler / 7 Comments

Here we are to another week of Spring of Cary where Erin from Still Life, With Cracker Crumbs and I are watching Cary Grant movies for the spring. Katja from Breath of Hallelujah is joining in when she is able to.

I chose the list of movies from the ones of Cary’s I hadn’t watched before.

Our movie this week is Holiday and it was released in 1938, so it was one of Cary’s early films.

The movie kicks off with Johnny Case (Cary) coming back from a visit out of town where he says he has fallen in love with a woman and is going to marry her.

His friends don’t believe him and think he’s going to be destitute with a woman and her family leaching off of him.

They have nothing to worry about because when Johnny goes to the address that the woman he wants to marry gave him he finds out her family is super duper rich and live in a house that looks like, as he describes it, Grand Central Station.

The potential bride-to-be, Julia Seton (Doris Nolan), lets him know she’s from the famous, well-to-do Seton family. She also tells him that her father will expect him to start working with the company and become a businessman and Johnny really isn’t sure that’s something he’s interested in. He just wants to have fun. Like he told his friends at the beginning of the movie:

“She wants the life I want, the home I want, the fun I want.”

But does Julia really want all that? We will have to find out.

After Johnny first arrives at the big, fancy house, Julia tells Johnny she’s going to go to church and tell her father about them, and on their way out the door, in walks Julia’s sister Linda (Katherine Hepburn), who is very intrigued with this man her sister says she’s going to marry. It is clear that Linda has an entirely different spirit than Julia. A much freer spirit.

Linda wants to make sure that Johnny is good enough for the sister she loves. Deep down she doesn’t want Julia to get married. We learn later that one reason she doesn’t want Julia to get married is because she doesn’t want Julia to move out of the house and have a home of her own, This will leave Linda alone to be bored and unsure of her own future. For now, she’s simply rattling around in the big house where the men in the family and their goal of succeeding is the main focus and she is expected to attend business parties.

Early on we learn that Julia and Linda’s mother has died at some point in the past, but she was a fun mother who wanted her children to stay somewhat grounded so she had a playroom built in the house that featured more common furniture and the tools each child needed to explore their passions in life (a drum set, paints, and workout equipment for example).

Johnny isn’t very interested in impressing the patriarch of the family. He wants to work for a bit to save some money and then take several years off of work and go back to work when he learns why he’s been working his whole life. This is what he tells Linda, saying he wants to take a bit of a holiday in between his working years. The term “holiday” is sort of a British term to me but I know he means a type of break or vacation.

Linda likes the sound of that because she’d like to take a holiday from her rather mundane life where she feels like her family has lost touch with – well, each other. She longs for the days when her mother was alive and everything felt more real and wasn’t all about money.

Linda can tell right from the beginning that Johnny is a free spirit and while Julia is nice, she is not a free spirit. She is a “this is the way we’ve always done it and it needs to be done this way still” type of person.

As much as Linda is worried about Johnny ruining Julia’s spirit, she also seems worried that Julia will do the same to Johnny.

It all comes to a head at the New Year’s Eve party where Julia and Linda’s father announces the couple’s engagement but Linda refuses to come to it because she was going to throw a smaller, less public, and more intimate party for her sister instead.

The sisters also have a brother, Ned, who keeps himself liquored up to deal with life.

This was really just a fun movie and I absolutely loved Katherine Hepburn in it. Critics called this her comeback movie after she had developed a reputation with RKO Pictures as being box office poison. I feel that in this movie she really showed them that they made a mistake. One critic in 1938 said the same, writing, “”If she [Hepburn] is slipping, as Independent Theatre Owners claim, then her ‘Linda’ should prove that she can come back–and has.”

She was sweet and touching in this movie and just pulled me into Linda’s world so easily. She and Cary had an amazing chemistry and as much as I liked Cary in this movie, I was mesmerized by her performance and simply impressed with his.

I really enjoyed Cary’s youthful exuberance in this movie. According to Wikipedia, he was 34 when the movie was made. He just seemed more chipper and happy in this movie than the previous movies I’ve seen him in. Since Cary was much younger in this movie, he was able to pull off a lot more of the physical comedy. Katherine got in on some of her own physical comedy during at least one scene.

This was one of four movies that Cary and Katherine were in together. The others were Bringing Up Baby (I absolutely recommend this one), the Philadelphia Story (I also recommend this one), and Sylvia Scarlett which The Husband just realized we have on DVD in a collection of Cary movies.

Incidentally, the director of the movie, George Cukor, almost cast Irene Dunne in the movie, which was the actress who was in The Awful Truth and My Favorite Wife with Cary. In the end, though, he chose Hepburn, which, as I mentioned above, did worry some in the industry.

I enjoyed this movie more than any of the others we have seen so far. To me, Cary and Katherine are simply a winning combination.

To see Erin’s impression of the movie hop on over to her blog (later Thursday for this week. She’s been delayed.)

I don’t know if Kajta will have a post today or not but if she does you can find her blog here.

Next up in our lineup for movies to watch:

Operation Petticoat (May 11)

Suspicion (May 18)

Notorious (May 25)