Photography tips: Never be afraid to raise your ISO to get the shot you want

I recently joined a Facebook documentary group and right before I joined they had a challenge to capture scenes in the evening, after the sun set, at a higher ISO. For non-photographers, taking photos at a higher “film speed” (ISO comes from the day when photographers used film) can create a lot of grain, dots and pixels in an image, so it is often avoided, unless a photographer really needs to set their camera at a high ISO to get the scene before them.

Since I live in a dark house and in the north of the United States, low light situations and the use of high ISO is often required. It’s something I once lamented, having to push my camera to get a photograph I wanted after dark in my dark home. More and more I now embrace the light and dark and the grain but most of all the creative challenge of   finding the right light and the right position to get the shot despite the less than ideal lighting. 

I didn’t get a chance to submit a photo to the album the other photographers had submitted to in the group, but I  tried the challenge myself one night based on their inspiration. 

My daughter was bouncing on the bed with her brother, procrastinating bed time, and I decided capturing the moment was more important that whatever grain resulted in the final image. After all, the image and memory was ultimately for me, not for a project that required a clear, non-grainy photograph. In the end I’m glad I grabbed the photograph because it was a memory that will mean something to me, even if it doesn’t mean anything for anyone else.

The settings for my image were ISO 8000 (the highest I have ever gone), f2.8 and 1/320.

It was shot on a Nikon d750 with a 50 mm 1.8.

Other photographers in the group submitted their favorites from the challenge with a little information about their settings and what they learned from the experience. I hope you enjoy their images and will even visit their blogs to learn more about their art.

Alicia Thwaites

    This photo is by the amazingly talented Alicia Thwaites. Learn more about her thoughts on the project at  

  This photo is by the amazingly talented Alicia Thwaites. Learn more about her thoughts on the project at  

http://www.aliciatphoto.ca/

 

Jennifer Blake

This was taken at 6:43pm
ISO 3200, f1.4, 1/200
“I learned that artificial light doesn’t always have to be ugly and I can play with it and get an interesting shot. I can give myself permission to shoot in less than ideal situations and not miss out on moments.” 

www.jenniferblakephotography.com/blog

 

Adriana Silva

ISO 4000 1/160 f2.5 at 8:30PM.

“I learned that I could push my ISO much higher than I usually go for. I’m including routines that were missing on my memories. Grain… I love grain anyways!”

www.momentsbyadriana.com

 

Cara Bettcher

 

6:54pm, ISO 3200, f2.0, 1/100

”While I feel fairly confident working with low light situations (thank you birth photography), I sometimes forget that you can make even the lowest light unique and powerful. This challenge forced me to step outside my comfort zone of just getting a “safe shot” when light is lacking and to embrace it and use it to create something unique and fun.”

www.bornebackphotography.com

 

Tara Lynn Geldart 

Iso 10,000 1/320 f3.5 @6pm.

“We waited all day to decorate this tree. I was going to move it into the living room to get better light but it was still too dark. I was pretty bummed and almost didn’t take my camera out because I couldn’t make my “vision” work. Instead I bumped the iso and waited for the shot I wanted!” 

www.Tarageldart.com

 

Kathleen White

 f1.8, 1/160, ISO 3200 7:04pm

“Stalling before bedtime, but I’m in love with those perfect little eyelashes. There is something about this picture that makes me want him to stay little now more than ever before.
Also can I just say how much I loved this challenge. It completely pushed me out of my comfort zone and helped me see light in new ways. And it was nice to have some of these nighttime memories captured even through the chaos, when I wouldn’t normally be taking pictures!”

 

http://kathleenelizabeth-photography.com/

Jessica Hachey

This was shot at 8:18 pm at ISO 12800. F 3.5, SS 1/200

“My take away was…experiment! I tried really slow shutter speeds, shooting all the way open and cranking up my ISO. The challenge forced me out of my comfort zone…and now my comfort zone is a little bit bigger.”

 www.jessicahachey.ca 

Lori  Hancock McCurdy

F1.8 ISO 10,000
Here’s what I shared about this shot…
“When your husband sits down to play the piano and sing and you think it’s still so cool after 26 years. 
And you want to make a picture of it. 
And then your daughter decides to dance. 
But it’s almost completely dark. 
And then he laughs at you trying to make a picture in the dark. 
But in the end you make the picture that means so much to your heart ❤️”
https://www.instagram.com/loriamcc

 

Nikki Gould

 

Taken at 8:54 pm ISO 6400 16 mm f2.8 1/250

I’m not afraid of taking photos in less than ideal lighting. It’s something I’ve been working on, knowing that I do sessions in homes and I’m not always guaranteed outside light coming in through the windows. This challenge certainly helped me push myself and watch for the lighting that I needed to achieve the photos that I took, and to push my camera to the extremes. Luckily my kids provide plenty of entertainment when it comes to getting ready for bed.

www.oliveshoot.com

www.instagram.com/oliveshootphotography

10 on 10 for July and all that jazz

Today is the day I showcase ten photos from the previous month as part of the 10 on 10 Lifestyle blog circle.

June was a month of discoveries and for me I discovered, or shall I say, finally admitted I am never going to have a photography business. Eight years of rejection is enough. We are told to keep pushing forward on our dreams but sometimes I think we have to know when one dream is dead and gone. That dream I had apparently was not God’s plan for me, at least not while I live where I am living now. 

I have gone over and over in my head, trying to find the correct formula to make this business a success, but none of it has worked. Friends have assured me it’s not me or my photography, but even with price reductions no one would hire me. And without clients there is no budget for advertising so it’s a real catch 22. 

I have even considered maybe I need to change my style, how I edit and what I shoot, but know that changing who I am to fit someone else’s view isn’t healthy for me over all. At that point one has to ask themselves if the dream has become an idol above all else. In my case, it’s possible that has been happening so laying it down is what needs to happen at this time. 

In between the sadness of finally giving up on photographing clients, there has been fun with the children-water hose fights and pool time at their grandparents and simply exploring in general.  

Be sure to follow the circle around by visiting Lauren Cypher next!