Comfy, Cozy Cinema: Dial M for Murder

Erin from Still Life, With Cracker Crumbs and I are watching Comfy, Cozy movies from September through November.

This week we watched Dial M for Murder (1954), directed by Alfred Hitchcock.

This was a great follow up to Rear Window and I’m so glad Erin suggested both of these. I’ve been wanting to watch Dial M for Murder for years but just never got around to it with all the other great movies out there to watch.

Now that I’ve watched it, I wouldn’t say it’s my favorite Hitchcock movie of all time but I really did enjoy it. In some ways I thought things fell together a little too easily at points in this movie but the way they fell into place made me enjoy it – if that makes any sense. It might not make sense if you haven’t watched the movie but if you have then you probably know what I mean.

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Here we have another Hitchcock movie with one of his favorite actresses, Grace Kelly. The movie also stars Ray Milland and Robert Cummings.

Dial M for Murder, based on a very popular play and screenplay by Frederick Knott, was made before Rear Window but both movies released at the same time. It was this movie that made Hitchcock decide he wanted Kelly for Rear Window.

First a little bit about the plot of the film. Tony Wendice is a retired professional British tennis player who is married to his socialite wife, Margot, who has had an affair in the past with American crime-fiction writer Mark Halliday.

Margot doesn’t think Tony knows about the affair. She burned all the letters she received from Mark when she broke it off with him. All the letters except one. She kept that one in her handbag and though we are never definitely sure what was in the letter, we know it was something that meant a lot to her.

Mark has now come to London for a visit and wants to see both Margot and Tony. They are set to go out to a performance together that night but Tony bails at the last minute and tells  them to go on without him and have some fun.

Tony’s eagerness to stay home is what first clued me in that something a bit criminal was about to go down and go down it does.

Tony blackmails a former college classmate to kill Margot. Tony jokes with Mark later when he and Margot come home about how he, Mark, would know more about how to murder a person since he’s a crime writer.

Margo suggests that he and Tony write a book together after Mark is looking through all their clippings of all they did while Tony was a tennis pro and suggests Mark write a book.

“Yes, Mark, will you provide me with the perfect murder?” Tony asks.

Mark quips back, that his books focus less on the detecting and more on the crime itself. “I usually put myself in the criminal’s shoes and then ask what do I do next.”

Mark laughs and says he thinks he can plan a murder on his own but knows that in real life mistakes can be made. It’s not the same as it is in the book, he reminds Tony.

Tony is cocky though. He seems to think he’s a murder-planning master.

Foreshadow much?

My husband says that Hitchcock loved Grace Kelly for his movies and when I looked online that was indeed true. While I thought I had once read that Hitchcock had a strange obsession with Kelly, The Husband says it is more like he felt she was like his muse. That weird obsession thing was with another actress – Tippi Hedren.

To Hitchcock, Kelly was simply extremely beautiful and talented and he felt like there was no actress like her.

According to Offscreen.com, Hitchcock told Donald Spoto, who wrote his biography, that “The subtlety of Grace’s sexuality —her elegant sexiness— appealed to me. That may sound strange, but I think that Grace conveyed so much more sex than the average movie sexpot. With Grace, you had to find out – you had to discover it.”

Before concluding production on Dial M for Murder Hitchcock was already planning his next film – with Kelly in the lead. That next film was Rear Window.

Like Rear Window, Kelly wears some amazing outfits in this movie, by the way. The one that stands out for me is the red dress in the beginning. What a stunner.

I like what the writer on Offscreen said about the dress and the relationship of her outfits to scenes in the movie:

“Hitchcock starts the opening sequence at a breakfast table where Kelly is dressed demurely in a beige dressing gown; she reads a notice about the arrival of her lover on the Queen Mary; the ship arrives in dock; in seconds she is costumed in a red dress, embracing him in the flat where hours earlier she breakfasted with her supposedly unsuspecting husband. They are in the classic London flat but the picture presented is quite different as a result of clever writing, editing and colour coding. It also played on Hitchcock’s private perception of Kelly: he nicknamed her “the snow princess.”

I thought it was interesting that it was Cary Grant who told Hitchcock about the play version of Dial M for Murder, which debuted in 1952. Grant saw himself as the potential wife-killer, something Offscreen.com says Hitchcock always wanted Grant to play. Unfortunately Grant’s agents asked for way too much money so Hitchcock turned to Milland.

As a huge fan of Cary Grant I can honestly say I could see him playing the part Milland played, but Milland pulled it off in more dramatic fashion than I think Cary might have. Sometimes I have trouble seeing Cary in a dramatic role because even when I know he’s trying to be serious I think of his more playful movies and struggle to focus on him being the “bad guy.”

Milland, by the way, had won an Academy Award in 1945 for The Lost Weekend, so Hitchcock felt he was a good second pick.

Hitchcock chose not to change the play when he made the film and was quoted as saying this: “You buy a play for its construction. It’s the construction that makes it a hit. If you change that you’re ruining the very thing you bought. Just shoot the play.”

I thought this was ironic since he did change the endings of films that were based on novels he bought the rights to.

Have you ever seen this one? What did you think of it? Is it among your favorite Alfred Hitchcock films?

I was looking through a list of Alfred Hitchcock films the other day and I realized there are a ton I have never seen. I hope to make a marathon of his movies sometime soon.

I found Dial M For Murder on Tubi, by the way.

You can read Erin’s impression of the movie here:https://crackercrumblife.com/2024/10/24/comfy-cozy-cinema-dial-m-for-murder/

Up next in our Comfy, Cozy Cinema is a Halloween wildcard but Erin and I are both watching Practical Magic if you want to join us.

Here is our complete list of movies that we’ve watched and will be watching.

You can find links to my impressions of the ones we’ve watched so far here.

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Comfy, Cozy Cinema: Rear Window

“Nothing has caused the human race so much trouble as intelligence .” – Stella from Rear Window


Erin from Still Life, With Cracker Crumbs and I are watching Comfy, Cozy movies this September and October and this week we watched Alfred Hitchcock’s Rear Window – or rewatched for me.

Rear Window is one of Hitchcock’s more well-known and praised movies because of the intricacy of the story, the attention to detail, and the masterful storytelling that makes the viewer as desperate as the main character to find out what happens.

Laid up with a broken leg, our main character, photojournalist Jeff Jefferies (Jimmy Stewart) is stuck in a two-room apartment looking out on all his neighbors on the other side of his apartment complex.

It’s like he has a bunch of TV channels in each window to watch. There’s always something on. He uses a pair of binoculars to watch what they’re doing part of the time and part of the time he can see them with the naked eye.

There is a newlywed couple who are – ahem – getting to know each other; a couple who appear to be arguing; a woman who lowers her dog down to do his business in the little yard below each day; an athletic dancer who likes to stretch in front of her window; a lonely woman who eats her dinners alone; and many other characters for Jeff to watch.

One night he wakes up in his wheelchair, where he has been sitting for the whole movie, because he hears a scream and breaking class. He can’t figure out where the sounds came from and drifts back to sleep but later, when he wakes up again, he notices the one neighbor – the jewelry salesman who argued with his wife — acting very mysterious.

The neighbor in question, Lars Thorwald, (Raymond Burr) starts going in and out of his apartment with a suitcase. It’s around 2 a.m. when this starts at it’s pouring out. Jeff can’t figure out what that’s all about and struggles to stay awake to watch the man but finally succumbs to exhaustion.

I should mention that Jeff has a girlfriend, Lisa, (Grace Kelly) who is absolutely perfect, but he is making all kinds of excuses not to marry her and one of those excuses is that she won’t enjoy traveling with a journalist.

He tells his nurse (Thelma Ritter) and Lisa about it on their separate visits, but both seem to think he just has a bad case of cabin fever.

As he continues to ponder it all and notices that the man’s wife is no longer in the apartment, Jeff pulls out the zoom lens of his camera and watches the man cutting something up, putting it in bags, and carrying it out. Now he’s starting to really get antsy about what he’s witnessed.  It isn’t until Lisa is over one night and he’s telling her what he thinks that she begins to get a little interest as well. What piques both their interest is how the man is tying up a trunk and removing the mattress from the room.

Soon the nurse, Stella, is also pulled in, and all three of them begin to speculate what really happened.

Before long Jeff has Stella and Lisa acting as willing spies for him to find out what really happened.

If you want suspense then this the right movie for you. It is one of Hitchcock’s most suspenseful and nail biting movies.

The movie is based on a short story by Cornell Woolrich. I read an essay online (the author of which I couldn’t find, but it did say it wasn’t AI) that said this movie didn’t attempt to copy the story but instead recreated the plot based on the idea of it.

I did find a summary of the story and the ending is different in some ways to the movie, but with the final outcome being the same.

This writer, as other critics, point out that one aspect of this film that makes it so brilliant is that the viewer knows as much as Jeff does during the movie. We, the viewer, are watching it all unfold as he is and are seeing it from his same vantage point. We aren’t taken into apartments where he isn’t or into scenes that he isn’t looking at from his window. We are a participant in the film, so to speak.

Rear Window was filmed on a budget of $1 million but pulled in $36 million and became the top grossing film of 1954.

According to the site, All The Right Movies, the original story was based on a high-profile murder case in 1924 in Sussex England where a man named Patrick Mahon — committed a crime – well, I won’t tell you what happened in case you haven’t seen Rear Window.

Stewart had already been in one Hitchcock movie before this one (Rope) and would film two others afterward – Vertigo and The Man Who Knew Too Much.

For this film he was anxious to work with Hitchcock and said he wouldn’t take a salary but would take part of the film’s profits, which I think worked out very well for him. While the two got along, there were also times they spoke very little to each other, according to other actors who worked with them.

Wendell Corey, who played Detective Doyle in the movie, said, “Jimmy and Hitch would communicate in unspoken glances, and Jimmy would give him a steely look if Hitch said something he didn’t like. The only direction I ever saw Jimmy take was ‘the scene feels tired’ – there was steel under all that mushiness.”

Corey wasn’t a fan of Stewart in some ways. He was a nice guy, he said, but claimed he was also very arrogant on the set of Rear Window.

Others didn’t apparently didn’t hold this assessment and to me I think it was Corey who had the arrogance issue.

I thought it was interesting that Stewart’s wife asked to be on set during the filming of this movie because of Grace Kelly. According to trivia on All The Right Movies, “Grace Kelly may have been a little too friendly for some people, though – especially James Stewart’s wife. In 1954, Kelly had a reputation for having affairs with her leading men and, after she told a magazine she thought Stewart was one of the most attractive men she’d ever met, Stewart’s wife, Gloria, insisted on being on the set every day to keep an eye on things.”

Rear Window was Stewart’s favorite film of those he worked on Hitchcock with.

“The wonderful thing about Rear Window is that so much of it is visual,” he said in an interview. “You really have to keep your eyes open in the film, because it’s a complicated thing. This was my favorite film to make with Hitch.”

One more piece of trivia that had me snickering was that Hitchcock made the bad guy in this film (Again, I’ll keep it quiet on who the real bad guy is) look and act like David Selznick who produced Rebecca with Hitchcock. Hitchcock said Selznick interfered so much on that film he disowned it. In Rear Window he got his revenge by making the guilty party look like the producer he couldn’t stand.

I love the trivia behind the making of movies, as you know if you’ve read any of my previous posts, so I could go on and on about it. I won’t though. Instead, I’ll point you over to Erin’s blog for her views on it:

Keeping with the Hitchcock and Grace Kelly movies, we will be switching up our movie lineup next week and watching Dial M For Murder. To explain why we are choosing to watch this instead of Murder by Death, I’ll refer to Erin’s well-written explanation, which she also shares on her blog today: https://crackercrumblife.com/2024/10/17/comfy-cozy-cinema-rear-window/

“We were originally going to watch a movie I chose, Murder by Death. I chose it because I read that it was funny and because it has Maggie Smith in it but I didn’t do much research on it other than that.

 However, after doing some reading it looks like it could be considered problematic so we are going to scrap that one and trade it for Dial M for Murder instead. It is probably not a bad movie, but a movie that didn’t meet the goal of what was trying to be achieved – it was actually trying to shine a light on racism and homophobia, and no one mentions the ableism but I think I read that is in there too, that was prevalent in Hollywood and the world, but instead just looks like it is in fact all of those things itself.

Anyway, we decided to watch Dial M for Murder for Comfy Cozy Cinema, since we are trying to be cozy and snug with this fun movie watching challenge.  I think both of us plan on watching Murder by Death at some point though, whether it is together or just on our own.”

Here is the rest of the full list of movies we are watching or have watched.

I’m also including a link to my blog posts up from this year’s Comfy, Cozy Cinema, at the top of the page under the heading Movie Impressions.

Before I close out for today, I wanted to mention that we did pick a winner for our Comfy, Cozy Giveaway – Yvonne – and she has been notified! Thank you to all of you who entered the giveaway, followed our blogs, Etsy and Substack and I hope you will stick around and have some fun with us as we write about books, movies, and our lives.

If you end up writing about Rear Window or any of the other movies we are watching, please feel free to link up with our linky. You can add a link to the link if it is open, even if it is for a different movie.

Lisa H. 7:59 PM (1 hour ago) to me

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