Winter of Cagney: Yankee Doodle Dandy

January 2, 2026January 2, 2026 / Lisa R. Howeler / 6 Comments

For winter this year, I am watching James Cagney movies.

First up is Yankee Doodle Dandy (1942) which Cagney won an Oscar for.

This is a biopic about the entertainer George Cohan. Actually, though, he was more than just an entertainer. Under that umbrella, he was a playwright, lyricist, actor, singer, dancer, and theatrical producer.

Don’t think you know who Cohan is?

Well, if you’ve ever heard the songs “You’re A Grand Old Flag”, “Over There”, “Yankee Doodle Dandy Boy,” or “Give My Regards to Broadway,” then you have heard some of George’s work.

Yankee Doodle Dandy is his story, but . . . with some poetic license from what I’ve been reading. Cohan comes out looking a bit better than he might have been in real life, considering his first wife divorced him for adultery and that mysteriously didn’t make the movie. The movie did portray him as a bit of an arrogant kid who pushed his way to stardom, so he wasn’t portrayed as totally perfect, however. Plus, Cohan had the final say on the movie so maybe that’s why he looked a bit better in the movie. *wink*

Cohan was born July 3, 1878 according to baptismal records but according to him and his parents, he was born on the Fourth of July. This “fact” would be used throughout his career as he asserted his bold patriotism for the United States of America.

“I’m a Yankee Doodle Dandy
A Yankee Doodle, do or die
A real live nephew of my Uncle Sam
Born on the Fourth of July
I’ve got a Yankee Doodle sweetheart
She’s my Yankee Doodle joy”

From the musical Little Johnny Jones

Cohan’s was an Irish immigrant named Jeremiah (Keohane) Cohan. His mother was Helen “Nellie” Costigan Cohan, and his sister was Josephine “Josie” Cohan Niblo (1876–1916). Together the four of them would form a Vaudeville act called The Four Cohans.

George began singing and playing the violin at the age of 8 and toured with his family from 1890 to 1901.

During these years, he made famous a speech at the end of their show that you might have heard over the years, or even said yourself as a joke: “My mother thanks you, my father thanks you, my sister thanks you, and I thank you.”

*The Four Cohans with George on the left.*

He and his sister made their Broadway debuts in 1893 in a sketch called The Lively Bootblack.

I won’t give you his entire biography here, so if you want to know even more about his life, the movie will fill you in or there is a ton of information about him online.

Many people think of James Cagney with a New York accident asking questions like, “You talking to me?” because of the many mobster-themed movies he appeared in in the 1930s. (I don’t think he actually ever said that line, though. Much like he never actually said, ‘You dirty rat! The quote was actually longer and included the words “You yellow-bellied dirty rat” in the movie Taxi, 1931.)

“There is a story that James Cagney stood on his toes while acting, believing he would project more energy that way,” Roger Ebert wrote. That sounds like a press release, but whatever he did, Cagney came across as one of the most dynamic performers in movie history–a short man with ordinary looks whose coiled tension made him the focus of every scene.”

Yankee Doodle Dandee showed there was lot more to Cagney than many moviegoers realized.

For one, Cagney could dance, which he had showcased in other movies but really was able to showcase in this movie.

Cagney could also be funny and charming — which moviegoers had seen in other movies but really saw in Yankee Doodle Dandy.

Cagney almost didn’t get the role that he would later call his favorite, according to an article on TCM.com.

Originally Cohan and MGM had combined to make a film that would cover when Cohan had toured with his family. It would have starred Mickey Rooney. The deal collapsed because the studio head, Louis B. Mayer, refused to let Cohan have the final cut on the film.

Samuel Goldwyn then expressed an interest in making a movie with Cohan and planned on giving the role of Cohan to Fred Astaire.

Astaire turned it down, and Warner Bros. picked up the rights and cast Cagney, who at the time was being suspected of being a communist sympathizer due to being president of the Screen Actors’ Guild a — gasp! — union!

“He wanted to show his patriotism on screen,” the TCM article reads. “And the George M. Cohan story was the perfect vehicle to do that.”

Cagney broke into infamy with this movie. I am sure many of you have seen one of his most famous scenes — when he tap dances down a long flight of stairs while leaving the white house after talking to President Franklin Roosevelt. This scene, like many others in his career, was improvised by Cagney, who called it his favorite moment in the movie.

“I didn’t think of it till five minutes before I went on,” Cagney later recalled. “And I didn’t check with the director or anything; I just did it.”

Yankee Doodle Dandy was directed by Michael Curtiz (most well-known for directing Casablanca).

According to TCM and other sources online, Curtiz letting Cagney have free rein in the role is what made it such a success and made him so enamored with Cagney as an actor.

“The ordinarily hard-boiled Curtiz was so moved by the scene in which Cohan bids farewell to his dying father (Walter Huston) that he reportedly ruined a take with his loud sobs,” reads the article on TCM.com. “According to Cagney biographer Michael Freedland, tears streamed down Curtiz’s face as he stumbled away to find a handkerchief and exclaimed to Cagney, “Gott, Jeemy, that was marvelous!’”

I can speak from the experience of seeing the movie that that scene was heartbreakingly marvelous. I wasn’t super emotionally invested in the movie as I watched it, but during that scene, I teared up and failed to hold back a small sob. Maybe it’s because my parents are older, so I could relate to that scene more than I might have been able to if I had watched this when I was younger.

Critic Brenden Gill said of Cagney’s role in the film: “George M. Cohan was by all accounts something of a scoundrel. He was an impossible human being, but he was a tremendous actor, comedian, showman, and he wrote great popular songs. He exists in our memories now not as George M. Cohan but as James Cagney in the movie.”

“Cagney managed to capture this persona that Cohan created,” another critic I heard (but couldn’t find the name of) said. “It was brash. It was pushy. It was aggressive. It was funny. Very American. Very New York. And Cohan created this character as his own persona on stage, but it really became the emblem of Broadway itself.”

Cagney, according to TCM.com writer Jeremy Arnold, wanted to portray Cohan correctly, not only because Cohan — 63 at the time the movie was made —had final approval over the film, but for accuracy.

“To perfect Cohan’s distinctive, strutting style of dance,” Arnold writes. “Cagney rehearsed with choreographer John Boyle, who had worked with Cohan extensively in the 1920s. Cagney also channeled Cohan’s singing voice, which was more like rhythmic speaking, and brought his own charismatic talent to the romantic, comedic, and dramatic scenes.”

There were liberties taken with Cohan’s life, as I mentioned above. For instance, his two wives were combined into a single character. Also, the chronology and order of his parents’ death was also switched around (probably to make that death bed scene even more emotional). Additionally, in one scene when he suffers a flop with a non-musical drama called Popularity, a newspaper seller announces the torpedoing of the Lusitania. The play flopped in 1906, but the Lusitania sunk in 1915, according to TCM.

Despite these changes, most critics agree that the movie captured Cohan’s life and music perfectly.

“Yankee Doodle Dandy, with its many flag-waving musical numbers, proved just the ticket for World War II-era audiences and became the top-grossing movie of its year, as well as Warner Bros.’ top-grossing movie to that time,” Jeremy Arnold wrote for TCM.com.

In addition to Cagney, the movie also starred Joan Leslie, Walter Huston, Richard Worf, Irene Manning, Rosemary Decamp, Jeanne Cagney (Cagney’s sister who played his sister Josie in the movie), and Eddie Foy Jr as Eddie Foy Sr.

So, a pause here. Eddie Foy Sr. was another entertainer of a similar style and also performed vaudeville with his family, The Seven Foys.

There is a movie called The Seven Little Foys (1955) starring Bob Hope as Eddie Foy Sr. and in it there is a cameo by Cagney, who portrays George M. Cohan, reprising his role from Yankee Doodle Dandy.

The two dancers face off in a very fun tap-dancing routine on a boardroom table. You can catch that here:

As for what movie watchers or critics now think of Yankee Doodle Dandy, you can find a variety of opinions online — some calling it satire to make fun of capitalism and nationalism while others say it is a disgusting display of support for capitalism and nationalism.

Some love the over-the-top patriotism and some absolutely hate it.

I guess you’ll have to make up your own mind what it promotes or represents and what it doesn’t, but what many can’t deny is the talent Cagney displays in the movie.

I definitely enjoyed seeing Cagney’s talent, but at first glance didn’t enjoy his dancing style. It was floppy and lanky instead of smooth and debonair like Gene Kelley or Fred Astaire, who I am more used to, but after seeing footage of Cohan, I now get that Cagney was imitating Cohan’s dancing style.

After hearing and seeing recordings of Cohan this week, I realized how perfectly Cagney nailed Cohan in the movie. No wonder he won the Oscar for best actor that year. It was also his only Oscar, incidentally.

Cagney pulled the role off even though “he (couldn’t) really dance or sing,” observed critic Edwin Jahiel, “but he acts so vigorously that it creates an illusion, and for dance-steps he substitutes a patented brand of robust, jerky walks, runs and other motions.”

Ebert wrote in his review of the film : “Unlike Astaire, whose entire body was involved in every movement, Cagney was a dancer who seemed to call on body parts in rotation. When he struts across the stage in the “Yankee Doodle Dandy” number, his legs are rubber but his spine is steel, and his torso is slanted forward so steeply we’re reminded of Groucho Marx.”

I’ll have to check out Cagney’s dancing in other movies to really get an idea of his actual style.

Cohan saw the picture shortly before he died in November 1942, by the way, and reportedly said afterward, “My God, what an act to follow.” The next morning, he sent Cagney a congratulatory telegram. And then he died. Ha! Kidding. I have no idea when he actually died but I do know he was only 64 so it was shortly after the movie was released.

I was amazed by the amazing sets for the incredible musical scenes in this movie. The scenes — which included moving sets and fireworks, and a floor like a conveyor belt that made the actors seem like they were continuously marching toward the audience — were way ahead of moviemaking at that time

Maybe that is why the movie cost so much to make, which was $1.5 million and well above the standard for the time.

Luckily, it grossed $6 million.

You can catch some of that movie/Broadway magic here:

As for Cagney’s acting in the movie, I thought it was great and engaging. Even parts that could have been a bit cheesy were enhanced by Cagney’s performance.

I loved the dancing and singing sequences throughout the movie. Those snippets were perfect introductions to the style of musicals and Broadway at the time, though that style became the style of Broadway in the future as well, thanks to Cohan.

Have you seen this one?

You can learn a bit more about Cohan in this clip:

If you want to see Cohan himself perform “Over There,” you can see that here:

And for a sneak peek of the movie, here is the trailer from when it was released:

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/)

If you would like to follow along with my Winter of Cagney and watch some of the movies yourself, here is my schedule for the winter:

Yankee Doodle Dandy

The Man of A Thousand Faces

Taxi

The Strawberry Blonde

Mister Roberts

Angels With Dirty Faces

Public Enemy

Love Me or Leave Me

White Heat

Bonus: The Seven Little Foys

Additional Resources:

https://www.tcm.com/articles/afi-top-100/24022/yankee-doodle-dandy-1942

https://www.rogerebert.com/reviews/great-movie-yankee-doodle-dandy-1942

https://en.wikipedia.org/wiki/Yankee_Doodle_Dandy

https://en.wikipedia.org/wiki/The_Seven_Little_Foys

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account (https://www.instagram.com/nostalgically_thinking/) or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

James Cagney: One of the most versatile actors of the Golden Age

January 1, 2026January 2, 2026 / Lisa R. Howeler / 6 Comments

When people think of the actor James Cagney, many might think of his roles as gangsters, bad guys, and double-crossers. He was much more than that, though, in his acting roles and in his life.

This month I am watching James Cagney movies as part of my Winter of Cagney movie event.

To kick it off, I thought it might be good to share a little about the actor’s life.

Cagney was born to an Irish bartender father (James Francis Cagney) in the rough lower east side of New York City. His father, who Cagney says was an alcoholic, was also an accomplished boxer and at the age of 14 Cagney followed his footsteps and became one of Yorkville’s best fighters. James’ mother was Carolyn Elizabeth Cagney (my mom’s name is ironically Carolyn Elizabeth..but not Cagney).

“My childhood was surrounded by trouble, illness, and my dad’s alcoholism,” Cagney wrote in his autobiography, Cagney on Cagney. “But as I said, we just didn’t have the time to be impressed by all those misfortunes. I have an idea that the Irish possess a built-in don’t-give-a-damn that helps them through all the stress.”

While in high school, Cagney worked wrapping packages at Wanamaker’s Department Store, for $16 a week. His introduction into entertainment came when a fellow employee at Wanamaker’s told him a vaudeville troupe paid its players $35 a week. When Cagney auditioned, he told them he could sing and dance. He couldn’t do either, but he still had a successful audition. It was while working in Vaudeville that he met Frances Willard. They married in 1922 and remained married until his death 64 years later. She lived until 1994.

Cagney’s big break on the stage came in 1929 when he acted opposite Joan Blondell in Penny Arcade.

His big screen debut came in 1930 with Sinner’s Holiday, and he made four more films that year. Public Enemy (1931) and Taxi (1931) are two movies where the world was introduced to him as a gangster.

Growing up, I heard a lot of impressions of Cagney and those always claimed he said, “You dirty rat….” Or “All right, you guys.”

For the record, according to the Encyclopedia Britannica website, Cagney never actually said the words “You dirty rat,” or “All right, you guys” in any of his movies. Wow. Talk about a disappointing revelation there. Ha!

He did, however, say, “Come out here and take it, you dirty yellow-bellied rat or I’ll give it to you through the door,” in the 1931 movieTaxi.

According to The Kennedy Center website (he was honored there in 1980), “The unforgettable ‘fruit facial’ scene, in which he rams a grapefruit into Mae Clarke’s nose is exemplary of Cagney’s spontaneity, for the script called for him to slap Clarke with an omelet.”

Eventually, though, Cagney would tire of “packing guns and beating up women,” as he said in his autobiography, and after a string of movies where he played a gangster type figure, he did try some different roles, including the one he won an Oscar for — playing George M. Cohan in Yankee Doodle Dandy.

“No matter the genre of the film he was in, James Cagney always brought unique, riveting energy to the screen,” writes Jeremy Arnold for TCM.com. “Known best for his tough-guy and gangster roles, a persona cemented by his fourth picture, The Public Enemy (1931), Cagney had actually started his showbiz career in 1920s vaudeville as a song and dance man, and to the end of his life he thought of himself primarily as a hoofer. Hollywood didn’t give him a chance to show off those talents until his fourteenth film, Footlight Parade (1933), and even after that movie’s success, Cagney went on to make surprisingly few musicals.”

In 1934 and 1940, Cagney was accused of being a communist sympathizer and many say this is why he took the part in Yankee Doodle Dandy — to attempt to clear his name and show that he really was a true patriot. His brother, in fact, urged him to take the part for that very reason.

Information online from various sources also suggests Cagney once had a hit on him by the mafia for work he did against the Chicago Outfit and the Mafia because they were extorting money from Hollywood studios by threatening to strikes by a mob-controlled labor union.

Cagney once shared that a hitman was sent and a heavy light was dropped on his head but it didn’t kill him, and the hit was eventually dropped when actor George Raft made a call to have the contract canceled. Raft was an American actor who played mobsters in movies and was (apparently) connected to the mob as well.

Some of Cagney’s most famous movies, besides the ones already mentioned, include:

White Heat (1949), Come Fill the Cup (1951), Love Me or Leave Me (1955), Mister Roberts (1955), and Man of a Thousand Faces (1957).

White Heat is one film that Cagney enthusiasts say you have to watch (and I will be). One reason is for the scene where Cagney breaks down after finding out his mother has been killed. The scene was shot with 300 extras in a prison cafeteria and none of the men knew what Cagney was going to do. Many of the men in the scene actually thought he had lost his mind which is why their reactions in the background are so real.

“I didn’t have to psych myself up for the scene in which I go berserk on learning of my mother’s death,” he wrote in his autobiography Cagney by Cagney. “You don’t psych yourself up for those things. You do them. I knew what deranged people sounded like. As a youngster I had visited Ward’s Island. A pal’s uncle was in the hospital for the insane. My God, what an education that was. The shrieks. The screams of those people under restraint. I remembered those cries. I saw that they fit the scene. I called on my memory to do as required. No need to ‘psych up.’”

White Heat is also where Cagney uttered one of his most famous lines, “On top of the world, Ma!”

After playing the manic Coca-Cola executive in Billy Wilder’s One Two Three in 1961, Cagney retired from acting and moved to an 800-acre farm in Dutchess County, NY with his wife where he relaxed, read, played tennis, raised horses, swam, and wrote some poetry.

It was on that farm where he died on Easter Sunday, 1986, of a heart attack at the age of 86.

I was saddened to read from a couple of sources that he did have adopted children, but the relationships with them fell apart, and his adopted son died of a heart attack when Cagney was 84, without them really speaking to each other for years..

Many actors and famous people have commented on Cagney, his acting, his movies, and his life in general.

One of those actors was George C. Scott who never worked with him but met him toward the end of Cagney’s life and borrowed a quote about General Robert E. Lee that Scott said fit Cagney as well: “What he seemed he was, a wholly human gentleman. The essential elements of whose positive character were two and only two — simplicity and spirituality.”

Scott said he was “perfectly himself” and “he was what he seemed to be.”

I will be watching the following movies for my Winter of Cagney:

Yankee Doodle Dandy

The Man of A Thousand Faces

Taxi

The Strawberry Blonde

Mister Roberts

Angels With Dirty Faces

Public Enemy

Love Me or Leave Me

White Heat

Bonus: The Seven Little Foys

What Cagney movies have you watched?

Sources:

https://en.wikipedia.org/wiki/James_Cagney

https://www.kennedy-center.org/artists/c/ca-cn/james-cagney/

https://www.tcm.com/articles/021761/wb100-james-cagney

https://www.britannica.com/biography/James-Cagney

If you want to find clips and thoughts about vintage movies and TV, you can visit me on Instagram on my Nostalgically Thinking Account https://www.instagram.com/nostalgically_thinking/ or on my YouTube account Nostalgically and Bookishly Thinking here: https://www.youtube.com/@nostaglicandbookish

‘It’s A Wonderful Life’ started as a novella written by a man born near my Pennsylvania hometown

December 22, 2025December 22, 2025 / Lisa R. Howeler / 7 Comments

The main character of the iconic Christmas movie It’s A Wonderful Life, could have been named George Pratt instead of George Bailey.

That’s if scriptwriters had kept the original name of the main character in the novella that was used as the inspiration for the 1946 classic.

Most people in the United States know It’s A Wonderful Life only as a movie that airs at least once every December on NBC. Less known is that the movie is based on a novella that author Philip Van Dorne Stern couldn’t get a publisher to pick up, so he finally sent it out as Christmas cards to family and friends.

The novella (a novella is shorter than a novel but longer than a short story) was called The Greatest Gift and was first discovered by RKO Pictures, but later made its way to director Frank Capra. Capra bought the rights from RKO and expanded it to create the movie, which was once ranked the 20^th most popular American movie of all time by the American Film Institute.

Stern published more than that novella, though. A graduate of Rutgers University, Stern was a writer and editor of more than 60 fiction and nonfiction books, including The Life and Writings of Abraham Lincoln, published in 1939.

According to Rutgers, The New York Times described his 1942 novel, Drums of Morning, as ”the long overdue fictional answer to Gone with the Wind.”

It was his small novella, though, that would become the basis for stage plays, radio plays, and the movie.

A few weekends ago, my husband participated in a radio play version of It’s A Wonderful Life.

A radio play is a play within a play, in case you are wondering. More about that in a minute.

At the end of the play, the director let everyone in attendance know that Stern was actually born in the little town the play was being held in — Wyalusing, Pa. (population 670).

As far as anyone knows, Stern didn’t live very long in Wyalusing, but he was born there, as evidenced by most information you can find about him online, including the Rutgers website, which states: “Stern was born in Wyalusing, Pennsylvania, but grew up in New Jersey and lived in Newark while studying at Rutgers. After living most of his adult life in New York, he retired to Florida in the 1970s. He died in 1984 in Sarasota, Florida, shortly before his 84th birthday.”

According to another article on Rutgers, Stern, who graduated from the college in 1924, was shaving one morning in the winter of 1938, when he couldn’t shake the idea of a story about a man who rejects suicide and embraces life after a mysterious stranger allows him to see how the world would have been if he had never been born.

At that time, Stern was an author and publishing executive who had also worked as a typographer. He struggled to get the idea down on paper and it took another five years before he felt comfortable sharing the first draft with his agent.

He and his agent shopped it around to magazines to no avail, so Stern sent it to 200 people as a Christmas card.

“One evening [several months later], just as I arrived home, I heard the telephone ringing,” Stern said in a 1946 New York Herald Tribune article. “It was Western Union calling to read me a telegram from Hollywood, announcing that the story had been sold for $10,000.”

Now back to that radio play for a bit.

The radio play is sort of a story within a story because the actors (there are only about six of them) are playing radio personalities from the 1940s who are putting on a play.

This means that we are seeing them as if they are in the radio station building lone, performing the play with large microphones in front of them, with the tools for sound effects around them and all of them holding scripts to read from.

Imagine that scene in Annie when Oliver Warbucks takes her to the radio station to share about how she’s looking for her parents.

That’s what the play was like. Because the cast is small, some have to play more than one part, sometimes as many as three.

My husband played four roles with his main three being Freddie Filmore (the actor on the radio show), Mr. Potter and Uncle Billy.

There is also a woman in charge of the sound effects and she did an amazing job.

The idea with a radio show is that you can close your eyes while watching the play and still be able to know what is going on.

At the end of the first showing, my husband had a blind man tell him that the show came alive for him because he didn’t have to see what was going on, he could hear it all. He felt like he was apart of it all, which he probably doesn’t usually feel when he attends other plays.

Something interesting I read in the Rutger’s article was that Stern’s story was first sold to RKO pictures who was planning to have Cary Grant as the lead. I’m so glad Capra later got the rights and chose Jimmy Stewart as George. It was Jimmy’s first movie after returning from war and serving in the military. It was a stepping stone back into the acting world for a man who hadn’t been sure he could pull off acting again after all he’d gone through in the war.

The war affected him so immensely that when he sat to film the scene in the bar where George asks God to help him, he broke down, thoughts of the hopeless in the world forefront on his mind. Capra had planned a wide shot for that scene so when Jimmy broke down he had the camera man kept rolling and had to “zoom in” on the negative of the film during editing, which is why, if you look closely, that part of the movie is slightly out of focus.

Jimmy actually wrote about this unscripted moment in Guidepost Magazine in 1987.

“In this scene, at the lowest point in George Bailey’s life, Frank Capra was shooting a long shot of me slumped in despair.

In agony I raise my eyes and, following the script, plead, “God… God…dear Father in heaven, I’m not a praying man, but if you’re up there and you can hear me, show me the way. I’m at the end of my rope. Show me the way, God…”

As I said those words, I felt the loneliness, the hopelessness of people who had nowhere to turn, and my eyes filled with tears. I broke down sobbing. This was not planned at all, but the power of that prayer, the realization that our Father in heaven is there to help the hopeless, had reduced me to tears.

Frank, who loved spontaneity in his films, was ecstatic. He wanted a close-up of me saying that prayer, but was sensitive enough to know that my breaking down was real and that repeating it in another take was unlikely. But Frank got his close-up.

The following week, he worked long hours in the film laboratory, repeatedly enlarging the frames so that eventually it would appear as a close-up on the screen. I believe nothing like this had ever been done before. It involved thousands of enlargements with extra time and money. But he felt it was worth it.”

In his 1971 autobiography, The Name above the Title, Capra wrote of Stern’s novella, “It was the story I had been looking for all my life! Small town. A man, a good man, ambitious. But so busy helping others, life seems to pass him by … Through the eyes of a guardian angel he sees the world as it would have been had he never been born. Wow! What an idea. The kind of an idea that when I get old and sick and scared and ready to die—they’ll still say, ‘He made The Greatest Gift.’ ”

The title was later changed to It’s A Wonderful Life, of course.

“Using Stern’s story as a starting point,” The Library of Congress blog reads. “Three teams of scriptwriters hired by RKO wrote three different film scripts, but none quite worked for the studio. In 1945, RKO sold the film rights to the story, along with the three scripts, for $10,000 to Frank Capra’s newly-formed film production company, Liberty Films. Capra hired husband-and-wife screenwriters Albert Hackett and Frances Goodrich to create a completely new script, which used some bits from the existing scripts, but also created a back-story with extra characters, filled in details, and made some minor story changes.”

After Stern had a contract for film rights, by the way, the magazines Reader’s Scope and Good Housekeeping both agreed to publish the story and then book publisher David McKay agreed as well.

According to the Library of Congress blog, “Good Housekeeping published a slightly longer and darker version with the title “The Man Who Was Never Born” using the pseudonym Peter Storme. The text of the story as it appeared in the original pamphlet was reproduced exactly in the McKay book and in magazines and anthologies that published the story in the following decades.”

It’s A Wonderful Life was not a big hit in 1946. So how did it become such a Christmas classic? It slipped into the public domain when the owner of it National Telefilm Associates, failed to renew the film’s copyright. This was great news for TV stations and home-video companies because they didn’t have to pay royalties, so they began to show the movie on television and make copies available on video for rental and sale.

In 1993, though, Republic Pictures bought out National Telefilm Association through a court action and had the copyright restored. The next year, they signed a long-term agreement with NBC to air It’s A Wonderful Life a few times a year, especially in December.

One of the things I like most about the story behind the making of It’s A Wonderful Life is how it started as something so small and innocent, a story idea that wouldn’t let Philip Van Doren Stern go and one he didn’t let go.

I don’t think he could have ever imagined what an impact that little idea, that short novella, would have on so many people. How it would inspire people to recognize how precious and important each individual life is.

More info and sources:

It’s A Wonderful Life: Rare Photos from the Set of a Holiday Classic

https://www.life.com/arts-entertainment/its-a-wonderful-life-rare-photos-from-the-set-of-a-holiday-classic/

Richest Man in Town

https://rutgersfoundation.org/news/alumni-profiles/richest-man-town-0

Inspiring A Holiday Classic

https://newbrunswick.rutgers.edu/inspiring-holiday-classic

James Stewart writes about It’s A Wonderful Life

https://guideposts.org/positive-living/entertainment/movies-and-tv/guideposts-classics-james-stewart-on-its-a-wonderful-life/

This post is part of the Comfy, Cozy Christmas feature hosted by me and Erin at Still Life, With Cracker Crumbs. If you have a blog post that you would like to share as part of this annual link-up, please find out more here.

If you write book reviews or book-related blog posts, don’t forget that Erin and I host the A Good Book and A Cup of Tea Monthly Bookish Blog Party. You can learn more about it here.

Comfy, Cozy Christmas: Meet Me In St. Louis and Have Yourself A Merry Little Christmas

December 15, 2025December 15, 2025 / Lisa R. Howeler / 7 Comments

A vlogger I watch recently suggested watching Meet Me In St. Louis as a Christmas movie, mainly because of the song Have Yourself A Merry Little Christmas, which is sung toward the end of the movie.

I had never watched the movie because I’ve never felt like I was a big fan of Judy Garland, even though I haven’t seen her in much other than The Wizard of Oz.

I decided to give the movie a try a couple of weeks ago, though, and it turns out I don’t mind Judy as much as I thought and the movie does have a few Christmas-themed scenes (including a Christas Eve dance at the end), but it is much more than a Christmas movie.

The movie is funny, fun, warmhearted, and full of really sweet or fun songs. The dresses worn by the young women are gorgeous and it was shot in technicolor which makes all the beautiful dresses even more captivating.

The movie is a musical, which I didn’t know when I started it. I didn’t even know that this is where the song Have Yourself A Merry Little Christmas came from. I also didn’t know this is where The Trolly Song (which I thought was just called Clang, Clang, Clang Goes the Trolly) came from. (That’s the song my husband always sings when he pretends he’s looped out from a knock on the head or when he is super tired. I’d say when he is drinking, but he doesn’t drink enough to get that drunk. I told him this movie is where the song he sings is from and he said he thought it was from The Simpsons. Ha! I think Homer does sing part of it in an episode.)

Yes, I have been living under a rock for my entire life.

If you’ve seen this movie you can skip over the next paragraph where I share what the movie is about.

The movie follows the Smith family, primarily Esther Smith (Judy) and her siblings as they grow up in St. Louis. The movie shows a year in the life of the family and there isn’t really a deep plot to the movie other than Judy trying to catch the eye of the college boy next door — John Pruitt — and her sister trying to get married. I don’t find the lack of a plot a detriment of the movie, by the way. The majority of the movie follows the different situations the youngest girls get themselves in, as well as the love life of Esther and her sister, and it is a fun journey.

The movie takes place in 1903.

The parents, grandfather, and housemaid are really all secondary characters but still very fun additions.

The youngest sisters, played by Margaret O’Brien (Tootie) and Joan Carroll (Agnes), are absolutely hilarious. The scenes with them are the funniest scenes in the movie. There is one that takes place on Halloween that is so insanely crazy I found myself gasping at the verbal “brutality” of these kids. (Written with a laugh, just to explain.)

If you’ve seen the movie, you know what I’m talking about. If you haven’t seen the movie, you’ll need to watch and find out.

In addition to Judy, the movie also stars Lucille Bremmer, Mary Astor, Leon Ames, and Harry Davenport.

The musical was released in 1944 and based on a series of short stories by Sally Benson.

Her stories story first appeared in the New Yorker magazine between June 21, 1941 and May 23, 1942. The twelve installments were published under at The Kensington Stories with Kensington referring to the fictional street address of the “Smiths’s” house.

Benson sold the rights to MGM in 1942 and was hired to work on the screenplay, which was ultimately written by Irving Brecher and Fred F. Finklehoffe with her help.

Benson published the stories as a novel of the same name with each chapter covering one month of the year the same year the movie came out.

According to AFI.com, Benson’s story was based on her own experiences growing up in St. Louis. “Tootie” was based on Benson, while “Esther” was inspired by her older sister.

The movie, incidentally, was directed by Vincent Morelli, who married Judy a year later. That marriage is a whole crazy story for another day.

Have Yourself A Merry Little Christmas was written by Hugh Martin and Ralph Blane who originally wrote it to be about celebrating Christmas during wartime. At the request of Judy, though, the lyrics were tweaked and the mood of the song was uplifted a bit. Judy, who was supposed to be 17 in the movie, is singing the song to her younger (5-year-old sister) in the movie and didn’t feel it was appropriate to sing a sad song at Christmastime to a little girl.

Meet Me In St. Louis was the second-highest grossing film that year behind the Bing Crosby movie Going My Way (the prequel to The Bells of St. Mary).

The movie produced three “standards” or songs that became very popular and well-known even years later: “The Trolley Song“, “The Boy Next Door” and “Have Yourself a Merry Little Christmas“, all written by Hugh Martin and Ralph Blane for the film.

According to TCM.com, Meet Me in St. Louis received a very large amount of awards in 1944 and beyond. Here are some of those:

It was nominated for four Academy Awards including Best Cinematography, Best Original Song (for “The Trolley Song”), Best Musical Score and Best Writing, Screenplay.
In 1989 it won an ASCAP Award for the song “Have Yourself a Merry Little Christmas” which they named the Most Performed Feature Film Standard.
The National Board of Review named it one of the top ten films of 1944.
In 1945 the Library of Congress selected it as one of 7 films to be the first inclusions in the library’s film collection.
In 2005 the American Film Institute ranked it the 10th Greatest Movie Musical of All Time.
In 2004 the American Film Institute ranked “The Trolley Song” from it as the 26th Greatest Movie Song of All Time.
In 2005 Time Magazine named it as one of the Top 100 All-Time Movies.

An interesting story I read while researching this movie was that Margaret O’Brien’s juvenile Oscar was stolen by a former maid of her family’s. The Academy gave her a replacement Oscar, but she still hoped to one day have her original Oscar returned to her. She used to search flea markets and collector auctions for it.

The story is a bit long, but the Oscar was eventually found and returned to her during a special ceremony held by the Academy.

At the time she said, “For all those people who have lost or misplaced something that was dear to them, as I have, never give up the dream of searching—never let go of the hope that you’ll find it because after all these many years, at last, my Oscar has been returned to me.”

There is plenty more information about the movie online, including on the TCM.com website: https://www.tcm.com/articles/musical/18523/meet-me-in-st-louis-1944

Have you ever seen this one?

______

Resources:

American Film Institute: https://catalog.afi.com/Catalog/moviedetails/24066

TCM.com: https://www.tcm.com/articles/musical/18523/meet-me-in-st-louis-1944

Classic Movie Impression: It Happened On Fifth Avenue

December 11, 2025December 11, 2025 / Lisa R. Howeler / 5 Comments

I’ve been watching less popular Christmas-themed movies around Christmas for the last couple of years. One of those movies was It Happened on Fifth Avenue (1947).

I truly thought I’d written about this movie in previous years, but I can’t find it when I search so I am writing about it now.

The movie is about a group of people who are sort of thrown together but it starts with a man named Alyosius T. McKeever (Victor Moore) who sneaks in the mansion of businessman Michael O’Connor (Charlie Ruggles) in New York City early in November when O’Connor goes to his home in Virginia for the winter.

McKeever is a “vagabond” or homeless man.

He lives in the home, wearing O’Connor’s clothes, and eating any food left at the house in the pantry.

The movie opens with him sneaking inside through the back fence and will later learn that he’s been doing this for some twenty years.

I, of course, am surprised that no one has ever seen him or seen the lights on in the house but, it’s a movie. Let’s suspend belief.

There are police who patrol the grounds, but McKeever has a system where he hides in the icebox (or a room they call the icebox) until the police have passed by. He also has the lights hooked up so they will shut off as soon as someone opens the front door.

One day McKeever meets Jim Bullock played by Don DeFore, sleeping on a park bench. Jim, a veteran, has been evicted from his apartment building because it is being torn down. Michael O’Connor is putting up an 80-story building in its place.

When Jim gets to the mansion and is settling in, he sees an award shaped like a boat with the name Michael O’Connor on it and accuses McKeever of taking over homes of people who can’t afford to live in family homes like his.

McKeever tells Jim he’s not really O’Connor, but a friend of his. Jim accepts this explanation easily

Jim isn’t sure what to think of this arrangement, but he needs a place to stay so he accepts it.

Soon we see Michael O’Connor, who is in Virgina having a board meeting. During the board meeting he gets a call from his daughter Trudy’s school and been told that it’s possible she’s run away.

Michael looks at a photo of two women and asks his assistant if he thinks that she has run off to her mother in Florida.

The man doesn’t know so Michael orders him to hire a private investigator and find his daughter (played by … get this name…Gale Storm).

His daughter, though, is already found for us viewers. She is at her father’s mansion looking for her clothes when Jim finds her. He demands to know what she’s doing there and suggests she is stealing from the mansion. He threatens to call the police.

Trudy, apparently smitten with Jim merely based on his appearance, decides not to tell him who she really is and tells him to go ahead and call the police.

McKeever pulls Jim aside and confesses all. He is not a friend of O’Connor, but is, instead, simply someone who takes advantage of the home being empty for a few months out of the year. When O’Connor leaves, he moves in and when O’Connor leaves Virginia, McKeever hitches his way to Virginia and moves in that house until it’s time to come back to New York.

(Again…suspend belief).

Jim isn’t sure what to make of the arrangement, but is amused and impressed that McKeever hasn’t been caught yet.

Trudy listens in and overhears what McKeever has been doing and smiles in an amused way. She decides she will find a way to stay on with the men since it will be a way to hide from her father for a while. She tells the men the truth, which is that she’s going to get a job at a music store so she can get back on her feet again. She then says she only broke into the house because she was hungry and desperate and then does a lovely fake faint to add to her story.

The men agree that she can stay. From here the movie will start to get a bit more complicated as more people are invited to stay at the mansion, including a family with small children. What could make all of this even more chaotic? Add in Michael O’Connor returning to New York to try to find his daughter and planning to return to the mansion.

One little thing that bothered me about this movie was how young Gale Storm looked and was supposed to be. She was supposed to be 18 but a romance develops between her and Jim and he seems considerably older than her. That was…awkward at times. However, I’m not sure how old Jim is actually supposed to be so maybe it isn’t so awkward. Gale was 22 at the time the film was made.

The screenplay for this movie was written by Everett Freeman. The original story was created by Herbert Clyde Lewis and Frederick Stephani.

Harry Revel wrote the songs “It’s A Wonderful, Wonderful Feeling.” “That’s What Christmas Means to Me” and “Speak My Heart” for the movie, according to the opening credits, but I wouldn’t call this movie a musical. One of the main characters simply sings a bit.

Gale Storm thought she’d be singing the parts in the film, but, unfortunately, she was told her voice would be dubbed over.

She later wrote in her memoir: “I couldn’t believe it. I thought that maybe the director didn’t know I’d been singing and dancing in films, and that if I spoke to him he’d let me do my own numbers. Well, I asked him, and he said no. I asked him to look at some of my musicals, and he said no. I asked him if I could sing for him, and he said no. His theory was that if you were a dancer, you didn’t sing; if you were a singer, you didn’t dance; and if you were an actor, you didn’t sing or dance. It was humiliating.”

Another song in the movie is “You’re Everywhere” sung by The King’s Men at 1930s/1940s barbershop quartet.

According to TCM.com, Frank Capra originally acquired the rights to the movie but passed it on to Allied Artists, a new subsidiary of Monogram Pictures, which used to develop B movies. It Happened on Fifth Avenue was the companies first major motion picture and was developed by Roy Del Ruth.

Not only was Gale upset about not being able to sing in the film, but she also was disappointed Capra didn’t direct it, according to the TCM.com article. She felt the movie was decidedly “Capra-esque” — “a warmhearted human story about the little guy with underlying social and political commetary. She said that she felt Del Ruth didn’t make the most of the story’s potential, but she may have been holding a grudge since he didn’t let her do her own singing.

Gale said Del Ruth wasn’t easy on anyone.

“I wasn’t the only one Del Ruth humiliated,” continued Storm in her biography. “Victor Moore was a dear, sweet old man who was kind to everyone; we all loved him. Except Del Ruth. Whatever Victor did, the director made him redo it — again and again. And Del Ruth never told the old man what he might have been doing wrong.”

Despite these complaints from Gale, the movie did well when it was released, with the actors receiving praise by reviewers and critics. It has now become a beloved classic as well.

Is this one you’ve ever seen? What did you think about it?

If you write book reviews or book-related blog posts, don’t forget that Erin and I host the A Good Book and A Cup of Tea Monthly Bookish Blog Party. You can learn more about it here.

Movie impression : The Storied Life of AJ Fikry

November 13, 2025November 16, 2025 / Lisa R. Howeler / 6 Comments

Erin from Still Life, With Cracker Crumbs and I watched movies again this year for Comfy, Cozy Cinema

For our last movie we watched The Storied Life of AJ Fikry (2022).

The movie is based on the book of the same name by Gabrielle Zevin.

The story follows AJ Fikry (Kunal Nayyar), the owner of a small bookstore who lost his wife years earlier. He now lives a lonely existence and drinks himself into a stupor at least once a week. He’s also quite grumpy to everyone around him.

A book seller named Amelia and played by Lucy Hale, stops to sell him books and he brushes her off, overcome with depression.

Later that night he drinks himself into a stupor while looking at a collectible Edgar Allan Poe pamphlet/book that he hopes to one day sell to keep himself afloat.

When he wakes up in the morning the book is gone so he runs to the police station where he meets Chief Lambaisse (David Arquette). He has a panic attack in the police station and is sent to the hospital where the doctor suggests he exercise more. He does start running again, which he used to do before.

After awhile it is determined that the book cannot be found and AJ is distraught but moves on with his life. One day he comes home from a run and finds a toddler in his shop with a note pinned to her shirt, asking for him to take care of her.

Later the child’s mother is found dead, so AJ adopts her and his life begins to change.

The movie will eventually come full circle in many ways and the mystery of where the little girl, Maya, came from weaves in and out of the plot.

The movie also starts Scott Foley and Christina Hendricks.

I didn’t find this movie comfy or cozy in some parts, but in others it was those things because it showed friendships being formed, romantic love blooming, and new love coming alive for a man who felt his life had ended and he had no future.

The acting was outstanding and there was a ton of deep thinking produced by almost every scene.

Disclaimer: there were a few difficult subjects in this movie and I am only sharing this just to give a heads up to anyone who is uncomfortable with subjects like infidelity, miscarriages, suicide and cancer deaths (none of these are focused on extensively or in great detail). This movie was much less cozy to me than other movies we’ve watched in the past and I share that just so my blog readers are not totally blindsided.

I found a few facts and trivia I enjoyed reading about the movie, but did not find as many as I did for other movies. Maybe because this was a quieter movie that wasn’t a huge “blockbuster”? I’m not sure.

Kunal Nayyar also played Raj Koothrappali in The Big Bang Theory where he and Howard Wolowitz discuss the correct pronunciation of “Halley’s comet”, which is talked about in this movie. (Source IMdb)

This was David Arquette and Scott Foley’s second time working with each other. They previously worked together on Scream 3 (2000).(Source IMdb)
This story is called by some a modern retelling of the classic “Silas Marner” by George Eliot.

Erin expresses the message and feel of this movie in a much better way than I am able to so please check out her post here:.

This brings us to the end of our Comfy, Cozy Cinema. I hope you all had fun following us along!

You can find my impressions of the other movies here: https://lisahoweler.com/movie-reviews-impressions/

Comfy, Cozy Cinema: The Englishman Who Went Up A Hill But Came Down a Mountain

November 6, 2025November 6, 2025 / Lisa R. Howeler / 12 Comments

Erin from Still Life, With Cracker Crumbs and I are hosting the Comfy, Cozy Cinema again this year.

Our movie this week was The Englishman Who Went Up A Hill But Came Down A Mountain.

There are three things to know about this movie: It is based on a Welsh legend (but not actually true), it a romantic comedy, and it has the longest title of any movie I have ever watched.

First, let’s have a little description from online:

During the days of World War I, a small Welsh town relies on its local mountain as a source of pride. When two English cartographers, Reginald Anson (Hugh Grant) and George Garrad (Ian McNeice), arrive to measure the mountain, they discover the landmark is 16 feet short of achieving the official mountain classification. Disheartened that their mountain has been deemed a hill, the townsfolk devise a plan to make up those 16 feet. Meanwhile, Anson falls for a local woman (Tara Fitzgerald).

This movie has all the things I like — Quirky characters and story, beautiful views, dry British humor, and a bit of romance.

Hugh Grant is adorable in it and Colm Meany ads a bit of humor (even if he is a dirty scoundrel).

It is free of bad language, sex, or violence.

Well, let’s talk about the sex a bit. There are suggestions of it being engaged in, but none is shown.

The movie starts with the narrator explaining that a lot of people in Wales, where the movie takes place, have the same last name so people began to attach their occupation to their name. This is why a little boy wants to know why one man had a very long occupation attached to his name. He asks his grandfather and the grandfather begins to tell the story.

We then switch to Hugh Grant’s character, Reginald Anson (there is no way to say that name without using a British accent by the way. Try it. I dare you. It doesn’t sound right in an American accent) riding into a small village with another man, George Garrad, portrayed by Ian McNeice.

They pull up to a barn and inn, looking for a place to stay. The bar is owned by Colm Meany’s character.

Colm Meany is called Morgan the Goat. Why is he called this? Well, Morgan is taking advantage of the fact that man of the men of this village are in France fighting in the war. He’s keeping the wives of these men company, shall we say. This is why the church is full of babies that look a lot like Morgan, which absolutely infuriates the minister, Rev. Jones, portrayed by Kenneth Griffith.

So, Reginald and George explain to Morgan that they are there to conduct some surveys to record the topography of the area for the war effort because it is important to know the lay of the land in case the enemy invades.

If they are going to be checking out the local topography, Morgan suggests they check out the only mountain in Wales — Ffynnon Garw.

George a bit of a laugh but eventually they agree they will check the “mountain” out as part of their effort. The only problem is that they don’t really think it is a mountain. See, to be considered a mountain in the UK, the elevation has to be at least 1,000 feet. The cartagrophes don’t think that will be the case when they measure. This upsets the people of the town who have pride in the fact they have the only mountain in their country.

The reverend is especially riled up at the prospect of the mountain being classified as a hill.

When it is discovered that Ffynnon Garw isn’t a mountain, well, all hell breaks loose and many touching, ridiculous, and heartbreaking moments unfold as Morgan decides to delay Reginald and George from leaving while the town’s people find a way to make the hill a mountain.

The reverend and Morgan don’t get along at all but the reverend agrees that it is important to make the hill a mountain to boost morale of the village during the war.

Some of the fun or interesting characters in this movie are the twins with the same name, Johnny Shellshocked (who suffered PTSD in the war), William the Petroleum Man, and Davies the School.

One con of this movie, for me, though, I loved it, was the romance. It was late in the movie, no time for development and I felt like it was just thrown in as a last-minute idea. The posters for this movie with the actress and Hugh Grant on the front are baffling to me because she really wasn’t that important of a part of the movie for me.

Some trivia/facts about the movie:

This movie was written by Ifor David Monger, the grandfather of the director Christopher Monger who told his son about the real village of Taff’s Well, in the old county of Glamorgan, and its neighboring Garth Hill.
Due to 20th century urbanisation of the area, it was filmed in the more rural Llanrhaeadr-ym-Mochnant and Llansilin in Powys.

The narrator begins by remarking that “For some odd reason, lost in the mists of time, there’s an extraordinary shortage of last names in Wales.” Actually there is a known reason: as part of their increased domination of Wales in the 16th century, the English abolished the Welsh system of patronymics and introduced surnames arbitrarily. (source IMbd)

“Despite the implication in the film, and the real-life local legend, the story is fiction. Historians have determined that the mound at the summit of Garth Mountain (the inspiration for the movie) is a Bronze Age burial mound. In 1999, local officials and the History Society placed a sign on the mountain, telling the many climbers who’ve been coming there because of the movie’s popularity of the site’s real significance – and warning that they face two years in prison if they disturb the burial mound.” (source IMbd)

When Williams the Petroleum breaks a piece of the Englishmen’s car and pretends to discover it, he says he doesn’t know the English name for it, but in Welsh it’s called a “beth-yn-galw.” “Beth-yn-galw” translates more or less to “whatchamacallit”. (source IMbd)

To read what Erin thought about the movie, visit her blog:

Have you ever seen this one? What did you think of it?

You can see the rest of the list of movies in this cool graphic that Erin made:

Comfy, Cozy Cinema: The Mummy (1999)

October 30, 2025October 30, 2025 / Lisa R. Howeler / 11 Comments

Erin from Still Life, With Cracker Crumbs and I are hosting Comfy, Cozy Cinema again this year and up this week was The Mummy!

The Mummy (1999) was a perfect watch for Halloween, though maybe not super comfy or cozy? I don’t know but we slip some creepier ones in for Halloweeeen too so it all evens out! This one isn’t super creepy all the way through, though, and oneee thing you should know is that The Mummy does not take itself too seriously.

Even though it isn’t really a horror film, it deals with the dead and ancient curses, gross bugs, the undead, and bringing people back from the dead and…., etc., etc.

And we also get to see when Brendan Frasier had a career. Ha! I kid. I kid. I know his career has been resurrected like some of the characters in this movie. I just thought it was a funny line.

This movie has become a cult classic after performing well in the theaters, but even better for video/DVD sales which raked in $1 billion for Universal in 2000. The movie’s success even led to a sequel, The Mummy Returns, which was must less successful and then yet another sequel, which was not a huge success either, if I remember right..

Even though I have seen this movie a couple of times, it’s been a long time since the last rewatch, so I rewatched it with my kids to remind myself of specific scenes, plot, etc.

Etc. is the word for today, by the way. I’m going to keep using it throughout this post just to be annoying, obnoxious, belligerent, etc. etc.

(I’m kidding about that too. I can’t keep that up for an entire post…..or can I?)

This movie starts with the affair between Imhotep and Anck-su-namun, the mistress of the Pharoah. No one was to touch Anck-su-namun other than the Pharaoh but I guess Imhotep missed that memo because he started an affair with her.

The two are caught by the Pharaoh, the Pharaoh is killed, the Pharaoh’s men come in, Imhotep escapes while Anck-su-namun reminds him that only he can resurrect her later so she kills herself before the Pharaoh’s men can.

Imhotep then steals Anck-su-namun body and tries to resurrect her but is interrupted by the pharaoh’s guard and is intombed with a bunch of creepy beetle things and buried alive “for all eternity.”

Ha. As if that line is going to stick. Of course, we know something is going to happen to disturb this dude’s resting place.

The Medjai, by the way, are sworn to prevent Imhotep’s return, as his resurrection would grant him immense power. They are guarding over him when Rick O’Connell (Brenden Frasier) is in the French Foreign Legion, fighting against an Arab Army, and finds the tomb, but runs away when the sand begins trying to attack him.

The Medjai decide not to kill him, but instead to “let the desert kill him instead.”

Bad idea because Rick lives and discovers an intricate box, which he takes home with him and has stolen by Jonathan Carnahan (John Hannah) who gives it to his sister, Evelyn (Rachel Weisz) a librarian and very green Egyptologist.

Evelyn finds a map inside the box that will lead them to buried Egyptian treasure but it is in the city of the dead. She takes it to her boss at the ancient library but he — oops — sets in it on fire. Was that an accident? Hmm…not so sure there.

Now Evelyn wants to know where Jonathan got it so they set off to find the man who Jonathan stole the box from.

Rick is in jail and actually looks way too clean to have been in jail and he agrees to help Evelyn get to the lost city of death if she will get him out of jail. She figures out a way, but the jailer says he is going to come along to keep an eye on his prisoner.

From there, hijinks ensue, especially when the group runs into a rival team also looking for the city and treasure and Rick runs into an old “friend” who always abandoned him at the most inopportune moments. That friend is Benji and he provides a lot of humor throughout the film, including an iconic scene where he uses symbols from several different religions to keep the mummy from attacking him.

This movie is a fun ride. My husband and I had seen this years ago in the theater when we were first dating — we think anyhow. Our memories are so fuzzy because we are so old.

The Boy said during this movie, “This movie is so fun. I’m really liking this.”

I could have sworn he’d seen this movie before, but he had not, and wanted to, so the timing was perfect, great, impeccable, etc. etc.

The movie is full of eye-candy for all with Rachel Weisz being pretty and Brenden and Oded Fehr and even Arnold Vosloo for those who like bald men.

As I mentioned above, The Mummy is not necessarily a “horror” film but there is a lot of grotesque scenes and moments involving — a bit of a spoiler here — the mummy trying to piece himself back together, which involves pulling other pieces off living humans.

The film was shot in Morocco and The United Kingdom. I found it interesting when I read that Universal took out kidnapping insurance on the crew and cast but didn’t tell them until filming was over. Yikes.

This is the movie where we almost lost Brendan Fraser to by the way

According to an interview with Brendan on The Kelly Clarkson Show, in the scene where Brendan is being hung, the director told him it wasn’t looking believable. Brendan pushed up on his tiptoes while the man who was holding the rope lifted up and Brendan had nowhere to go but try to push down.

“So he was pulling up and I was going down. And then the next thing I knew, my elbow was in my ear, the world was sideways and there was gravel in my teeth.”

He said the stunt coordinator was leaning over him clapping his hands and calling, “Brendan. Come on, Brendan.”

When he did, the coordinator told the actor, “‘Congratulations, you’re in the club — same thing happened to Mel Gibson on ‘Braveheart.’”

The Mummy became such a hit that there were two sequels and a spinoff. Yes, I saw the spinoff with Dwayne “The Rock” Johnson, The Scorpion King. No, I do not recommend it.

I never saw The Mummy: Tomb of the Dragon Emperor but I probably wouldn’t recommend it either.

This movie did get positive reviews when it came out, with most calling it lot of fun.

Roger Ebert of the Chicago Sun-Times gave the film a positive review, writing, “There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. I cannot argue for the script, the direction, the acting or even the mummy, but I can say that I was not bored and sometimes I was unreasonably pleased.”^[

Trivia and facts:

*Disclaimer: always make sure to double check these as what I report is only as good as the sites I pull it from and they are not always accurate.

The library disaster in the beginning of the film was done in one take. It would have taken an entire day to re-shoot if a mistake had been made. (source IMdb)

The effects team was told “no gore” when designing the look of the Mummy. They actually did tests for “grossness threshold.” (source IMdb)

Erick Avari who portrayed Dr. Terence Bey now portrays Nicodemus on The Chosen. (source: me!)

With the exception of a loin cloth, a few pieces of jewelry, and pasties, Patricia Velasquez as Anck-su-namun, was nude except for body paint, which took four hours to apply. (source IMdb)
This movie is a remake of the 1932 film of the same name. (various sources, including my husband.)

The white nightgown Evelyn wore when the ship was attacked became transparent when it got wet and had to be digitally painted white during post production so the film could keep its PG-13 rating. (source IMdb)

The Medjai were originally supposed to be tattooed from head to toe, but Stephen Sommers vetoed it because he thought Oded Fehr was “too good-looking” to be covered up. (source IMdb)

The crew could not shoot in Egypt because of the unstable political conditions. (source IMdb)

To avoid dehydration in the scorching heat of the Sahara, the production’s medical team created a drink that the cast and crew had to consume every two hours. (source IMdb)

Sandstorms were daily inconveniences. Snakes, spiders and scorpions were a major problem, with many crew members having to be airlifted out after being bitten. (source IMdb)

When Evelyn reads the inscription “He who shall not be named” on Imhotep’s sarcophagus, the hieroglyphs used are accurate. The inscription actually translates literally as “the one without a name.” (source IMdb)

The film is called The Mummy everywhere except Japan where it is called Hamunaptra: The Capital City of the Lost Desert. (source, TVTrops.org)

“John Hannah claimed in interviews that he didn’t have the best time shooting the film because he felt the character of Jonathan was pretty redundant: he had been hired as a comedic actor but Beni was far more prevalent as the comedy relief and he didn’t work as a sidekick either since Evy fulfilled that role as well. Whenever Hannah tried bringing this up to Stephen Sommers, the latter would just tell him to make something up. Luckily, later films in the series would give Jonathan a more focused role as the comic relief and give him more stuff to do.” (source, TVTrops.org)

“The original script’s opening had a number of edits. Imhotep was originally supposed to narrate, and following Seti’s murder Imhotep was supposed to lead the ritual to curse Anak-su-namun’s mummified body for her crime of regicide, only for Imhotep and his priests to dug up the body as soon as all the other witnesses were either dead or had left; in a scene mirroring Imhotep’s origin story in the original film, the diggers were to be killed by the soldiers after burying Anak-su-namun, and for the Med-jai to kill the soldiers afterwards in order to keep her grave a secret. During the ritual at Hamunaptra, Imhotep explains the ritual didn’t require a human sacrifice since Anak-su-namun’s organs were still fresh. When the Med-jai arrive to stop Imhotep, one of them smashes the jar containing Anak-su-namun’s heart, explaining why it it’s intact in one shot, and broken in the shot where her soul flees back to the underworld. Lastly, Imhotep explains how part of the Hom Dai works: the sacred scarabs would be able to enter his now tongue-free mouth and he’d be forced to consume them, cursing him, while the scarabs would become cursed as well upon consuming his flesh, creating a perversion of the cycle of life, death, and rebirth. Yes, the scarab swarms that plague our heroes later are all undead insects.” (source, TVTrops.org)

If you want to read Erin’s impressions of the movie, you can find it here

So, have you ever seen this one? What did you think of it?

Up next in our Comfy, Cozy Cinema will be The Englishman Who Went Up A Hill But Came Down a Mountain.

You can read my impressions of past movies in this year’s Comfy Cozy Cinema and past years here: https://lisahoweler.com/movie-reviews-impressions/

Our full list of movies is here:

Comfy, Cozy Cinema: The Young In Heart

October 16, 2025October 16, 2025 / Lisa R. Howeler / 7 Comments

Erin from Still Life, With Cracker Crumbs and I are hosting Comfy, Cozy Cinema again this year and up this week was The Young In Heart.

And, yes, that title is the actual title: The Young IN Heart.

I feel like I cheated a little bit this week because not only have I watched this movie, but I also wrote about it when I watched it for the Winter of Douglas Fairbanks Jr. That means I had an advantage to Erin when it came to writing this week’s post because I am going to quote a lot of my original post.

This is part of what I wrote in that post: “I absolutely loved Douglas in this one. He played a more prominent role than in Gunga Din and was simply … shall I sound completely cheesy? Yes, I shall. He was completely delightful.

At one point, I texted my friend Erin that a drunk Douglas is adorable.”

Yes, I did text Erin this past January to tell her he was adorable. Yes, I am weird.

Before I forget, I found this one for free on YouTube.

So, let’s get to the movie.

The Carlton family, of which Douglas is a part of in this movie, are not a family you would want to know in real life. They are swindlers and grifters. They mooch off and manipulate people to scrape by in life.

We open the movie in the French Riviera with Douglas’s character (Rick) ready to marry a young woman whose father is rich.

Everything falls apart, though, when the police find out about the family and reveal their conniving ways to the family of Rick’s future wife. The family is told to get out of France and end up on a train where they meet a ridiculously sweet woman (Minnie Dupree) who has only recently come into a great sum of money.

Ironically, her last name is Fortune. George-Anne sets out to swindle the woman out of paying for their lunch, but the plan expands as the woman explains she lives alone in a big mansion left to her by a former suitor. She is saying how lovely it would be if all of them came to stay with her when there is a train derailment. Their car tips and at first Rick and George-Anne believe the old woman has died. She’s still breathing so the siblings carry her from the car and George-Anne covers her with her own coat.

We begin to wonder if the family is rotten through and through and are still playing things up as the woman later recovers and invites the family to come live with her.

George-Anne suggests to the family that if Miss Fortune believes they are a respectable family she will be more willing to let them live there and maybe even leave them money when she leaves. To play up this ruse she suggests the men get actual jobs and she and her mother act like caretakers and women who don’t swindle people out of money.

This is all very baffling to the family who has always cheated and stole for a living. When the men decide George-Anne’s plan might work and go to look for jobs, the scenes that follow are some of the most hilarious tongue-in-cheek moments I’ve seen in a movie.

Spinning around in the background of the family’s drama is the romance between George-Anne and Duncan Macrae (Richard Carlson), who she originally considered marrying when she thought he was rich. Duncan learned she was a con-artist along with everyone else and was shattered but still ends up chasing her down on the train back to London to tell her he still loves her.

The rest of Rick’s family — father, Col. Anthony “Sahib” Carleton (Roland Young), mother Marmey Carlton (Billie Burke), and daughter George-Anne (Janet Gaynor) — are thrilled with this plan because they know it will also set them all up for a rich life. George Anne might be even more thrilled because then she can marry a poor Scottish man who she’s fallen in love with, and the rest of her family will support her financially.

She tells him to get lost, believing he’s much too good for her and . . . well, you’ll have to see where all that ends up.

Rick is also having his own romance with Leslie Saunders (Paulette Goddard), a secretary and the engineering business he applies at for a job.

This is the second – or shall I say third – movie I’ve watched in recent months with Billie Burke and there is no mistaking that voice if you have seen The Wizard of Oz.

Yes, she is Glenda the Good Witch.

The screenplay for this movie was written by Paul Osborn and adapted by Charles Bennett from the serialized novel, The Gay Banditti by I. A. R. Wylie. That title certainly would have had a different connotation in the modern day, eh?

Anyhow, the novel appeared in parts in The Saturday Evening Post from February 26 to March 26, 1938.

The movie was released in November of the same year. They certainly worked fast back then.

I found it interesting when I read that Broadway actresses Maude Adams and Laurette Taylor screen-tested for the role of Miss Fortune and that the footage is the only audio-visual samples that existed of both of them.

The movie was produced by – can you guess? Because it feels like every movie I write about lately is produced by him.

Yes. David Selznick. The man who produced what is considered one of the biggest movie triumphs in the world — Gone with the Wind.

This movie was one of many he produced leading up to Gone With The Wind. The Prisoner of Zenda, which I wrote about a couple of weeks ago, was another. Goddard was actually rumored to be being considered to play Scarlet O’Hara in Gone With The Wind, which later, of course, went to Vivien Leigh.

While I was watching the part of the movie where Mr. Carleton goes to apply for a job, I was fascinated by the fancy car they showed. It was spinning like a pig on a spit at the front of the building and it was a very modern looking car and a very modern looking set up altogether.

According to Ultimate Car Page and Wikipedia, https://www.ultimatecarpage.com/car/1905/Phantom-Corsair.html

The six-passenger 2-door sedan Flying Wombat featured in that scene was actually the one-of-a-kind prototype Phantom Corsair. The Phantom Corsair concept car was built in 1938 and designed by Rust Heinz of the H. J. Heinz family and Maurice Schwartz of the Bohman & Schwartz coachbuilding company in Pasadena, California.”

I also found it interesting that this was Gaynor’s last movie before retiring while she was at the top of her career. She made one last movie in 1957 called Bernardine.

Like I said above, I loved this movie. It was just what I needed to watch this week with so much sadness going on in the world. There was a lot of humor from all the cast, but Douglas really had me smiling throughout. Not only because he is my latest old Hollywood star crush (watch out Paul Newman!).