When you’re afraid to let your thoughts go beyond the surface

I’ve been keeping my thoughts at surface level lately, finding ways to distract myself from the “deep thoughts” I don’t want to face.

It’s been going on for months, but it got to the point of fully crawling into a psychological  hole of denial around the time my aunt died in the end of December. When those thoughts would come to mind – the ones that reminded me everyone dies and others will follow my aunt soon – I grabbed my phone and flipped through photos on Instagram, or watched clips on Youtube. Anything to keep my mind from going there – the dark part of my mind where thoughts grab me and pull me down and hold me in the darkness while my soul spins around and around in a panic.

“I don’t want to grow up. I hate that daddy can’t carry me anymore and I’m too big for us to cuddle at night,” my almost 12-year old told me one night as we turned off the lights for bed.

My stomach tightened and I mumbled something about knowing it was hard but that it was natural to feel worried about the future and growing up. Then I hugged him and rushed off into the darkness of my room and tried to hold it together. I searched for comedians on YouTube and watched them until I didn’t have to think about it anymore. I couldn’t cry. I couldn’t. I just couldn’t. I knew if I cried it was all over. I’d fall apart and it would take me days, if not weeks, to recover because if one rock slipped out of place they would all crumble down.

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The rock that said my little boy is growing so fast and I can’t slow it down.

The rock that said my daughter doesn’t fit snuggly in my lap anymore either and it’s leaving me feeling out of control.
The rock that said I thought about calling my aunt the other day to tell her a funny story and then remembered she wasn’t there to tell.

The rock that says my mom’s health isn’t good and someday I won’t have her to call and seek comfort from.

The rock that says my dad is so tired from Lyme and taking care of two properties and I’m worried he’s going to end up in the hospital, but I can’t make him slow down because he’s an adult.

The rock that says our finances are often not great and it scares me. The rock that tells me I’ve failed at making a career and helping support my family.

The rock that says I don’t pray enough and I know it.

The rock that says I don’t trust God the way I should.

And when all those rocks come down – what will happen?

I have to keep the rocks in place because with them in place I am less of a spazz, less of a person people shake their heads at sadly, less of a jumbled mess of anxiety and more of what a good Christian is supposed to be.

At least, this is what I have told myself as I hold myself hard against the rocks, holding them back, putting them where they belong if they threaten to fall, while the tears try to leak through and push my feelings out into the open, where anyone could see them and know I don’t have it together at all.

I know I’ve said I’m not a person who says “I had a vision” and I wouldn’t call it a vision when I was thinking about all this late one night and I saw Jesus in my mind’s eye, standing by me, looking at me with a small, gentle smile, as I held the rocks in place and then watched as he took each rock in his hands and they faded into nothingness, one by one.

“Don’t worry about these,” he said. “I’ll hold them for you. You can let them go.”

I don’t let go well, Lord, you know that, but I’m trying.

I’m trying.

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Why artists need social media breaks

This is part of a five part series focusing on tips for creatives to keep their own, unique, authentic voice from being silenced.


Listening to your creative voice (1)I recently dropped Facebook for about a week, except for posting a few photos to my Facebook page. I stopped scrolling the timeline. I looked at Instagram maybe once a day or even skipped days. Then I started reading photography tutorials or going on YouTube for tutorials so I could focus on my own development, my own journey.  I had to break the hold comparing myself to others had on me so I could hear my own voice.

And I need to do this again because I am finding myself spiraling down into the trap of comparison and it’s drowning out my own artistic voice. When you, as an artist, spend most of your time looking at other artists, you start to lose yourself. You start to tell yourself you’re not as good as whoever’s work you are looking at. You may also start to recreate what other’s are doing, thinking that if you don’t you won’t find the success these other artists have found. When you, as a person, do this, the results are the same.

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DSC_4477-2When you are constantly looking at work or lives that aren’t your own, you lose sight of your own path; you can’t hear your own voice over the other voices swirling all around you. To ground yourself again in your own art and your own self you need to get quiet and hear what you want to say. You need to clear your mind and listen to your own creative view. When I say, ‘you’ know that I am preaching to ‘me’ because I am horrible at doing this.  I constantly compare myself to others – whether in photography, writing, or life.

I’m almost 41 and I still say to myself “I’m not as creative as this person, as talented as that, as pretty as her, as smart as him.” But when I do that I shut down my own voice. I tell it what it has to offer isn’t important or worthy or it’s own. We don’t all have to be the same. We don’t all have to create the same, look the same, or photograph the same. These statements are obvious and we know it but we don’t really hear it and take it to heart and adopt it as truth.  We see the meme or hear people say “There will never be another you. No one can do you, like you do you.” And secretly we think to ourselves “Ugh. Thank God because the me I know is awful and untalented.

DSC_2079This week my son was crying before bed, lamenting the fact he’s not as good as the other Lego creators he watches on Youtube. He talked to me about his lack of resources, his lack of money to get those resources and what he sees as his lack of creativity compared to those other creators. He sounded just like me and it broke my heart. He is talented and he does an amazing job with what he has access to.

DSC_2281-2DSC_1938.jpgIt’s true that we can’t afford to give him all the tools he needs right now but I reminded him he’s on a journey and reaching a goal in that journey will take time and hard work. Everyone has a different story and a different path that lead them to where they are. What he is seeing and what we are seeing are the highlights of these people’s journeys, not the failures or the tough times or the continuous doubts.

It does sound cliche to say there is only one you and only you can provide your view of the world, whether in photography, writing, or other forms of creativity but it is true. The way each person expresses and shares their creativity is unique and different and even if it is similar to what others have done it’s not exactly the same. Half of the fun of being a creative is the experience of learning and growing and seeing where the next lesson will take us.

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DSC_5101-2I challenged my son to take himself off of YouTube for a week and simply create for the joy of creating. Now I’m challenging you, and myself, to take a week off social media as well and rediscover the enjoyment of seeing the world through our own eyes and not the eyes of a hundred other creatives.

Rediscover what made you start to create in the first place. How did it make you feel, how did it make you see the world in a different way? Quiet the outside world and listen to the voice inside yourself and let’s see what we all create at the end of this week. I hope you’ll come back and let me know how you did.

 

 

When you hit old age before you’re old

000000_DSC_3270-EditI wake up with a weird, buzzing, anxious feeling in my chest.

Everything is wrong, but nothing is wrong.

Everything is scary, but nothing is scary.

Everything is death around the corner, but death is not there.

Restless.

That’s what the ladies in an online support group I’m in call this feeling. I call it sheer terror.

This buzzing,crazy, I’m-going- to -crawl- out of -my -skin -feeling.

I don’t know what to call the internal buzz other than a feeling of doom and darkness, the feeling something bad is about to happen but I’ve forgotten what so I sit for a while each morning trying to remember what in my life is bad and terrifying. I can’t think of anything I should be anxious about so my brain conjures up something for me.

That twinge in my hand.

Is that numbness?

That pain in my back.

Could it be my heart?

Crap.

My cheek feels funny.

Is that numbness?

It’s probably a stroke.

That’s it.

It’s a stroke.

I’m having a heart attack, a stroke and a brain aneurysm all at once.

Before I can decide which ailment I’m dying from there is a kid in my room asking if he can go outside and ride his bike and a toddler hanging off my neck like I’m playground equipment, asking if she can have candy for breakfast. Now my heart is pounding and both my hands are numb and my right ear has filled up and I can’t seem to move my legs right. I’m not old enough to be old but here I am at 40 with all these terrifying symptoms and general feelings of oldness.

The anxiety is nothing new to me, it’s been there off and on for years. The intensity of the thoughts and the inability to slow them down, that’s slightly new, a bit of a sign that something is making this curse progressively worse the older I get.

Despite the horrors my brain keeps screaming at me, I’m certain what I’m dealing with is hormone induced and that learning to cope is what I’ll have to do, especially since the worst time for these thoughts and feelings are right before the cliche “Aunt Flow” stops by for a visit (like a nagging old lady). I’ve told myself I’m not alone in having these feelings and I know I’m not because I’ve read their stories.

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So many women with so many of the same thoughts and all of us terrified and being told it’s all in our head and we just need this pill or that surgery and we will be fine. And don’t forget the traditional lines that always begin with “Well…you’re a woman, so…”

We have become our own doctors, doing research, reading books and blogs and asking questions that many times don’t get answers. We have left behind doctors and “experts” because none of them have helped us and we have had to become our own expert.

And we are cutting out certain food and adding certain food and dropping supplements and adding supplements and living our lives by trial and error to see what makes us feel less like we are hanging by a thread that is about to snap at any moment.

We share our self-care with each other over coffee and via technology and together we find assurance that we aren’t “just women” and, more importantly, we aren’t alone.

Why I didn’t want to tell my son about the death of Anthony Bourdain

I didn’t even know him.

Not really.

But yet it was almost like losing a close friend.

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Photo by the Wall Street Journal digital artwork by Lisa R. Howeler

I’d had a crappy night of sleep with two sick kids and I had reached for my phone to see what time it was. There it is was on my screen- a note from my sister in law expressing shock to the obituary story she had attached.

“No. It isn’t possible.”

I thought this over and over in my bleary-eyed, not fully awake state.

The man who had taken me around the world so many times without me even having to leave my house was dead. I typed out the word “nooo!” to my sister-in-law, as if that word would stop it from being true.

I felt numb and sick to my stomach. It must have been his heart, I thought.

Or something he ate.

He was always eating weird things and something finally got him. Or a car accident or his plane went down while they were traveling to somewhere exotic.

My heart sank when I clicked the link. I was in shock when I read the words.

Suicide?!

Suicide?

Suicide.

It’s like the word wouldn’t even make sense to me.

Anthony Bourdain had committed suicide.

I follow him on social media and recently I had noticed he was looking thin and tired but he travels a lot so I figured he was exhausted. It had been a stressful couple of years. A whirlwind break-up followed by a whirlwind romance and then all that traveling.

Now all that traveling I loved to watch him do was over and the only trip he’d most likely be making was a one-way flight back to the states to be buried.

Suicide.

I still couldn’t wrap my mind around the horror of it all and the horror for Eric Ripert, his best friend, to find him that way. And his daughter. Oh, my heart ached and my head felt funny at the thought of her being told.

I’ve never been a traveler – partially because of finances and partially because I’ve lived a life of fear. Tony made me want to live a life of courage in my small world and if I couldn’t go to all those fancy places just yet I could at least watch him visit them. My son learned about much of the world from a very young age while his dad and I traveled with Tony.

We let him watch episodes we probably shouldn’t have at 4 and 5 and he was introduced to death on an episode where a pig was slaughtered. Granted, this was the age when “No Reservations” was already streaming so we could fast forward the scene, but my kid is wise beyond his years and he knew what was happening despite our attempts to shield him.

We haven’t been able to shield him much these last couple years – not from heartache and anxiety and death. First, the big loss was our dog of 14 years, the dog that had always been his. Then it was a 17-year-old cat, again there all his 11 years. Then the worst blow came four days after Christmas this year when he lost his great-aunt, who had lived with his grandparents since he was four. His head was spinning. School pressure was mounting. Panic attacks were becoming the norm.

We’ve walked through it with him with every loss, every question, every tear, and every crying storm. All the advice says you have to tell your child directly and bluntly about the person who has died so they don’t feel they are being lied to or misled.

When I told my son about his great aunt I was apparently too blunt. I was so nervous because I’d never had to tell him something so hard – not even the death of his dog could compare to this. I blurted out “Dianne died.”

Died. I used the word died because all the articles I found on Google told me to. “Don’t use the words ‘passed on’ or ‘went to a better place,’” the proverbial “they” said. “It needs to be clear to the child the person is dead and never coming back.”

I was so numb from the sudden loss I really didn’t think it through because that advice was for young people, not 11-year olds who clearly know the meaning of the word “dead” but would also understand the term “passed away” would mean the same thing.

He clearly knows what death is and here I was that morning knowing I needed to rip the news of Anthony Bourdain’s death off like a band-aid but, ugh, crap and darn it all to hell, I simply didn’t want to. Especially because I had to add the word “suicide” to the ripping.

“For a little while today I’ll shelter him,” I told myself. “We don’t have cable so he won’t hear it there.”

And all the traditional advice says the news of death must come from someone the child loves so I knew I couldn’t shelter him for long.

The ripping started with the lifting of the edge and then just one fast, hard pull. When I told him he said “oh that’s sad,” but he didn’t take it as hard as I thought. He did, however, express the same denial I did when I told him they thought he’d taken his own life.

“That’s just not possible,” he said. “I don’t believe that part of the story.”

We both agreed it wasn’t possible and we comforted ourselves in our denial of it all.

Dying ways of life and why we fight to hold on to them

When local farmer Scott Walrath recently told me farmers are stupidly in love with farming, I totally got it, maybe more than others who aren’t farmers would. For a long time I was in love with print journalism and now it, and farming, are two dying ways of life. I say ways of life because that is what both are. They are not occupations. They are something you live and breathe and that runs in your blood, dark like the ink in a press. .

DSC_8896DSC_5712-Edit_1In farming there is never a day off, always a cow to help birth or equipment to fix, or fields to work. In print journalism my brain was always working and thinking of the next story. Even if I was not at the office I seemed to always have my ears open to a tip or a feature story idea. Every person I met or place I visited had the potential of a news story or art for the front page. Art, in newspaper lingo, is essentially a main photo to anchor the front page and grab the readers attention so hopefully they will buy the paper.

More and more today, though, people aren’t buying the newspaper and even if they were, the paper to produce the newspaper is so expensive many papers are either raising prices or laying off employees.

New tarrifs on newsprint coming into the United States have raised prices more than 50 percent in some cases. The increase in expenses is leading some papers to drop the size of their papers down as they try to balance the decrease in demand, the rising prices and the difficulty with employing a staff. Small, privately owned newspapers, much like small, family owned farms, are being hit the hardest by the changes.

45bc5-lisar-howelerlisar-howeler58c50-lisar-howeler2ccopyrightlisar-howeler2ccopyrightI find myself trying hard not to think about a world without a physical newspaper to hold in my hand, one where scrolling on a computer or phone replaces the turning of the page. One where we no longer close our eyes and smell the ink, for me the smell of stories yet to be told. Similarly my brain often fights to silence the thoughts and frightening visions of empty barns dotting rural Pennsylvania’s landscapes of open fields, filled with corn or wheat or simply lush green.

Ah, those dying ways of life that a few of us still fight for, maybe because we are stupid, maybe because we are stuck in the “good ole’ days” or maybe because it runs in our blood and we can’t imagine doing anything else.

A loss is a loss no matter how “small”

The ultrasound technician told me he couldn’t see a baby, a heartbeat, anything that should have been there at 12 weeks gestation. I didn’t know what this meant, imagining that somehow we had been off on our dates and it was too early to see anything in an ultrasound, but then again, I knew we couldn’t be that far off our dates.

The midwife told me I had a blighted ovum, or an empty gestational sac, which happens when a pregnancy doesn’t progress beyond the formation of the egg and it attaching to the uterus. A positive pregnancy test shows a pregnancy is underway but often a woman will not get any of the pregnancy symptoms a woman would if the pregnancy was viable. Sometimes, though, she’ll still get these symptoms and it isn’t until the ultrasound that she knows there is no baby and there will won’t be a baby.

No one seems to know why this happens but, from what I’ve read and been told, it is a fairly common occurrence and women should have no problem getting pregnant after a blighted ovum.

It was a wait and see game after that first ultrasound but I was told by the midwife that most likely I would begin to miscarry in a few days. It was about two days after the ultrasound when my body spontaneously began to miscarry. I was one of the lucky ones. Many women have to undergo a procedure where the contents of their uturus are surgically removed. I was relieved when the miscarriage started naturally. The entire situation was so surreal I’m not even sure I can say I was upset by any of it. In the months before I had been under tremendous stress from a family situation and by this point my brain seemed to have gone into a protective lock down mode. I felt emotionally numb by the time the bleeding began.

Since my experience I’ve read many stories about women with either a blighted ovum or very early miscarriages and many times these women seem unsure they have the right to grieve, since their baby never fully formed or passed away at such an early part of the pregnancy. Because I had the same internal dialogue, I can very much relate to this line of thinking.

It wasn’t lost on me at the time that I had suffered some sort of loss but it wasn’t until recently I began to deal with some of the feelings from that time, maybe because I became pregnant three months after my miscarriage with a little girl who is now asleep next to me for her afternoon nap. I was caught up in the fallout from a marriage crisis, the pregnancy and birth of a baby and then the adjustment of having a baby and 8-year old at home. Life rushed by and I never thought much about that previous loss until a couple of months ago when I paused and reflected on how numb I had felt that weekend I miscarried at home and never really let myself think about what could have been. There could have been five of us instead of four or maybe there never would have been because our youngest would simply be a few months older than she is now.

And then I thought about how I never gave myself time to grieve over the loss, which was devastating for our then 7-year old who had waited so long for a sibling. I cried some but never really gave myself time to feel sad.

I told myself the early miscarriage wasn’t worth being sad about. I had two friends at the time who had recently suffered late term losses and I knew that must be much more devastating to cope with. I had no right to cry when they had suffered so much more.

My mom and I both had children eight years apart, with a loss in between, and we both had our son first and daughter second.  I know she knew what it was to lose, but I still felt my early loss wasn’t as serious. My mom had suffered a loss at seven months. She’d had toxemia and the baby was delivered prematurely, at a time when very little could be done to help babies delivered that early.

Then my Mom reminded me one day that our early miscarriage was a real loss because it was the loss of hope and the idea of what was going to be but then never was. And that’s what a pregnancy loss, no matter how early, is. And it isn’t only the loss of a pregnancy –  it is the loss of an expected life.

Grieving this loss, even a very early one, is important. Make sure, no matter what, you find a way to let yourself grieve. I don’t mean you have to grieve publicly, wail in the streets or make all your friends listen to every detail while you sob into their shoulder, but find some way to grieve – either in the quiet of your room or the pages of your journal or sharing with a friend. Grieve in a way that makes you feel comfortable but grieve.

Don’t be afraid to show others that you hurt, for as long as you need. If people truly love you they’ll let you grieve and support you as long as you need them to. They’ll recognize that this is how you’re working through your thoughts and feelings about this season in your life. Those feelings are going to range from deep sadness to anger and denial to eventual acceptance. There may be times you aren’t even sure how you feel and maybe you’ll even feel nothing, like I did, for a very long time.

That’s ok and it’s normal and don’t let anyone tell you different. There is hope and healing, but it takes time, not a definitive amount, but a different amount for each person. Recognize and honor your own time table and accept that it may not be the same as someone else’s but also recognize and remember you are not alone, that there are so many other women who know what you’re going through.

Find time for your soul

There is usually at least one big blow up from me at bedtime on school nights and it’s usually directed at the 3-year old who thinks bedtime is playtime. I know it’s my own fault for trying to put two children with an eight year age gap to bed at the same time. I know it’s my fault for not remembering she’s three and that winding down to the point of relaxation can be hard for a toddler.

And I know it’s also my fault for not finding a little more free time for myself where my soul can be still and listen to my heart. 

After I’ve stomped away to pout and decompress in the bathroom on those crazy nights, I usually remind myself of all these things I should remember.

She’s exhausting and frustrating but I would never give up the playful moments we share between somewhat tired and incredibly exhausted nor the quiet moments when she finally gives in. I love to hear her and her brother’s giggles and watch her jump “jus’ one more time,” for the tenth time.

I love to feel her body tiny, warm, solid and completely surrendered to relaxation and rest against me. The moment I look down and see her eyes closed and her face relaxed is  full of internal elation because once she’s asleep I can have a little bit of free time for myself, if I’m not too tired.

Many times the free time I do find myself with is so short I try to do too much – watch a show, edit photos and write a blog post all at the same time. In the end I often find I have accomplished very little and my head is a jumbled mess of thoughts and sheer panic that I won’t have time to do all I need or want to do.

My goal this next year is to choose one task I want to finish in that golden hour between when the two of them fall asleep and my eyelids won’t stay open anymore.

Today I chose blogging during her nap. At bedtime it may be catching up on a favorite show (of which I have only a few) or reading a chapter in a book or listening to a podcast. Whatever I choose I am grateful for those little moments of mental rest when my soul gets some much needed attention.

How do you step away to recharge your soul?

Or do you?

If not, make that your goal this week. Find time to make space for your thoughts, your feelings and for your soul to breathe.

Photography tips: Never be afraid to raise your ISO to get the shot you want

I recently joined a Facebook documentary group and right before I joined they had a challenge to capture scenes in the evening, after the sun set, at a higher ISO. For non-photographers, taking photos at a higher “film speed” (ISO comes from the day when photographers used film) can create a lot of grain, dots and pixels in an image, so it is often avoided, unless a photographer really needs to set their camera at a high ISO to get the scene before them.

Since I live in a dark house and in the north of the United States, low light situations and the use of high ISO is often required. It’s something I once lamented, having to push my camera to get a photograph I wanted after dark in my dark home. More and more I now embrace the light and dark and the grain but most of all the creative challenge of   finding the right light and the right position to get the shot despite the less than ideal lighting. 

I didn’t get a chance to submit a photo to the album the other photographers had submitted to in the group, but I  tried the challenge myself one night based on their inspiration. 

My daughter was bouncing on the bed with her brother, procrastinating bed time, and I decided capturing the moment was more important that whatever grain resulted in the final image. After all, the image and memory was ultimately for me, not for a project that required a clear, non-grainy photograph. In the end I’m glad I grabbed the photograph because it was a memory that will mean something to me, even if it doesn’t mean anything for anyone else.

The settings for my image were ISO 8000 (the highest I have ever gone), f2.8 and 1/320.

It was shot on a Nikon d750 with a 50 mm 1.8.

Other photographers in the group submitted their favorites from the challenge with a little information about their settings and what they learned from the experience. I hope you enjoy their images and will even visit their blogs to learn more about their art.

Alicia Thwaites

    This photo is by the amazingly talented Alicia Thwaites. Learn more about her thoughts on the project at  

  This photo is by the amazingly talented Alicia Thwaites. Learn more about her thoughts on the project at  

http://www.aliciatphoto.ca/

 

Jennifer Blake

This was taken at 6:43pm
ISO 3200, f1.4, 1/200
“I learned that artificial light doesn’t always have to be ugly and I can play with it and get an interesting shot. I can give myself permission to shoot in less than ideal situations and not miss out on moments.” 

www.jenniferblakephotography.com/blog

 

Adriana Silva

ISO 4000 1/160 f2.5 at 8:30PM.

“I learned that I could push my ISO much higher than I usually go for. I’m including routines that were missing on my memories. Grain… I love grain anyways!”

www.momentsbyadriana.com

 

Cara Bettcher

 

6:54pm, ISO 3200, f2.0, 1/100

”While I feel fairly confident working with low light situations (thank you birth photography), I sometimes forget that you can make even the lowest light unique and powerful. This challenge forced me to step outside my comfort zone of just getting a “safe shot” when light is lacking and to embrace it and use it to create something unique and fun.”

www.bornebackphotography.com

 

Tara Lynn Geldart 

Iso 10,000 1/320 f3.5 @6pm.

“We waited all day to decorate this tree. I was going to move it into the living room to get better light but it was still too dark. I was pretty bummed and almost didn’t take my camera out because I couldn’t make my “vision” work. Instead I bumped the iso and waited for the shot I wanted!” 

www.Tarageldart.com

 

Kathleen White

 f1.8, 1/160, ISO 3200 7:04pm

“Stalling before bedtime, but I’m in love with those perfect little eyelashes. There is something about this picture that makes me want him to stay little now more than ever before.
Also can I just say how much I loved this challenge. It completely pushed me out of my comfort zone and helped me see light in new ways. And it was nice to have some of these nighttime memories captured even through the chaos, when I wouldn’t normally be taking pictures!”

 

http://kathleenelizabeth-photography.com/

Jessica Hachey

This was shot at 8:18 pm at ISO 12800. F 3.5, SS 1/200

“My take away was…experiment! I tried really slow shutter speeds, shooting all the way open and cranking up my ISO. The challenge forced me out of my comfort zone…and now my comfort zone is a little bit bigger.”

 www.jessicahachey.ca 

Lori  Hancock McCurdy

F1.8 ISO 10,000
Here’s what I shared about this shot…
“When your husband sits down to play the piano and sing and you think it’s still so cool after 26 years. 
And you want to make a picture of it. 
And then your daughter decides to dance. 
But it’s almost completely dark. 
And then he laughs at you trying to make a picture in the dark. 
But in the end you make the picture that means so much to your heart ❤️”
https://www.instagram.com/loriamcc

 

Nikki Gould

 

Taken at 8:54 pm ISO 6400 16 mm f2.8 1/250

I’m not afraid of taking photos in less than ideal lighting. It’s something I’ve been working on, knowing that I do sessions in homes and I’m not always guaranteed outside light coming in through the windows. This challenge certainly helped me push myself and watch for the lighting that I needed to achieve the photos that I took, and to push my camera to the extremes. Luckily my kids provide plenty of entertainment when it comes to getting ready for bed.

www.oliveshoot.com

www.instagram.com/oliveshootphotography

Storytelling through your lens: 10 tips for sharing authentic stories

Thank you to Elizabeth Willson of It’s Still Life Photography for this great post about visual storytelling and authenticity in your photography! I loved it and hope you do too!
 


It was a process. As my children grew I dedicated my free time to learning the technical aspects of my camera. To obtaining gear. To capturing images for others. Yet over the past year, I’ve found joy in embracing the story. Each time my camera is raised is an opportunity. It’s a chance to capture a bit of the true life unfolding in front of my eyes, my lens. Not every story is perfect, yet my challenge is to find the emotion and beauty in it. To connect the brilliance and light to the heart.

While each image may tell a story, sometimes a collection of photographs gives the viewer an enhanced scope of the richness of the moments. Here are a few simple suggestions on how to document YOUR story for you to experience in your memory and others to grasp through your visuals.

Choose an event.

In our home of South-Central Pennsylvania, we are surrounded by gorgeous orchards, fields and farms. Our climate leaves only a few short weeks to pick seasonal fresh fruit. When I received an email that our favorite apple-picking orchard offered cherry-picking, I jumped on a free afternoon. Packed up water bottles and my four kiddos, rolled the windows down, and headed for the mountain. It doesn’t have to be earth-shattering. An afternoon at the playground, baking cookies, your bedtime routine…

Get Wide.

To grasp the “big picture” use a wide angle lens. My go-to is the Canon 24-70 2.8L. If you find yourself with the inability to go wider with a lens, then simply back up!

Capture the details.

Cherry-stained finger nails? Yes! Yes! Yes! The little things all combine to create the larger narrative and add the sensory element (smells, tastes, touch) that enrich the story as it unfolds.

 Vary your perspective.

Shoot from above, shoot from below. Lie down, climb trees. Perspective makes a huge impact in giving the viewer a more holistic look at the story.

 Shoot Through.

By using framing of objects in the foreground you can create a “tunnel” effect, like you are peeking through a keyhole or looking glass into the action. There is a mysterious and secretive nature to shooting through objects.

Switch up your lenses.

Yes, it’s ok to change lenses in the middle of a cherry orchard! Personally, in order to add a bit of wonder to my images I shoot with either of my Lensbabys (Velvet 56 or Sweet 35), but you could grab a macro lens, switch out primes or even free lens to get varied effects that contribute to your story. 

 Capture the connection.

Relationships are tough, right? But they are so very rich and deep. I simply adore the connection of my children particularly during the rare moments when they peacefully work together (and enjoy one another).

Get. In. The. Frame.

I know, I know. But bottom line is, YOU. WERE. THERE. TOO. And although you remember it was you behind the lens, your children and loved ones (and grandchildren, and great-grandchildren) want that visual reminder that you shared intimately in their story. So, sit your camera down on the ground (gasp!), set the timer and run 🙂 Or if there happens to be someone else around, pass off your camera to someone you trust. Let go of how you may look and embrace your beautiful role in the story.

 

Include photographs of “things”

While every story has a “main character”, the setting and supporting elements certainly contribute (sometimes pivotally) to the plot. Grab those “things” even when the people aren’t present.

 Be authentic.

Contrary to what you may see on Pinterest-perfect social media, I’m sure you’ve experienced that stories have their ups and downs. There’s whining, there’s frustration, there’s disagreements, there are hot, tired children (and let’s be real, parents too!). Go ahead and capture them. We’ve all been there. And it’s incredible to share the joys and triumphs through it all.

May you be encouraged to embrace your role as “storyteller” and capture your daily adventures.

I’d love to hear from you with any questions and/or see your favorite storytelling images based on this post. Contact me at:

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